David Vaughan Movies

Clive Owen stars in this gritty, over the top action thriller as Mr. Smith, a gun-toting badass with a hair trigger and an unknown past. He's far from a doctor and farther from a parent, but when he unwittingly discovers an innocent woman delivering a baby right in the middle of a gunfight, Smith enters the fray to save her and though the woman expires, he is the one left in care of the orphaned child. He thinks that the killers were after the woman, but soon he realizes that they had a far more unlikely target: the baby. Smith's regular company is a seedy underworld full of unsavory characters, so he takes the child to the closest thing he knows to a mother: a sultry prostitute played by Monica Bellucci, who specializes in clientele with a mommy fetish. Teamed with his hot but unlikely partner, Smith unloads barrel after barrel to protect the mysterious baby from Mr. Hertz, a ruthless criminal mastermind played by Paul Giamatti. Smith plans to figure out why Hertz and his thugs are after the baby, but if he can't uncover the truth, he'll settle for leaving them all dead in the process. ~ Cammila Collar, Rovi

Paid in Full marks the feature debut of director Charles Stone III, who rose to fame after creating Budweiser's "Wassup" commercials. The urban gangster drama is loosely based on the true story of 1980s Harlem drug kingpins AZ, Rich Porter, and Alpo. (This story was also the basis for a documentary, Game Over (Part 1).) Ace (Wood Harris) works at a laundromat, struggling to get by, while his friend Mitch (Mekhi Phifer) lives the high life selling heroin. His sister's boyfriend, Calvin (Kevin Carroll) also sells drugs, and looks down on Ace for struggling to earn a living. Out delivering laundry one day, Ace meets Lulu (Esai Morales), a big time coke dealer, who lives better than anyone Ace has ever known. When Lulu leaves some coke in the pocket of a coat he's having cleaned, Ace returns it to him, and Lulu rewards him for his honesty by letting him keep the drugs. When Calvin gets busted, Ace hesitantly takes his place in the neighborhood, and starts working for Lulu. As the crack business takes off, Ace finds himself making more money than he knows what to do with. Mitch goes to jail for a short time, where another inmate, Rico (rapper Cam'ron in his acting debut), defends him in a fight. By the time Mitch gets out of prison, Ace is running the neighborhood. Ace makes Mitch his right-hand man, and when Rico gets out of jail, he joins the crew. The drugs and money flow, and Ace tries to keep everyone happy, but there are some who want what's his, and will stop at nothing to get it. Paid in Full was shown at the 2002 Urbanworld Film Festival. ~ Josh Ralske, Rovi

If they've heard of him at all, most people assume that they have heard none of avant-garde musician John Cage's compositions. However, many of his works have been used in film scores, and (in the 1990s) he has even composed directly for films. His music remains uncompromisingly innovative, and is considered avant-garde even today. In this documentary, the composer's longtime collaboration (from 1942 to the 1990s) with the modern dance innovator, choreographer Merce Cunningham, is explored, and between interviews with the principals and with performers in the Cunningham Dance Foundation, samples of their collaborative efforts are shown. As staples on the New York arts scene, they have also collaborated with many well-known modern artists, including Jasper Johns and Robert Rauschenberg. ~ Clarke Fountain, Rovi

Stanley Kubrick's second feature film, Killer's Kiss was made on a budget of $40,000, all raised by Kubrick's relatives. The black-and-white drama was shot principally at night in a variety of seedy Manhattan locations. The plot, told in an extended flashback, covers two days in the life of boxer Davy Gordon (Jamie Smith) -- he meets nightclub dancer Gloria Price (Irene Kane); the two fall in love, and decide to make their futures somewhere other than New York City. But Gloria is lusted after by her ex-employer, Vince Rapallo (Frank Silvera), who not only won't take "no" for an answer but has no intention of losing her to a two-bit boxer. His machinations lead to murder, a police manhunt, and revenge in the best film noir fashion -- the very best, in fact, as Kubrick's use of real New York settings (and very ominous and sleazy New York settings at that) gives the action here a startling verisimilitude, as though we're watching a documentary, or the unfolding of actual events. The violence escalates as Davy and Rapallo find themselves going one-on-one, to the death if need be, with a climax in a warehouse filled with department store mannequins and their various component parts. Director-writer-photographer-editor Kubrick wasn't pleased with the studio-imposed ending added by its distributor (United Artists), but that compromise was a lot more logical and satisfying than the filmmaker's intended denouement. Irene Kane, who played the female lead, subsequently achieved success as TV commentator and journalist Chris Chase; also appearing in the film is Kubrick's then-wife Ruth Sobotka. And Frank Silvera, who plays the villain, was among the most prominent black actors working in theater and films during the 1950s, and eventually achieved stardom on television a dozen years later with his role on the NBC series The High Chapparal. ~ Bruce Eder, Rovi