Hilda Vaughn Movies

Joan Fontaine was still two years away from full stardom when she appeared in the B-plus comedy Maid's Night Out. Future cowboy star Allan Lane plays Bill, a millionaire's son who, to win a bet with his father (George Irving), sets out to prove that he can succeed without his family's money. While working as a milkman, Bill offers a lift to Sheila (Fontaine), whom he takes to be a housemaid. In fact, Sheila was also born into wealth, but she doesn't let Bill know that, fearful that she'll lose his love; Bill likewise keeps his actual identity a secret for the same reason. Adding to the fun is the presence of Hedda Hopper, making one of her final acting appearances before devoting herself full-time to her gossip columnist. Film buffs will also enjoy a fleeting but hilarious jibe at Hopper's number-one rival Louella Parsons. ~ Hal Erickson, All Movie Guide

With her RKO Radio contract nearing an end, Ann Harding had little choice but accept such trifles as The Witness Chair. Engaged to widower Trent (Walter Abel), Paula (Harding) discovers to her horror that Trent's daughter Connie (Frances Sage) intends to elope with no-good embezzler Whittaker (Douglass Dumbrille). Unable to talk Whittaker out of ruining Connie's life, Paula murders the cad then does her best to destroy all the evidence. Alas, she succeeds only in convincing the authorities that Trent is the guilty party! The courtroom finale, which should have been the film's highlight, is not, due to funereal pacing and unimaginative camera angles. The Witness Chair convinced Ann Harding that she was through in Hollywood, whereupon she packed her bags and headed to London, briefly retiring from films the following year upon her marriage to symphony conductor Werner Janssen. ~ Hal Erickson, All Movie Guide

In this murder comedy, a young woman is no sooner acquitted of poisoning her father when she finds herself suspected of poisoning another. A pushy, over-eager reporter attempts to badger her into a confession, but he changes his tune after he falls in love with her. This results in the loss of his job. The man is then determined to prove that the girl is innocent. After much searching, he succeeds in finding the real killers and clearing his true-love's names. ~ Sandra Brennan, All Movie Guide

This lively riverboat musical shows off the vocal and terpsichorean talents of former Ziegfeld Follies star Barbara Stanwyck as it tells the tale of two newlyweds who must postpone their honeymoon when the groom gets in a fight with a villain, decks him and, believing he has killed him, flees upon a riverboat, leaving his bride to take up with a womanizing photographer. She and the cameraman head for New Orleans and this is where most of the action, music and romantic mayhem takes place. ~ Sandra Brennan, All Movie Guide

In this Samuel Goldwyn production directed by King Vidor, the studio's intent was to make Russian-born Anna Sten a star, but it didn't succeed. Sten plays Manya Nowak, a Polish farm girl attracted to Tony Barrett (Gary Cooper), a novelist with writer's block who has retreated to a Connecticut farmhouse to find his muse. Barrett's wife Dora (Helen Vinson) misses the city and returns there, while Tony decides to use Manya as a character in his next novel. They become friends, and Tony learns that her straightlaced father Jan (Sigfried Rumann) has betrothed Manya to Fredrik Sobieski (Ralph Bellamy), whom she does not love. Manya and Tony spend a chaste night together when a blizzard shuts them in. Her father drags her home and demands that she marry Fredrik immediately. Many arguments and disagreements ensue. ~ Michael Betzold, All Movie Guide

Feeling stifled by her wealthy existence, flighty heiress Kay (Joan Crawford) falls in love with poor archaeologist Terry (Brian Aherne). The couple seems happiest when they're yelling at one another, indicating perhaps that screenwriter Joseph L. Mankiewicz was none too fond of either character. Anyway, Terry decides that a marriage to Kay would be a big mistake, so he talks her into jilting him at the altar, thereby making a public declaration that their romance is through. But Kay "double-crosses" Terry by showing up at the wedding anyway, allowing the couple to live scrappily ever after. It's hard to tell if this is supposed to be a rip-off of It Happened One Night, but it sure plays that way in the first few reels. ~ Hal Erickson, All Movie Guide

Former child actress Dawn O'Day changed her professional name for Anne of Green Gables, assuming the moniker of her character in the film, Anne Shirley. This first of three RKO films based on the novels of L. M. Montgomery finds young, orphaned, hoydenish Anne arriving at a Canadian household. Though it's an uphill climb, Anne eventually melts the hearts of her truculent foster parents O.P. Heggie and Helen Westley. Despite the unwarranted scrutiny of local gossip Sara Haden, Anne finds true love with stalwart Tom Brown. Anne of Green Gables proved successful enough to warrant a sequel, produced six years later and also starring Anne Shirley: 1940's Anne of Windy Poplars. ~ Hal Erickson, All Movie Guide

The melodramatic No Other Woman is a remake of the 1925 silent film Just a Woman which was based on the play of the same name by Eugene Walter. Early in her career, Irene Dunn stars as ambitious housewife Anna Stanley, who pressures her steelworker husband, Jim (Charles Bickford), into a business partnership with Joe Zarcovia (Eric Linden). A fellow boarder at their rooming house, Joe's business idea involves a new type of dye. Jim quickly becomes a millionaire and finds the transition difficult from blue-collar worker to wealthy socialite. He soon takes up with a mistress, Margo Van Dearing (Gwili Andre), whom he meets at a party. Forced to get a divorce, the couple duke it out in the climactic courtroom scene with sleazy lawyer Bonelli (J. Carroll Naish). ~ Andrea LeVasseur, All Movie Guide

A love triangle forms the basis of this drama set during WWI. The screenplay was written by the story's original author William Faulkner. It centers on a pleasure-seeking British girl who is romantically involved with her brother's naval buddy. She then sees and falls for an American pilot. He leaves to fly a combat mission over France and is later listed as dead, causing her to return to the sailor. Fortunately, the flyer didn't actually die and eventually the two are joyfully reunited. ~ Sandra Brennan, All Movie Guide

Gary Curtis, aka Farnsbarns (Richardo Cortez), is really a former hoodlum hired to retrieve some compromising letters from gold digger Jenny Wren (Karen Morley). She, in turn, announces her retirement, but not before cajoling noted banker Priem Andes (H. B. Warner) into hosting a farewell party at his estate near Crestwood, "El Casa Andes." Also invited are three additional former "clients" of Jenny's: William Jones (Gavin Gordon), Senator Herbert Walcott (Robert McWade) and Eddie Mack (Richard "Skeets" Gallagher), all of whom are unaware of the purpose of the party and are therefore blithely bringing wives and girlfriends along. Also present at the Andes retreat are Jenny's kid sister Esther (Anita Louise),her boyfriend Frank (Matty Kemp, who just happens to be Andes' nephew, Jenny's wry maid Carter (Hilda Vaughn), and the banker's disdainful sister Faith (Pauline Frederick). The retiring gold digger's real purpose is revealed after she regales her former sugar-daddies with the tragic story of how her latest conquest, penniless, young Tom Herrick (Tom Douglas), threw himself off a cliff in the Adirondacks after she turned down his proposal of marriage. Victory, however, proves all too brief and the blackmailing gold digger is soon confronted with what appears to be the unfortunate young suitor's ghost. Soon, darts are flying everywhere, bodies fall, and trapdoors reveal hidden passageways. But Curtis, who arrives in the nick of time accompanied by assorted hoodlum friends, is never fooled by the fake Phantom of Crestwood and can reveal the real murderer shortly before the law arrives. The Phantom of Crestwood was based on the popular NBC "Hollywood-on-the-Air" radio program and the denouement of the film was the winning entry in a country-wide contest. ~ Hans J. Wollstein, All Movie Guide

It was once theorized by critic Andrew Sarris that this 1931 Greta Garbo vehicle was subtitled "Her Fall & Rise" rather than the expected "Rise & Fall," because Hollywood--and by extension, the public--could not tolerate a failure. Whatever the case, modern audiences will latch onto Susan Lennox not because of its cumbersome title but because of its one-time-only pairing of Garbo and Clark Gable. Fleeing an arranged marriage with Alan Hale, Sr.,, Swedish farmer's daughter Garbo takes temporary refuge in a cabin in the woods, occupied by engineer Gable. Though it is love at first sight, Garbo hastily runs out of Gable's life when her uncle and her betrothed show up. Again a fugitive, Garbo joins a seedy carnival, becoming the kept woman of carney owner John Miljan. By chance, she is reunited with Gable, who spurns her because of her tawdry station in life. Years pass: Garbo has worked her way up the courtesan ladder, becoming the mistress of politician Hale Hamilton. This relationship comes to a sudden halt thanks to Hamilton's muckraking enemies, so it's back to the road for Garbo, who by now will settle for no man but her long-lost Gable. The protagonists finally manage bury the past in the jungle community where the drink-sodden Gable has retreated to "lose himself." Greta Garbo's performance in Susan Lennox: Her Fall and Rise is up to standard, but Clark Gable seems extremely uncomfortable, almost as if suffering an impacted molar. The film was adapted by four screenwriters from a novel by David Graham Phillips. ~ Hal Erickson, All Movie Guide

In this comedy, three GIs return home and discover that they have been officially listed among the dead. ~ Sandra Brennan, All Movie Guide