John Vernon Movies

The first of two TV movies bearing the title Escape, this 1971 film was the pilot for a potential series. Christopher George stars as Cameron Steele, a famous escape artist who solves crimes on the side. Steele and his faithful assistant Nicholas Slye (Avery Schreiber) tackle the case of a kidnapped scientist (William Windom). The scientist's daughter (Marilyn Mason) is likewise in jeopardy, but leaves it to Steele to out-Houdini Houdini in rescuing both father and daughter from the clutches of Numero Uno villain John Vernon. Escape was originally offered as an ABC Movie of the Week on April 6, 1971. ~ Hal Erickson, All Movie Guide

A seemingly benign nuclear arms treaty threatens to explode into another Cuban Missile Crisis. The IMF is assigned to squelch the treaty before any damage can be done. Their plan requires Paris to pose as both a fugitive and the fugitive's father--a tour de force that won an Emmy Award for makeup artist Bob Dawn. Familiar Mission:Impossible villains John Vernon and Will Kuluva make return appearances, while Cincinnati Reds catcher Johnny Bench makes his acting debut as a military guard. Written by Paul Playdon, "The Catafalque" was originally broadcast on February 6, 1971. ~ Hal Erickson, All Movie Guide

In the conclusion of the three-part Mission: Impossible adventure "The Falcon," Phelps manages to rescue Prince Stephan (Joseph Reale), who has been imprisoned to force a marriage between his fiancee Princess Francesca (Diane Baker) and royal usurper General Sabattini (John Vernon). Meanwhile, the IMF agents keep the rightful heir to the throne, King Nicolai (Noel Harrison), under wraps, while Paris poses as Nicolai in order to throw the King's potential assassins off the track. But will the agents, including the lovely Tracey (Lee Meriwether) be able to rescue themselves before Sabattini wises up? Written by Paul Playdon, Episode Three of "The Falcon" first aired on January 18, 1970, as the final chapter of the series' last multipart story. ~ Hal Erickson, All Movie Guide

After being blacklisted from Hollywood for 21 years, writer/director Abraham Polonsky made a healthy comeback with Tell Them Willie Boy is Here. The title character, played by Robert Blake, is a Paiute Indian living in 1909 California. After several years in the White Man's world, Willie Boy returns to his reservation, hoping to renew his romance with tribeswoman Lola (Katherine Ross). Old Mike (Mike Angel), Lola's father, strongly disapproves of her relationship with Willie Boy and attacks the youth. Acting in self defense, Willie Boy kills Old Mike. Under tribal rules, Willie Boy is now permitted to claim Lola as his woman. But white lawman Christopher Cooper (Robert Redford) is forced to charge Willie Boy with murder. The Indian and his girl escape the reservation, pursued by the essentially decent Cooper and a less-than-decent crowd of white vigilantes. What begins as comparative minor incident, snowballs into a huge political crisis, with the bewildered but defiant Willie Boy as the catalyst. Tell Them Willie Boy is Here is distinguished by the fine performances of leading players Redford, Blake, Ross and Susan Clark, and by the haunting cinematography of Conrad Hall. ~ Hal Erickson, All Movie Guide

Justine (Anouk Aimee) is a Jewish prostitute living in Egypt who manages to sleep her way to the top. Marrying a financial minister, Justine works her way up from her beginnings as a hooker, but continues to use her sexual allure as a tool to win her and her husband's ends. Along the way, she helps the Jews fight for their own homeland against the British and Arabs. The story is told from the perspective of the English nobleman Darley (Michael York), who first meets the temptress in 1938. The Jews in Egypt are continually pressured by the Moslem majority, who also persecute local Coptic Christians. Justine helps both Christians and Jews in Alexandria receive fair treatment despite religious and racial prejudice. Dirk Bogarde and Anna Karina also star in this story tinged with adultery, incest, homosexuality and religious and nationalistic fervor. This story is based on the novel Justine, one of four which comprise the Alexandria Quartet, by British diplomat and novelist Lawrence Durrell. ~ Clarke Fountain, All Movie Guide

Filmed on locations ranging from Denmark to the Universal backlot, Alfred Hitchcock's Topaz is based on a novel by Leon Uris. Frederick Stafford, a veteran of European-filmed James Bond rip-offs of the 1960s, is cast as Andre Devereaux, a French secret agent assigned to snoop around Cuba in the months prior to the 1962 missile crisis. Someone is supplying Castro -- and, by extension, Moscow -- with NATO secrets; it is up to Devereaux to liquidate the "mole." Aiding Devereaux is CIA agent Nordstrom (John Forsythe) and aristocratic anti-Castro Cuban Juanita (Karin Dor), who happens to be the girlfriend of pro-Castroite Rico Parra (John Vernon). The director seems to be in awe of the fact-based storyline, and as a result, the film is more cut-and-dried than most Hitchcock efforts. Three different endings were filmed for Topaz; the Laserdisc version carries all three, as does the print available to the American Movie Classics cable service. According to the MPAA, the film was originally rated M but later changed to PG; however, a number of home-video issues of Topaz officially list it as "Not Rated." ~ Hal Erickson, All Movie Guide

Beaudry (John Vernon), an old army buddy of Ben Cartwright, is just a man who wants to have fun. Unfortunately, his idea of fun is to steal Hoss' horse, pick fights with the townsfolk, and seriously injure Candy. But there may be even worse in store: Tired of a life as vagabond, Beaudry plans to settle permanently in Virginia City. Also in the cast are Melissa Murphy as Noreen, Rodolfo Acosta as Matar, Larry Ward as Stryker and Pepper Martin as Hawkface. Written by Milton S. Gelman, "Yonder Man" was originally telecast on December 8, 1968. ~ Hal Erickson, All Movie Guide

Based on Donald E. Westlake's novel The Hunter, John Boorman's gangster film hauntingly merges a generic revenge story with a European art cinema sensibility. In Alcatraz to divvy up the spoils from a robbery, thief Walker (Lee Marvin) is instead shot point blank by his double-crossing friend Mal Reese (John Vernon) and left to die while Reese takes off with Walker's wife Lynne (Sharon Acker) and his $93,000. Resurrected, the stone-faced Walker returns to Los Angeles a couple of years later to seek revenge on Mal with the help of the enigmatic Yost (Keenan Wynn) and Lynne's sister Chris (Angie Dickinson). Wanting little but his cash, Walker implacably penetrates Mal's lair and the hierarchy of the shady "Organization," registering no emotion about the string of murders left in his wake, as his thoughts repeatedly return to the past that brought him there. In his first American feature, Boorman transforms a stripped-down revenge plot into a surreal meditation on the gangster's spiritual demise, using flashbacks and startling shifts in setting to interweave Walker's fractured memories with his extraordinarily photographed odyssey through L.A. Marvin's chillingly stoic presence further hints at the ambiguities in Chris's observation that Walker "died at Alcatraz, all right." Brutal in the violence that it shows and suggests, Point Blank opened in the U.S. in the same period as Bonnie and Clyde, becoming one more testament to the genre-bending and ground-breaking possibilities of the nascent Hollywood New Wave. Although Point Blank was mostly overlooked in 1967, Boorman's visual adventurousness, and Marvin's amoral and apathetic antihero, have since made Point Blank seem one of the key films of the mid-late '60s, a precursor to revisionist experimentations from Martin Scorsese to Quentin Tarantino. It was remade as the 1999 Mel Gibson vehicle Payback. ~ Lucia Bozzola, All Movie Guide

White settlers are protected by Hawkeye and his partner Chingachgook in this western. ~ All Movie Guide