John Vernon Movies

Long before the Warren Beatty/Annette Bening vehicle Bugsy (92), Harvey Keitel portrayed gangster Bugsy Siegel and Dyan Cannon costarred as Siegel's mistress Virginia Hill in the made-for-TV The Virginia Hill Story. Told in flashback, the film traces Virginia's life from the time she takes up with Bugsy; we see Siegel's takeover of the Las Vegas gaming tables and his eventual death at the hands of his mob rivals. The flashback is bookended by Virginia's 1951 testimony before the Kefauver Committee. The film's attention to period detail does not extend to its "revisionist" dialogue, but it's gratifying to see the often ill-used Dyan Cannon in a worthwhile role. Harvey Keitel is alternately sinister and sensual as Siegel, while Herbert Anderson (the immortal Henry Mitchell from the old Dennis the Menace series) is the living image of Estes Kefauver. A note worth noting: The Virginia Hill Story premiered the same November week in 1974 as the network debut of The Godfather (1972). ~ Hal Erickson, All Movie Guide

In this detective adventure, the pilot episode for the short-livedTV series, suave Matt Helm gets involved with the smugglers who have been providing black market munitions to African mercenaries when he assigned to protect the life of a movie star. ~ Sandra Brennan, All Movie Guide

In this pilot film for a never-sold weekly series, Paul Hecht stars as Joe Tyler, a former Army intelligence officer turned private investigator. For a tidy fee of 5,000 dollars, Tyler agrees to impersonate a businessman who has been slated for assassination. Unearthing a vast conspiracy to defraud a land-development firm, the hero may well get blown to bits before he can make his findings public. Clearly, the planned series was to have Paul Hecht pose as a different person each week, with similar explosive results. The Impostor was broadcast by NBC on March 18, 1975. ~ Hal Erickson, All Movie Guide

Like his WR: Mysteries of the Organism, Dusan Makavejev's controversial 1974 feature Sweet Movie is firmly rooted in the principles of psychoanalyst Wilhelm Reich. In cinematic terms, this means bombarding the audience with an onset of imagery so visceral, disgusting and repellent that it "awakens" the viewer in a Brechtian manner by "short-circuiting" the audience's reactions. Sweet Movie interweaves two narratives. One begins with a trip to the "Miss World Virginity Contest," whose winner, Miss Monde 1984 (Carole Laure) is auctioned off to Mr. Kapital (Animal House's John Vernon), a Texas oil billionaire with an odd perversion. Instead of deflowering her on her wedding night, he sterilizes the terrified girl's body with rubbing alcohol and showers her in urine with his massive gold-plated penis, while an audience watches bemusedly through his bedroom window. She later escapes from her bridegroom, in a suitcase, and winds up at a wild Viennese commune whose participants indulge in public defecation and a food orgy that wraps with a massive display of gurgling, yakking, and vomiting. At the tale's conclusion, Miss Monde shoots a television commercial that involves writhing nude in a giant vat of chocolate, with which she is completely drenched from head to toe, as the cameras roll. The second story involves a woman, Anna Planeta (Anna Prucnal) piloting a candy-filled boat down a river, with a massive papier-mache head of Lenin on the prow and a lover in-tow who is a refugee from the Battleship Potemkin. She eventually does a seductive striptease and seduces a pack of children, then makes love to her paramour in a vat of sugar and stabs him through the heart. Throughout the film, Makavejev includes shock cuts to Nazi autopsy footage and medical experimentation footage, some of which involves physical abuse of infants under the guise of "baby gymnastics." Although it has its admirers, Sweet Movie is something of an acquired taste. And that's putting it kindly. ~ Nathan Southern, All Movie Guide

Chief Ironside (Raymond Burr) is kidnapped by mobster Bruno Roman (Barry Sullivan), but not for the usual reasons of ransom or revenge. Roman orders Ironside to conduct an investigation that will prove that the son of his chief rival (John Vernon) was the murderer of Roman's niece. This puts Ironside between the proverbial rock and hard place: If he doesn't prove that the boy was guilty, his life may be forfeit: If he does prove the boy's guilt, a bloody gangland war will tear San Francisco apart. ~ Hal Erickson, All Movie Guide

In Mousey a made-for-TV thriller, a disturbed and obsessed man seeks to regain his son from his overbearing, controlling wife. Kirk Douglas, nick-named "Mousey" by his high-school student, is left by his wife, Laura (Jean Seberg) who also takes her young son who "Mousey" has adopted. "Mousey" begins to stalk her, murdering strangers in the vain hope of impressing her. Kirk Douglas, well-directed by Daniel Petrie, gives a strong, chilling performance, portraying a vengeful man obsessed over his lack of power. Mousey is exceptionally well done and engrossing. It presents a portrait of obsession and gives Douglas the opportunity to explore and build on his character. While Jean Seberg, in the last role before her death, is quite good, this is Kirk Douglas' movie and he never lets it go. Mousey was also released as Cat and Mouse. ~ Linda Rasmussen, All Movie Guide

Don Siegel directed this offbeat crime thriller which stars Walter Matthau as the titular Charley Varrick. Varrick is a small-time stick-up man who, in tandem with his partner Harman Sullivan (Andrew Robinson), makes plans to rob a small bank in New Mexico. Varrick and Sullivan are expecting a modest payday for a simple heist, but to their surprise they walk away with $750,000 in cash. But it turns out this isn't entirely good news; the bank was flush with cash because a number of well-connected Mafia chieftains have been using the bank to launder their ill-gotten gains, and they're determined to get their money back. Before Varrick can figure out a way to return the money, sadistic hired killer Molly (Joe Don Baker) is on his trail, forcing Varrick to outwit both the cops and the robbers if he is to stay alive.

~ Mark Deming, All Movie Guide

In this thriller based on a novel by Alistair MacLean, Barry Newman plays John Talbot, an underwater salvage expert who witnesses the murder of his wife and child. After working with the police, Talbot hatches his own scheme to bring the killers to justice; posing as a criminal, he stages the phony murder of a police officer and kidnaps Sarah Ruthven (Suzy Kendall), the heiress to a petroleum fortune. Talbot's false daring attracts the attention of a criminal mastermind who wants to recover the valuables aboard a plane that recently crash-landed in the water; however, Talbot knows that the same man was responsible for his family's death, and he intends to see that he never returns from their exploratory search of the wrecked plane. Watch for Ben Kingsley in a small role, it was his first film, prior to Gandhi in 1982. ~ Mark Deming, All Movie Guide

In this made-for-TV pilot, a government agent must stop a rogue operative from releasing a lethal virus. ~ Jason Ankeny, All Movie Guide

Filmed in Greece and Italy, Cool Million was the pilot film for a shortlived 1972 TV series which ran as a recurring feature of the NBC Wednesday Mystery Movie. James Farentino stars as private eye Jefferson Keays, who takes cases only on the proviso that he is to be paid $1 million if he solves the mystery. Keays' current assignment is to locate the heiress to a $50 million fortune. With several candidates to choose from, the detective must use his million-dollar nose to sniff on the worthy one--and to find out if she's responsible for the peculiar death of her wealthy father. Cool Million was released to syndication under the title Mask of Marcella. ~ Hal Erickson, All Movie Guide

Frequent Mission:Impossible villain John Vernon makes a return appearance in "Movie," this time as mob-connected Hollywood mogul Norman Shields. In order to wrest the Syndicate's financial records from Shields, Phelps poses as Theo Dane, the courier brother of mob financier Benjamin Dane (David Brian). But the more fascinating masquerade is pulled off by IMF agents Barney and Mimi Davis (Barbara Anderson), who respectively impersonate a director and an actress while purportedly filming a recreation of a murder committed by Shields (shades of "The Murder of Gonzago" in Shakespeare's Hamlet!) Scripted by Anthony Bowers, Arthur Weiss, and Stephen Kandel, from a story by Bowers, "Movie" first aired on November 4, 1972. ~ Hal Erickson, All Movie Guide

In this western, a train robber is framed by a fellow gang member and sent to prison. The gang member betrayed him so that he could marry the robber's love. To get his revenge, the robber helps out a gang of Chinese whose father, the other guy kidnapped. A showdown between the two leads ensues. Naturally the hero wins it all. ~ Sandra Brennan, All Movie Guide