Beulah Bondi Movies

Beulah Bondi returns as Martha Corinne, the feisty 90-year-old aunt of John Walton (Ralph Waite). No sooner has she shown up for a visit with John and his family than Martha has set about meddling in everybody's business. Getting the hint that she's no longer welcome, the old lady packs up and leaves, only to suffer a heart attack on the way home. Rather than have people feel sorry for her, Martha begs John-Boy to keep her condition a secret...and to surreptitiously honor her final wishes. ~ Hal Erickson, All Movie Guide

In the conclusion of a two-part story (originally telecast as a single two-hour episode), the Walton men have gathered at the home of Grandpa Walton's elderly sister Martha (Beulah Bondi), whom the government has evicted in so as not to impede construction of the Blue Ridge Parkway. Although certain authorities have promised to reconsider the eviction, certain others go back on their word--and now the Waltons and the Feds are facing each other down, both sides fully armed. As the lone voice of reason in this standoff, John-Boy (Richard Thomas) does his best to avoid unnecessary bloodshed...only to be the first one caught in the crossfire! ~ Hal Erickson, All Movie Guide

This time around, Tammy, played by Sandra Dee, becomes a nurse's aid to care for an old rich woman and causes a commotion. Since she is charming and warm, everyone likes her--especially Dr. Mark Cheswick (Peter Fonda)--who is warned by boss Dr. Bentley (MacDonald Carey) of the consequences of his pursuit. Fearing for his job, Doc Cheswick backs off, but everything gets complicated by romantic inclinations between head nurse Rachel Coleman (Margaret Lindsay) and head Doc Bentley. After Tammy saves the elderly woman's life and Bentley and Rachel get together, she and the Doctor soon are left to bask in the glow of new love. Third in the series of four, Tammy and the Doctor spun from the original Tammy and the Bachelor (1957)--starring Debbie Reynolds, and is followed by the last Tammy and the Millionaire (1967). ~ Kristie Hassen, All Movie Guide

This long, 135-minute feature is divided into four different segments, three highlighting fairy tales and the first introducing the two Brothers Grimm. Wilhelm (Laurence Harvey) is the dreamer, and Jacob (Karl Boehm) is the practical one, and between them, some marvelous fairy tales develop. Seguing into the first tale about the "Dancing Princess," co-directors Henry Levin and George Pal -- also the producer -- allow their special-effects artists full rein. In-between dancing, the princess (Yvette Mimieux) falls in love with a charming woodsman (Russ Tamblyn). In the second story about the "Cobbler and the Elves," a Christmas miracle of dedicated labor helps the cobbler out when he most needs it. In the last story, a fire-breathing dragon threatens the kingdom until a lowly servant (Buddy Hackett) saves the day. One of the highlights of this production are the Puppetoons, and another is Cinerama -- three projectors working to create a three-paneled (sometimes visibly so), wide-screen panorama. ~ Eleanor Mannikka, All Movie Guide

The lush romanticism of director Frank Borzage (Seventh Heaven, Street Angel) is subsumed by the plodding reverence of producer Rowland V. Lee's screenplay (co-written with Howard Estabrook), based on the best-selling novel by Lloyd C. Douglas. Howard Keel stars as a stalwart Simon-Peter, the apostle of Christ called "the fisher of men" and the "Rock" upon whom the Christian Church was founded. The film, on the surface, deals with Simon-Peter's conversion from a self-sufficient fisherman to a believer in the inspirational teachings of Christianity. Simon-Peter also serves the needs of the real story: how Simon-Peter succeeds in joining together two lovers from the other side of the tracks. John Saxon is Voldi, an Arab prince who wants to follow in his father's footsteps as the chief of an Arab tribe and marry his beloved, Fara (Susan Kohner). But Fara, wants to see her father, Herod Antipas (Herbert Lom), dead for the misery he has inflicted upon her mother -- abandoning her for the lustful Herodias (Martha Hyer). When Voldi and Fara hear the teachings of Christ, they realize that their love must be put in abeyance to their Christian beliefs. ~ Paul Brenner, All Movie Guide

In this crime thriller a young woman marries a wealthy vintner. Soon afterward, she falls in love with a handsome rodeo rider whom she sees every time her husband is away. One night, her mother-in-law spots a burglar outside the house and reports it to the police. The conniving wife sees a window of opportunity and plots the death of her husband, hoping to blame it on the burglar. Unfortunately, she accidentally murders her husband's friend. Fortunately, she is able to con her husband into taking the rap with the promise that he will be acquitted. During the trial, she lies and he is put away. Later she gets hers when her mother-in-law is poisoned and she is convicted of the crime. The irony of it all is that the wife is innocent of that crime. ~ Sandra Brennan, All Movie Guide

As a gift to his young wife Ethel (Janet Ward), real estate agent Ralph Montgomery (Everett Sloane) hires a cook named Mrs. Sutton (Beulah Bondi). Before long, however, Ralph has reason to regret this act of extravagance, as evidence begins to pile up suggesting that Mrs. Sutton is the same woman who has recently poisoned three people. When traces of arsenic show up in Ralph's hot chocolate, it would appear that his suspicions about Mrs. Sutton have been confirmed. But, as often happens on Alfred Hitchcock Presents, the truth of the matter is something else entirely. ~ Hal Erickson, All Movie Guide

Lana Turner stars in this musical/romantic comedy amalgam from director Mervyn Leroy. Turner plays Nora Taylor, a wealthy heiress who finds herself seeing a psychiatrist because she can't decide whether she is loved for herself or her money. When her rich boyfriend (John Lund) takes off for Brazil, Nora tags along with him, hinting that the trip will improve their relationship. But once in Brazil, her boyfriend seems more interested in business dealings than love. As she waits around for her disinterested suitor, she meets a handsome Latin millionaire (Ricardo Montalban), and his charm makes her fall for him immediately. While this relationship is coalescing, Nora's boyfriend is beginning to notice her vivacious secretary Anne Kellwood (Jean Hagen). ~ Paul Brenner, All Movie Guide

Barbara Stanwyck and Walter Huston give standout performances in this dark, psychological western, which Martin Scorsese has compared to the work of Dostoevsky. T.C. Jeffords (Huston) is a cunning and highly successful ranch owner who has announced his engagement to a wealthy socialite, Flo Burnett (Judith Anderson). This news is not warmly received by his daughter Vance (Stanwyck); she had a romance of her own with gambler Rip Darrow (Wendell Corey) foiled by her father, and Vance does not care for her light-headed stepmother-to-be. Vance is driven into a violent rage by T.C.'s Machiavellian actions, and when he kills a good friend of Vance's (a ranch hand he believes was helping Mexicans squat on his land), she swears revenge on her father and joins forces with Darrow to see that violent justice is done. The Furies proved to be Walter Huston's last film; he died within a few months of its release. ~ Mark Deming, All Movie Guide

Returning from WW II, gambler Joe Miracle (Glenn Ford) discovers that his partner is dead, his gaming house has been sold, and his fortune has been claimed by others. Forced to steal back money which is rightfully his, Joe takes refuge in a settlement house run by social worker Jenny Jones (Evelyn Keyes). The girl hopes to reform Joe; he plays along, intending to skedaddle when the heat is off. Not unexpectedly, Joe begins to mellow as he learns the satisfaction of doing good for others. Meanwhile, investigative reporter "Early" Byrd (John Ireland) bides his time, hoping to expose Joe as a wanted fugitive and thus attain a big scoop. Two directors were credited for Mr. Soft Touch, though it's hard to discern where one ended and the other began. The film was released in England as House of Settlement. ~ Hal Erickson, All Movie Guide

This comedy is based on the enduring radio series and chronicles the attempts of an airplane riveter to find a better paying, less physically taxing job. Chester A. Riley gets his chance when his employer's son falls in love with Riley's daughter. Wanting to make her father happy, the daughter, who does not really love the boss's son, agrees to be his wife if her father can be promoted to an executive. This happens and the reluctant but honorable young woman prepares to become a bride until Riley finds out and sets things right. ~ Sandra Brennan, All Movie Guide

Like Disney's earlier Song of the South, So Dear to My Heart peppers its live action with animated sequences. In this film, however, it is the "live" story that lingers longest in the memory. Set in 1903, the film takes place on the small Kincaid farm. Twin sheep are born in the barn: one white, one black. When the mother sheep rejects the black lamb, young Jeremiah Kincaid (Bobby Driscoll) adopts the animal, naming it Danny, after the great trotting horse Dan Patch. Danny grows up to be quite troublesome, and Jeremiah's grandmother (Beulah Bondi) wishes that the boy would get rid of his pet. Jeremiah's only ally is kindly blacksmith Uncle Hiram (Burl Ives), who encourages the boy to enter Danny in blue-ribbon competition at the county fair. Granny is against this notion, so Jeremiah sets about to pay his own way. On a stormy night, Danny runs away; Jeremiah is kept from searching for the lost sheep by Granny, who now believes that the boy wants to enter the state fair contest for selfish reasons rather than out of love for his pet. She further warns that the Lord may not let Danny survive the night. The next day, however, Danny returns. Remembering Granny's remonstrations, Jeremiah now states that he won't attend the county fair, having promised the Lord that he'd forget about the competition if Danny was spared. Moved by this unselfishness, Granny softens her own stance, claiming that she'd promised the Lord that Jeremiah could go to the fair if the lamb returned alive. The story reaches a warm-hearted climax at the fair; Danny doesn't win, but his ultimate prize is far more meaningful than any blue ribbon. The isolated animated sequences spring from Jeremiah's scrapbook, illustrating such homespun philosophies as "stick-to-it-tivity" and "it's whatcha do with whatcha got." So Dear to My Heart yielded a hit song, "Lavender Blue," which co-star Burl Ives retained in his repertoire until his dying day. ~ Hal Erickson, All Movie Guide

High Conquest was a good example of the sort of "prestige" fare that lowly Monogram Pictures hoped to turn out on a regular basis in the postwar years. Adapted from a novel by James Ramsey Ullman, the story centers on Hugo Lannier (Warren Douglas), an American youth who makes it his mission in life to conquer the Matterhorn in Switzerland. Hugo's father had been killed years earlier in a similar attempt, and our hero hopes to honor his father's memory by completing the task. But first, Hugo must overcome his intense dislike of the Alps and his fear of heights-not to mention his fear of fear itself. Top-billed Anna Lee plays Marie, a Swiss girl who believes in Hugo even when he doesn't. Genuine location footage of the Matterhorn is deftly blended with some surprisingly convincing studio mockups. ~ Hal Erickson, All Movie Guide