Ward Bond Movies

Douglas MacLean, who starred in the original 1919 version of this World War I comedy, produced this remake starring James Ellison as Sgt. Gray. One day at training camp, Gray bets his buddies that he'll be having breakfast with the General (Paul Harvey) the next morning. Through a series of comic episodes, Gray accomplishes his goal, surprising his fellow soldiers. Arthur Lake (Dagwood in the Blondie series) co-stars in this average comedy, which is bolstered by some okay songs from Sammy Stept and Ted Koehler. ~ Robert Firsching, All Movie Guide

Opening in England during the middle of World War II, A Guy Named Joe tells the story of Pete Sandidge (Spencer Tracy), a tough, devil-may-care bomber pilot who's amassed an enviable record in combat, mostly by taking chances that give his C.O. (James Gleason) the shakes, much as he and the top brass appreciate the results. Pete lives to fly, but he also appreciates the fairer sex, which for the last couple of years means Dorinda Durston (Irene Dunne), herself a hot-shot air-ferry pilot. She's also worried about the chances he takes, even after Pete and his best friend, Al Yackey (Ward Bond), are transferred to Scotland and switched to flying reconnaissance missions. Pete finally agrees to take a training position back in the States, but he must fly one last mission, to locate a German force threatening an Allied convoy. He and Al do the job and have turned for home when the German fighter cover attacks; Pete's plane is damaged and he's wounded, and after his crew bails out he takes the burning ship down and drops his bomb-load on the main German attack ship (a carrier, which is totally inaccurate) at zero altitude. His plane is caught in the blast and destroyed, and that's where the main body of the movie begins.

Pete arrives in a hereafter that's a pilot's version of heaven, including a five-star general (Lionel Barrymore). He doesn't even appreciate what's happened to him until he meets Dick Rumney (Barry Nelson), a friend and fellow pilot who was previously killed in action. It seems that the powers of the hereafter are contributing to the war effort, sending departed pilots like Pete and Dick to Earth to help guide and help young pilots; Pete himself discovers that he benefited from these efforts in peacetime. Pete ends up at Luke Field near Phoenix, AZ, where he takes on helping Ted Randall (Van Johnson), a young pilot who lacks confidence. By the time he's done, riding along while Ted "solos," Ted is a natural in the air and ends up as the star of his squadron when he become operational in New Guinea -- in a group under the command of Al Yackey -- and ends up taking over command when their own leader is shot down. Pete's like a proud teacher, and also enjoys his unheard ribbing of Al and his ex-C.O. to Rumney, over their promotions, but then Dorinda shows up, and suddenly Pete finds all of his unresolved feelings about her recalled, even as he sees that she's never gotten over losing him. And when, with Al's help, she and Ted meet and seem to fall for each other, Pete's jealousy gets the better of him. It's only when he is made to realize just how important life was to him, and how important the future is for those still living, that he begins to understand that he has to let go of his feelings, and let Dorinda and Ted get on with their lives. But first he has to help Dorinda survive a suicide mission that she's taken over from Ted, attacking a huge and heavily defended Japanese ammo dump. ~ Bruce Eder, All Movie Guide

Bucolic lawyer John Wayne takes on big-city corruption in A Man Betrayed. He sets out to prove that an above-suspicion politician (Edward Ellis) is actually a crook. The price of integrity is sweet in this instance, since Wayne happens to be in love with the politician's daughter (Frances Dee). Man Betrayed can be viewed from the vantage point of the 1990s as an attempt by Republic Pictures to broaden the range of its biggest star, John Wayne. That it doesn't quite work is forgotten as the audience luxuriates in the sheer professionalism of the whole endeavor--and besides, the Duke does get to put up his dukes on more than one occasion. Man Betrayed has been released under two alternate titles: Wheel of Fortune for American television, and Citadel of Crime (coincidentally the title of a like-vintage Republic "B" picture) for British audiences. ~ Hal Erickson, All Movie Guide

After briefly enjoying an "A" budget as Mae West's vis-a-vis in Belle of the Nineties, Johnny Mack Brown returned to the "B"-picture mills with Columbia's Against the Law. Brown plays ambulance driver Steve Wayne, whose devotion to his interne pal Bert Andrews (George Meeker) supersedes all else in his life, including his romance with Martha Gray (Sally Blane). When Bert gets mixed up with gangsters, Steve tries to bail him out, nearly losing his job as a result. Ultimately Bert is bumped off by the villains, leading to a pulse-pounding climax as Steve commandeers his ambulance to bring the mob to justice. ~ Hal Erickson, All Movie Guide

The opening sequence of this Ken Maynard Western is spectacular: Attempting to save heroine Beth Marion from the ubiquitous runaway horse, the hero makes a death-defying, head-first plunge on horseback into the Kern River far below. The stunt was performed by Maynard's unfairly neglected double, Cliff Lyons, who would marry Marion two years later. As for Maynard himself, the veteran cowboy star didn't do much action-wise in Avenging Waters, spending instead an inordinate amount of time playing his mouth organ and making romantic chit-chat with Marion. The story is the old one about the fencing off of the once free range. Ken and his top hand, Slivers (Wally Wales, aka Hal Taliaferro), are delivering a herd of cattle to rancher Charles Mortimer (John Elliott) when they have a run-in with Marve Slater (Ward Bond). The latter is demanding that Mortimer remove his new fences or else. The "or else" proves to be damming up the river and leaving Mortimer without water for his cattle. Ken takes umbrage to this kind of vigilantism but is overpowered by Slater's henchmen, Hoppy (Tom London) and Jake (Glenn Strange). A rain storm causes the dam to burst and the waters rush toward the shack where Ken is held prisoner. He is saved in the nick of time by his clever palomino, Tarzan, while Slater is left to drown in his own flood. Maynard's legendary ornery temper caused all kinds of delays on this inexpensive Western and the veteran star was getting a bit paunchy to boot. Director Spencer Gordon Bennet was forced to use rear-projection in a scene where Maynard desperately attempts to grab hold of Tarzan, one of the very few instances that this technique was used in a B-Western. The grand finale, the flooding of the valley, was done using a model built to scale and is not bad for this kind of low-budget fare. ~ Hans J. Wollstein, All Movie Guide

With Gary Cooper and Barbara Stanwyck in the cast, Blowing Wild was a guaranteed hit even before the cameras began turning. Cooper plays oil wildcatter Jeff Dawson, who does his best to bring in a gusher in Mexico despite continual bandit raids. Dawson asks for help from his ex-employer Ward Conway (Anthony Quinn), but Conway, now married to Dawson's ex-lover Marina (Barbara Stanwyck) refuses, fearing that his wife will want to renew her romance with the other man. The predatory Marina, still in love with Dawson, murders her husband, admits her crime to Jeff, and pleads to be taken back to America with him. A timely bandit attack solves everyone's problems in ultra-violent fashion. Blowing Wild was filmed through the facilities of Mexico City's Churubusco Studios. ~ Hal Erickson, All Movie Guide

Absolutely no relation to the 1960s rock-n-roll tune of the same name, Born to be Wild is a fast-paced Republic programmer boasting some fairly impressive credits. Ralph Byrd, better known as moviedom's Dick Tracy, plays truck driver Steve Weston, while Ward Bond, usually seen as a bad guy in the late 1930s, costars as Weston's friend and partner Bill Purvis. Accustomed to taking on dangerous assignments, Steve and Bill don't even bat an eyelash when they're hired to haul a load of dynamite over a patch of treacherous terrain. Will they be able to deliver their cargo to a dam-demolition site without getting demolished themselves? Nightclub and radio songstress Doris Weston is cast as Steve's sweetheart Mary Stevens, who in an amusing scene literally "ties the knot" with her boyfriend. Coscripted by novelist Nathaniel West (of Day of the Locust and Miss Lonelyhearts fame), Born to be Wild has often been cited as a principal inspiration for Clouzot's 1953 classic The Wages of Fear. ~ Hal Erickson, All Movie Guide

Just after completing It Happened One Night, director Frank Capra churned out a bread-and-butter picture titled Broadway Bill. Warner Baxter plays the carefree scion of a wealthy, highly-respected family. Baxter's cold but socially correct wife Helen Vinson forces her husband into the family business, but Baxter would rather spend his time at the racetrack. He buys a nag named Broadway Bill and tries to build the horse into a winner--if he doesn't bankrupt himself first. Only Baxter's sister-in-law Myrna Loy and black stable hand Clarence Muse have faith in Broadway Bill. The horse wins a crucial race, but dies suddenly at the finish line. Baxter is comforted and given encouragement by Loy, who is now his sweetheart, Vinson having long since washed her hands of her "irresponsible" husband. Broadway Bill was remade by Capra as Riding High (1950), utilizing generous portions of stock footage and even going so far as to rehire several of the original film's cast members (Douglass Dumbrille, Clarence Muse, Charles Lane, Raymond Walburn, Margaret Hamilton, Frankie Darro) to recreate their roles and match up their scenes from the earlier production. Long withheld from distribution due to Riding High, Broadway Bill was made available for videocassette in the mid-1980s. Keep an eye out for Lucille Ball as a blonde telephone operator and Alan Hale Sr. as a racetrack announcer. ~ Hal Erickson, All Movie Guide

Dana Andrews -- in one of the best performances of his career -- plays Logan Stuart, a bold, ambitious general store and freight company owner based in the mining settlement of Jacksonville, OR, in 1856. He and his best friend, local banker and express company owner George Camrose (Brian Donlevy), share an attraction for young, beautiful Lucy Overmire (Susan Hayward). However, that's all the two men share -- Stuart sees life in the Oregon territory as a challenge, to be worked out and overcome with thought and time, with the opportunity to build something lasting and significant in the process. Camrose only sees the opportunity to get rich fast and live easy, and he's addicted to gambling at the local saloon. What no one knows is that he's been doing his gambling with the gold dust that the miners have left on deposit in his vault -- and he's been losing. He wants to get out of the territory, to someplace like San Francisco, and plans to take Lucy away. Stuart, by contrast, is as much a frontiersman as a businessman, and so much a part of the community and so trusted and liked that he might even be a potential political leader, if he ever had the time and the willingness to settle down and stay put. He finds consolation over his loss of Lucy in an engagement to Caroline Marsh (Patricia Roc), a daughter of an Englishman who came to Oregon only to see her father killed by Indians, who lives with the homesteading family of Ben Dance (Andy Devine) and his wife (Dorothy Peterson) and their children. Out of friendship, and also a little guilt over the fact that he would love to be engaged to Lucy, Stuart gives Camrose the money to get even, but Camrose can't resist one last card game, and not only loses what Stuart gave him, but the gold dust of one miner -- who shows up unexpectedly in town that night, planning on getting his dust the next day. When the man turns up drowned, Camrose is accused of murder; Stuart stands by his friend, but he's found guilty and the miners, led by hot-headed young Johnny Steele (Lloyd Bridges), plan on hanging him, and shooting anyone who tries to get in the way. But before his fate can be settled, an Indian war starts over the killing of a young Native American woman, and the lives of every white settler in and around Jacksonville are suddenly endangered. There's all of that, plus four songs (including "Old Buttermilk Sky") from Hoagy Carmichael (who does a great acting job), all convincingly woven into the drama along with one of the music legend's best acting performances. ~ Bruce Eder, All Movie Guide

Cliff Brandon (Victor Mature) is a US pilot serving in China in 1943, flying supplies to Allied soldiers in Burma. He's the best at what he does in the air, but he's also emotionally cut off from everyone around him, disillusioned by the loss of men in his command during nearly two years of war. When he's not in the air on a mission, or riding his new men (including Stuart Whitman, Tige Andrews and Johnny Desmond) to learn their jobs as fast as they can so they can survive, he's usually either passed out drunk or getting there on the ground. One night, while staggering out of his usual watering hole, he chances to meet an elderly Chinese man and, after a barely understood conversation, hands him a pile of money. When Cliff awakens the next day, he discovers that he's bought three months of housekeeping service from the man's daughter, Shu-Jen (Li Li Hua). At first he's at a loss over what to do about her -- he would gladly send her back to her father, until he learns from local missionary Father Cairns (Ward Bond) that Shu-Jen (whose name means "precious jewel") is the sole supporter of her family; and that if he sends her back, they'll return his money as a matter of honor, and have to sell her services as a housekeeper again; and that the next time that may be to someone who is a lot less honorable than Cliff, and could destroy the rest of the girl's life. So they're stuck with each other, and in the course of three months together Cliff discovers through Shu-Jen a joyous side to life that he'd forgotten -- his men even notice that he smiles occasionally, and he actually seems like a human being, enough so that Cliff soon wants more out of life than just day-to-day survival; he wants a life with Shu-Jen. And despite her initial misgivings, they decide to marry. But duty constantly beckons to Cliff, especially when he's moved to a forward base to support a new Allied offensive -- he isn't there for the birth of their child, but he is able to bring them both to him, only to find that the war is now on both their doorsteps. ~ Bruce Eder, All Movie Guide

Those who only know Pat O'Brien from his later, slightly more avuncular roles may be surprised to see him pumping out almost as much energy as his friend (and sometime co-star) James Cagney, in the lead and title role of College Coach. As James Gore, the head football coach for Calvert College, he leads his team to victory at any cost, including fair-play, decent (if not good) sportsmanship, and honesty -- he's even got his hooks into the financial end of a stadium deal. But all isn't well with those around Gore -- his best and most honorable player, Sargeant (Dick Powell, really wants to get an education while playing college ball, and finally backs out when he sees the hypocrisy around him; and his other top player, Weaver (Lyle Talbott), is a self-centered headline hound with an IQ in low double-digits who is a detriment to the team whenever he isn't scoring touchdowns. And his work seems to be unraveling when his tactics bring about a tragedy on the playing field. But it's when he discovers that his own wife (Ann Dvorak) is feeling so neglected that she's been pushed toward infidelity -- with Weaver -- that he realizes he's gone too far. With Calvert College about to lose much of what it stands for academically over the collapse of its football team, help comes from unexpected places, including a wife who still loves him and the one player Gore had who is smart enough to see the bigger picture. ~ Bruce Eder, All Movie Guide

Another entry from John Wayne's non-western series at Universal, Conflict casts Wayne as Pat, a bare-knuckle boxer in turn-of-the-century New York. Not the most honest of pugilists, Pat reforms for the sake of an orphaned kid named Tommy (Tommy Bupp), whom he has saved from drowning. He sets out to redeem himself by finding legitimate work in a lumber camp, but his past catches up with him. Jean Rogers, Buster Crabbe's vis-a-vis in Flash Gordon, is the heroine, while the nominal villain is Ward Bond, making the first of several co-starring appearances with John Wayne. Conflict is based on Jack London's The Abysmal Brute, previously filmed under that title with Reginald Denny in 1923. ~ Hal Erickson, All Movie Guide

This action movie provides interesting information about the special training and experiences of motorcycle cops. The story centers around a California highway patrolman who was formerly a carnival stunt rider. Throughout the tale, the CHPs officer has a series of encounters with bad drivers, a roadhouse cabaret gang, and a ring of smugglers. ~ Sandra Brennan, All Movie Guide