Ward Bond Movies

American actor Ward Bond was a football player at the University of Southern California when, together with teammate and lifelong chum John Wayne, he was hired for extra work in the silent film Salute (1928), directed by John Ford. Both Bond and Wayne continued in films, but it was Wayne who ascended to stardom, while Bond would have to be content with bit roles and character parts throughout the 1930s. Mostly playing traffic cops, bus drivers and western heavies, Bond began getting better breaks after a showy role as the murderous Cass in John Ford's Young Mr. Lincoln (1939). Ford cast Bond in important roles all through the 1940s, usually contriving to include at least one scene per picture in which the camera would favor Bond's rather sizable posterior; it was an "inside" joke which delighted everyone on the set but Bond. A starring role in Ford's Wagonmaster (1950) led, somewhat indirectly, to Bond's most lasting professional achievement: His continuing part as trailmaster Seth Adams on the extremely popular NBC TV western, Wagon Train. No longer supporting anyone, Bond exerted considerable creative control over the series from its 1957 debut onward, even seeing to it that his old mentor John Ford would direct one episode in which John Wayne had a bit role, billed under his real name, Marion Michael Morrison. Finally achieving the wide popularity that had eluded him during his screen career, Bond stayed with Wagon Train for three years, during which time he became as famous for his offscreen clashes with his supporting cast and his ultra-conservative politics as he was for his acting. Wagon Train was still NBC's Number One series when, in November of 1960, Bond unexpectedly suffered a heart attack and died while taking a shower. ~ Hal Erickson, All Movie Guide
1932  
 
In this western, a Pony Express rider believes himself to be a Native American. The trouble begins when an Anglo outlaw begins stealing the fastest horses from the organization. The outlaw then blames the local Indians for the thefts. The gallant young rider learns of the scheme and rounds up the real culprits. Along the way he learns that he is really a white man who had been abducted and raised by the Indians. He is pretty happy because now he is free to marry the white woman he loves. The racist attitudes in this film are a reflection of its time, 1932, and of the whims of the powerful Hays Office, which censored all Hollywood films. As Hays considered miscegenation (the so-called mixing of races) immoral, the hero had to become a white man to marry a white woman. ~ Sandra Brennan, All Movie Guide

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Starring:
Buck JonesBarbara Weeks, (more)
1932  
 
In his first Western for 1932, Buck Jones went mostly for laughs playing a former Texas ranger inheriting an Arizona ranch together with an uppity girl (Lina Basquette). The will stipulates that neither may sell without the other's consent but Lina is inclined to take an offer from smooth-talking Easterner Alan Roscoe. Jones, however, refuses to sell and the stage is set for a battle of the sexes. But there is silver in them there hills, which the Easterner has known all along. Tired of waiting for a mutual decision, Roscoe and his chief henchman, Wallace MacDonald, kidnap the girl but she is saved in the nick of time by Jones. Have the former combatants fallen in love along the way? Why, of course they have. Lina Basquette married the third of her nine husbands on the set of this film and Jones threw her a party that by all accounts was more entertaining than the film itself. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Russell SimpsonOtto Hoffman, (more)
1932  
 
The title Virtue should be a good tip-off that the central character is a step below virtuous. Carole Lombard, still not established as a comedienne in 1932, plays a streetwalker seeking an escape from her sordid existence. She meets Pat O'Brien, one of the few men who doesn't expect a quick fix of satisfaction. Redeemed by his love, Lombard marries O'Brien and tries her best to bury her past. Fortunately Virtue was made before the 1934 production code, thus Carole Lombard is not subject to the censor-approved Torments of the Damned which were visited upon post-1934 movie prostitutes. ~ Hal Erickson, All Movie Guide

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Starring:
Carole LombardPat O'Brien, (more)
1931  
 
Truck driver Spencer Tracy claims he's "too lazy to work and too nervous to steal", but he gets mixed up in racketeering all the same. Organizing a trucking association, he lines his pockets by demanding protection money from the other drivers. Naturally, Tracy's underhanded business practices make him a pillar of the community. He plans to marry a society girl (Marguerite Churchill), who loves another. When she spurns him, Tracy arranges to have the girl kidnapped. Instead, his henchman turn on him (they've gotten a better offer) and take Tracy on a one-way ride. The first film for writer-director Rowland Brown (something of an expert on gangsters), Quick Millions is a rugged example of Spencer Tracy's earliest movie work. ~ Hal Erickson, All Movie Guide

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Starring:
Spencer TracyMarguerite Churchill, (more)
1930  
 
Lone Star Ranger was a superior entry in western star George O'Brien's Zane Grey series for Fox Studios. Lensed on location in Utah's Monument Valley (long before it was "adopted" by John Ford), the film was adapted for the screen by Zane Grey from a novel by Max Brand, which had previously done service as a Tom Mix vehicle (and would later be remade by Fox with John Kimbrough in the lead). At the outset of the film, Buck Duane (O'Brien) is an outlaw, but upon rescuing Mary Aldridge (Sue Carol) from a runaway stagecoach, he vows to turn over a new leaf. He takes to ranching, whereupon the governor offers him a pardon -- if he will agree to lasso a gang of cattle rustlers. What no one knows is that the leader of the outlaws is Mary's father Colonel Aldridge (Russell Simpson). There are plenty of well-rehearsed thrills in Lone Star Ranger, but the film's most charming moment is purely spontaneous: upon meeting Sue Carol for the first time, a shirtless George O'Brien instinctively sucks in his stomach! ~ Hal Erickson, All Movie Guide

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Starring:
George O'BrienSue Carol, (more)
1930  
 
Add The Big Trail to QueueAdd The Big Trail to top of Queue
The first "epic" western of the talkie era, The Big Trail is motivated by a hero's search for the murderer of his father. Twenty-three-year-old John Wayne, hitherto limited to bit parts, was thrust into the difficult leading role, a young mountaineer put in charge of a huge California-bound wagon train. Over the next several months, Wayne and his fellow pioneers face every imaginable hazard and disaster, from blistering desert heat to blinding snowstorms, negotiating steep cliffs, treacherous rivers, uncharted forests and other such natural obstacles. Meanwhile, Wayne's tentative romance with heroine Ruth Cameron (Marguerite Churchill) is continually thwarted by a charming but duplicitous gambler (Ian Keith), and all-around villain Red Flack (Tyrone Power Sr.) and his henchman Lopez (Charlie Stevens) ceaselessly plot to double-cross the other wagon-trainers for their own financial gain. The Big Trail was a box-office disappointment, a fact which some have attributed its expensive production methods. Each scene was lensed twice, once in 35-millimeter and then in the 65-mm "Fox Grandeur" wide-screen process. And then, each dialogue scene was filmed in French and German, with totally different casts. Even if Big Trail has been a big hit, it would have lost money thanks to the time-consuming shooting and reshooting of virtually every scene. Whatever the case, it was John Wayne who suffered most from the film's failure; instantly demoted to "B"-westerns, it took him nearly a decade to rebuild his stardom. Long believed lost, The Big Trail was made available for exhibition again in the early 1970s -- and in the 1990s the original widescreen version was at last restored for public view. ~ Hal Erickson, All Movie Guide

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Starring:
John WayneMarguerite Churchill, (more)
1930  
 
This drama is set during the mid Twenties when gangsters were a bit more genteel than their 1930s counterparts. Based on a true story, it profiles the experiences of a young gangster who, after getting caught during a robbery is given a choice: he can either go to prison or join the military and fight. He chooses the military. There he becomes a hero. But when he returns home, he immediately returns to gangster life. Trouble ensues when he falls for an aristocratic woman with a daughter. Their happiness is interrupted by an old enemy who kidnaps the girl. The protagonist successfully saves the girl and kills his enemy. ~ Sandra Brennan, All Movie Guide

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Starring:
Edmund LoweCatherine Dale Owen, (more)
1929  
 
In this college campus musical comedy from director James Tinling, the first film in which John Wayne received billing (though it's as Duke Morrison), Lois Moran stars as Mary, a pretty young singer who is sought after by two competing composers. Wayne plays Phil, one of the two rival songwriters who are vying not only for the girl, but for a 1,500-dollar prize for writing the best show tune. Mary agrees to sing each of their entries in the contest, but in the end she can only choose one of the young men. Songs include "Too Wonderful for Words," by William Kernell, Dave Stamper, Paul Gerard Smith, and Edmund Joseph; "Stepping Along," also by Kernell; and "Shadows," by Con Conrad, Sidney Mitchell, and Archie Gottler. ~ Matthew Tobey, All Movie Guide

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Starring:
Lois MoranTom Patricola, (more)
1929  
 
One of the few pre-1930 John Ford films currently available, the part-talkie Salute was co-directed by Ford and David Butler. George O'Brien is cast as cadet John Randall, star player for the Army college football team. His principal gridiron opponent is Navy player Paul Randall (William Janney), his own kid brother. In the days before the big Army-Navy game, John and Paul's sibling rivalry intensifies as both pay court to pretty Nancy Wayne (Helen Chandler). The film concludes with the inevitable Big Game, an expert blend of newly shot scenes and Fox Movietone newsreel footage. Stepin Fetchit, a Ford favorite, goes through his usual bizarrely racist routines as the hero's valet. The entire University of Southern California football team appears in Salute, including two strapping young players named John Wayne and Ward Bond. ~ Hal Erickson, All Movie Guide

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Starring:
George O'BrienWilliam Janney, (more)

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