Benay Venuta Movies
Singer and actress Venuta Benay appeared in a few films during the late '40s and early '50s; she made her film debut in the silent Trail of '98 (1928). A native of San Francisco, she learned to dance in adolescence. After 1957, Benay primarily focused upon her theatrical career. She did occasionally return to film work up through the early '90s. ~ Sandra Brennan, All Movie Guide
Bullets Over Broadway is a Woody Allen romp that, as the title suggests, combines gangsters with show business at the height of the Roaring Twenties. David Shayne (John Cusack) is a straight-arrow playwright who plans to stand firm against compromising his work, but quickly abandons that stance when his producer (Jack Warden) finds a backer to mount his show on Broadway. There's just one catch, however: the backer is a mobster (Joe Viterelli) who sees Shayne's play as a vehicle for his dizzy, talent-free girlfriend, Olive (Jennifer Tilly). Shayne also has to deal with the demands of veteran theatre diva Helen Sinclair (Dianne Wiest) and is shocked to discover that Olive's hitman bodyguard, Cheech (Chazz Palminteri), is probably a better playwright than he is, as he secretly revises Shayne's work when he sits in on rehearsals. ~ Don Kaye, All Movie Guide
- Starring:
- John Cusack, Jack Warden, (more)
- 1957
Coproduced by actress Jane Russell and her husband Robert Waterfield, The Fuzzy Pink Nightgown represented Russell's final starring film of the 1950s--and her last movie appearance until 1964. Decked out in an unbecoming blonde wig, Jane is cast as Hollywood starlet Laurel Stevens. On the eve of her latest picture,"The Kidnapped Bride", Laurel is kidnapped for real by Runyonesque crooks Mike (Ralph Meeker) and Dandy (Keenan Wynn"). She assumes it's a publicity stunt staged by her studio, but soon figures out what's what. When the kidnappers fall for Laurel and decide to set her free, she insists that they go through with their ransom demands, lest she be accused of faking the abduction for publicity purposes. Based on a much funnier novel by Sylvia Tate, The Fuzzy Pink Nightgown was an enormous flop which not even the combined comic expertise of supporting players Fred Clark, Una Merkel and Benay Venuta could salvage. Thanks to constant TV showings in the 1960s, however, the film finally posted a profit. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Russell, Keenan Wynn, (more)
- 1956
Adapted by Hagar Wilde from his own 1946 Broadway play, this TV version of Made in Heaven offered the once-in-a-lifetime pairing of Imogene Coca and Robert Preston. After several years of marriage, Elsa and Zachary Meredith (Coca, Preston) have a tendency to take each other for granted. All this changes when the couple angrily, and briefly, come to a parting of the ways following a row at a cocktail party. The next morning, Elsa is amazed to discover that she has attracted the attentions of another party guest, suave European Laszlo Vertes (Jacques Bergerac), while Zachary is equally astonished by the attentions lavished upon him by a flashy blonde (Sheila Bond. Peter Lawford serves a host of this frothy Playhouse 90 presentation, which originally aired live from CBS Television Center in Hollywood. ~ Hal Erickson, All Movie Guide
- 1954
Marjorie Main is the whole show in the Universal programmer Ricochet Romance. Playing the outspoken new cook at a rundown dude ranch, Marjorie forces everyone around her to pitch in and bring some life back into the place. She also sets her sights on old layabout Chill Wills, scheming to rope the critter into marriage. Veteran comedy director Charles W. Lamont moves the proceedings along with style, never missing an opportunity for a low-comedy slapstick turn. The most surprising aspect of Ricochet Romance is that it is not an entry in Marjorie Main's Ma and Pa Kettle series. ~ Hal Erickson, All Movie Guide
- Starring:
- Marjorie Main, Chill Wills, (more)
- 1952
Stars and Stripes Forever is the highly fanciful filmed biography of "march king" John Philip Sousa. Clifton Webb does a fine job as Sousa, while Ruth Hussey is equally good in the less-demanding role of Sousa's wife. The problem faced by screenwriter Lamar Trotti (who adapted the film from Sousa's autobiography Marching Along) was that, outside of Sousa's early travails in organizing his own band after leaving the Marine Corps, there just wasn't much drama in the great composer's life. Thus, a secondary (and wholly fictional) romance involving young musician Willie (Robert Wagner) and ex-chorus girl Lily (Debra Paget) is given special emphasis. Willie invents the Sousaphone on behalf of his mentor, and upon returning from the Spanish American War minus one of his legs, Willie makes an inspirational solo appearance with the Sousa band. The best scenes include Sousa's ongoing efforts to break free from the "march king" onus and write romantic ballads, and Lily's high-kicking rendition of the music-hall ballad "Father's Got 'Em." When first telecast on NBC's Saturday Night at the Movies in 1962, Stars and Stripes Forever was accompanied by a short newsreel clip of the real John Philip Sousa in action. ~ Hal Erickson, All Movie Guide
- Starring:
- Clifton Webb, Debra Paget, (more)
- 1951
The original Broadway musical Call Me Mister was a plotless revue. By the time the property made it to the screen, however, a storyline was grafted on and much of the revue's funnier (and dirtier) material was weeded out. Betty Grable stars as an American USO entertainer Kay Hudson, touring the bases in postwar Japan. Somewhere along the way she crosses the path of former husband Shep Dooley (Dan Dailey). Despite the presence of ardent suitor Capt. Johnny Comstock (Dale Robertson), Dooley begins a campaign to win his wife back. They are reconciled during a climactic stage show, which affords ample opportunity for both Grable and Dailey to demonstrate their terpsichorean skills (Busby Berkeley handled the choreography). Cast as a GI who hates the army, Danny Thomas (a holdover from the Broadway production) does a truncated version of his own nightclub act. Specialty numbers are provided by the Dunhill dance team, and by an unbilled Bobby Short. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, Dan Dailey, (more)
Judy Garland was originally slated to star in MGM's film version of Irving Berlin's Annie Get Your Gun, but she was forced to pull out of the production due to illness (recently discovered out-takes reveal a gaunt, dazed Garland, obviously incapable of completing her duties). She was replaced by Betty Hutton who, once she overcame the resentment of her co-workers, turned in an excellent performance--perhaps the best of her career. Hutton is of course cast as legendary sharpshooter Annie Oakley, who ascends from dirty-faced backwoods gamin to the uppermost rungs of international stardom. Her mentor is Buffalo Bill, played by Louis Calhern (like Hutton, Calhern was a last-minute replacement: the original Buffalo Bill, Frank Morgan, died before production began). Annie's great rival is arrogant marksman Frank Butler (Howard Keel) with whom she eventually falls in love. She goes so far as to lose an important shooting match to prove her affection--a scene that hardly strikes a blow for feminism, but this is, after all, a 1950 film. Of the stellar supporting cast, J. Carroll Naish stands out as Sitting Bull, whose shrewd business acumen is good for several laughs. Virtually all the Irving Berlin tunes were retained from the Broadway version, including "Doin' What Comes Naturally", "You Can't Get a Man with a Gun", "Anything You Can Do", "The Girl That I Marry", "My Defenses are Down", "They Say It's Wonderful" and the rousing "There's No Business Like Show Business", which was later tantalizingly excerpted in MGM's pastiche feature That's Entertainment II. Alas, due to a complicated legal tangle involving the estates of Irving Berlin and librettists Herbert Fields and Dorothy Fields, Annie Get Your Gun hasn't been shown on television in years. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Hutton, Howard Keel, (more)
Fred Astaire had announced his retirement before the cameras began to roll on Easter Parade, but he decided to accept the film's leading role when its original star Gene Kelly became incapacitated. The thinnish plot, which finds Astaire trying to turn chorus girl Judy Garland into a star in order to show up his former partner Ann Miller, is hardly what keeps the audience's eyes riveted to the screen. All that truly matters are the 17 musical numbers, all written by Irving Berlin (ten were standards, while seven were new to this film). Among the many highlights are Astaire's slow-motion version of "Steppin' Out," the Astaire/Garland duet "We're a Couple of Swells," the opening rendition of "Happy Easter," and the closing performance of the title number. So successful was Easter Parade that plans were immediately drawn to reteam Fred Astaire and Judy Garland in The Barkeleys of Broadway; this time, however, it was Garland who withdrew, to be replaced by Astaire's most famous vis-à-vis, Ginger Rogers. ~ Hal Erickson, All Movie Guide
- Starring:
- Judy Garland, Fred Astaire, (more)
- 1948
In this courtroom drama, a French girl stands trial for murder. Flashbacks tell the grim story of how, during the Great War she got involved with a wealthy soldier and married him. He disappeared after the war. She then came to the U.S. There she finds him married to another woman. To cover himself, he tries to get her deported. In the ensuing argument, she accidently kills him. She is found guilty, but when they learn that she is expecting, the widow helps her. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ruth Hussey, John Carroll, (more)
- 1947
On New Year's Eve, Joan Leslie runs desperately out of a penthouse apartment and into the Times Square crowd. She has reason to flee--she has just shot and killed her husband. Through a freakish wrinkle in time, Leslie is transported back to the last New Year's and is allowed to relive the past year all over again. This time she is forearmed with the knowledge of the murder and does everything she can to avoid the deed--a task made difficult by such antagonists as her nasty husband and her emotionally disturbed brother (Richard Basehart, in his film debut). Events lead inexorably to the murder...but will she do it this time? Cleverly assembled, and with a more expensive cast and budget than was usual for pinchpenny Eagle-Lion studios, Repeat Performance is a brisk and absorbing semi-fantasy. It was remade for television as Turn Back the Clock (89), with the original film's star Joan Leslie in a brief cameo role. ~ Hal Erickson, All Movie Guide
- Starring:
- Louis Hayward, Joan Leslie, (more)
