Peter Vaughan Movies

Boy A director John Crowley followed up that award-winning film festival favorite with this eerie yet eloquent drama concerning a young boy fascinated by death due to the fact that he lives in the hospice home for the elderly that's owned by his parents. Perhaps due to the morose surroundings in which he was raised, wide-eyed Edward (Son of Rambow star Bill Milner) possesses both an acute sense of death and an obsessive desire to find out what happens after we pass on from this life. These interests are most noticeably evident in Edward's ongoing fascination with the paranormal, an obsession that his overworked parents merely tolerate as the curious boy makes his way around the hospice with a tape recorder determined to better understand the concept of mortality. Suddenly, into Edward's world rolls embittered, burned-out ex-magician Clarence (Michael Caine) -- who makes no attempts to hide the fact that he's not in the hospice by his own free will. Clarence has long since ceased to practice his trade, and no longer possesses the ability to recognize anything positive in either his surroundings or the people who inhabit them. He's irascible, ornery, and indignant, and he's just barely able to tolerate the young boy who's so interested in the one topic that plagues his thoughts most -- death. Before long, however, these two outsiders discover that their mutual need to make sense of the world means they have more in common than initial appearances would suggest. Soon embarking on a series of comic misadventures that help them both to better understand the many mysteries of life, Edward and Clarence form an unlikely bond that provides them both with the comfort they so desperately need during this uncertain stage in each of their lives. ~ Jason Buchanan, Rovi

Filmed in London and Wales, this two-part adaptation of the oft-dramatized R.D. Blackmore novel Lorna Doone was praised for its realism, though one or two nitpickers pointed out that the costumes were not all "in period" for 17th century Scotland. This time around, Amelia Warner starred as the titular Lorna, whose romance with young John Ridd (Richard Coyle) was imperiled by the bloody, long-standing feud between the Doones and the Ridds. The show was stolen by Martin Clunes in the flashy role of the redoubtable Jeremy Stickles. Lorna Doone aired over BBC1 on December 24 and 26, 2000. ~ Hal Erickson, Rovi

Recalling François Girard's The Red Violin, Canone Inverso - Making Love is a multi-layered, multi-generational tale of music, fate, and passion. Based on the novel by Paolo Maurensig, the film opens in pre-WWII Europe, where Jeno, a half-Jewish boy, lives in relative poverty with his mother. His father, who abandoned his wife and son, left them with only a rare violin and a canone inverso, a traditional composition written for two instruments. During Jeno's (Hans Matheson) adolescence, his mother dies, and in the wake of her death, he is drawn to Sophie Levy (Melanie Thierry), a married, French Jewish pianist with whom he develops a close relationship. At Sophie's encouragement, Jeno applies for a scholarship to a music conservatory; there, he meets David Blau (Lee Williams), an aristocratic cad who becomes a great influence in Jeno's life. When Jeno is expelled from the school for being Jewish, David quits in protest and takes his friend back to his father's estate. It is at the estate that Jeno discovers a piece of music written by David's father that sparks a revelation about his family heritage -- and his connections to David and Sophie. ~ Rebecca Flint Marx, Rovi

Originally telecast over Britain's ITV1 in 2000, the two-part mystery miniseries Thursday the 12th began with the discovery of an unidentified body on the estate of Marius Bannister (Ciaran Hinds), a wealthy dentist and politician. As an investigative TV reporter Julian Glover sifted through the particulars of the case, the viewer was introduced to the dramatis personae: Bannister; his wife, Nina (Maria Doyle Kennedy); their troubled adopted teenaged son, Martin (Jim Sturgess); and Nina's predatory sister, Candice Hopper (Elizabeth McGovern). In Rashomon fashion, a series of flashbacks indicated that any one of these worthies had motive aplenty to be a murderer -- and in fact, one of them was the victim. The key to the mystery was in the hands of Marius' supposedly senile father, Edgar Bannister (Peter Vaughan). In the U.S., Thursday the 12th first aired over the Bravo cable network on June 4, 2003. ~ Hal Erickson, Rovi

Bille August directed this Rafael Yglesias adaptation of the 1862 classic by Victor Hugo (1802-1885) about the quest of Inspector Javert to capture escaped convict Jean Valjean, originally an honest man who was jailed for stealing a single loaf of bread to feed the family of his starving sister. This new interpretation of Hugo's epic begins with Valjean (Liam Neeson), released after 20 years of cruelties and hard labor, reporting for parole in Dijon. Stopping at a bishop's house, he's treated with respect, but even so, he steals silverware, flees, and is captured. However, the bishop says the silverware was a gift, proving Valjean's innocence by giving him two silver candlesticks. Valjean is free, but the bishop asks him to treat others with equal kindness. By 1822, Valjean has risen to mayor of the village of Vigau, where he also maintains a successful factory. Joining the local police, Inspector Javert (Geoffrey Rush) is suspicious of Valjean's identity and eventually recognizes him as a former convict, but Javert has no proof when he carries his accusations to Paris. Valjean develops a relationship with Fantine (Uma Thurman), who lost her factory job because of local attitudes about her illegitimate daughter. The starving Fantine turns to prostitution, is arrested and tortured by Javert, and becomes ill. As she dies, Valjean promises to raise her daughter Cosette. Focusing on Valjean's life with Cosette (Claire Danes), the story is set amid the action of the July 1832 Revolution, a time when Cosette falls in love with a militant student, Marius (Hans Matheson). On the banks of the Seine, Valjean and Javert have their final confrontation. ~ Bhob Stewart, Rovi

Five criminals with varying degrees of experience are brought together and torn apart by a major robbery in this hard-edged British drama. Ray (Robert Carlyle) was once a leftist political activist whose ideals were dashed by England's increasing political conservatism, while his close friend Dave (Ray Winstone) is an East End hard man with a long history in crime. Ray and Dave plan a heist that they expect will leave them set for life: the robbery of a major London security firm. Ray and Dave's new associates are Ray's one-time cellmate Stevie (Steven Waddington); Jason (Damon Albarn), whose uncle is veteran mobster Sonny (Peter Vaughn); and Julian (Philip Davis), an unstable young criminal with more ambition than experience. After the break-in, the gang discovers that their haul was far less than expected, which leads to infighting among the thieves over who should get how much, with violence and betrayal as the inevitable result. Face marked the screen debut for Damon Albarn, already well-known in England as the lead singer for the successful rock band Blur. ~ Mark Deming, Rovi

Wilkie Collins helped pioneer a new literary genre when he published The Moonstone in 1868, widely believed to be the first detective novel, and this adaptation for British television brings his classic story back to life. In 1848, a few days before her birthday, Rachel Verinder (Keeley Hawes) receives a rather surprising gift -- the Moonstone, a rare and valuable diamond stolen from a Hindu shrine and believed to be cursed. The Moonstone was left to Rachel by her uncle, John Herncastle (Terrence Hardiman), whom she last saw two years ago, just before she informed him she never cared to talk to him again. Herncastle's aide, Franklin Blake (Greg Wise), is the man who arrives bearing the diamond, but the next morning, the jewel is gone -- as is Blake. Did Blake steal the Moonstone, or someone else looking for a fast fortune at the expense of a possible onslaught of evil forces? And is Herncastle really gone? The Moonstone was first aired in the United States as part of the award-winning anthology series Masterpiece Theatre. ~ Mark Deming, Rovi

Previously the inspiration for Francis Ford Coppola's Apocalypse Now (1979), the dark novella Heart of Darkness by Joseph Conrad, a parable about greed-inspired colonialism, was adapted into this television movie by offbeat filmmaker Nicolas Roeg. Ambitious sailor Marlow (Tim Roth) is employed by a British trading company. His mission is a journey to a remote colony in the Belgian Congo, the source of the consortium's profitable supply of ivory, where he's to retrieve some stranded cargo. As he travels upriver visiting the trading stations which acquire the precious commodity through exploitative barter with natives, Marlow hears wild tales of Kurtz (John Malkovich), a hugely-successful company manager whose post is deep in the jungle. It seems that Kurtz is revered as a god by the locals, both worshipped and greatly feared. Reaching Kurtz's compound, however, Marlow finds that the man has become a fiend, committing blasphemous atrocities and driven mad by power and disease. Malkovich was nominated for a Screen Actors Guild Award and a Golden Globe for his performance as Kurtz. ~ Karl Williams, Rovi

Filmed with the usual meticulous attention to period and detail of films from Ismail Merchant and James Ivory, The Remains of the Day is based on a novel by Kazuo Ishiguro. Anthony Hopkins plays Stevens, the "perfect" butler to a prosperous British household of the 1930s. He is so unswervingly devoted to serving his master, a well-meaning but callow British lord (James Fox), that he shuts himself off from all emotions and familial relationships. New housekeeper Miss Kenton (Emma Thompson) tries to warm him up and awaken his humanity. But when duty calls, Stevens won't even attend his own dying father's last moments on earth. The butler also refuses to acknowledge the fact that his master is showing signs of pro-Nazi sentiments. Disillusioned by Hitler's duplicity, the master dies an embittered man, and only then does Stevens come to realize how his own silence has helped bring about this sad situation. Years later, regretting his lost opportunities in life, he tries once more to make contact with Miss Kenton, the only person who'd ever cared enough to seek out the human being inside the butler's cold veneer. ~ Hal Erickson, Rovi

Directed by Ken Russell, Prisoner of Honor is a made-for-cable retelling of the 1894 court-martial of French Army officer Alfred Dreyfus. The historical drama stars Richard Dreyfuss (no relation) as the head of counter-intelligence who uncovers several damning pieces of evidence. It turns out that the French government has sent an innocent man to prison for their own suspicious reasons, and Dreyfuss is the only man willing to fight for the prisoner's freedom. Prisoner of Honor also stars Oliver Reed and Peter Firth, as well as featuring Lindsay Anderson, Brian Blessed, Jeremy Kemp, and Peter Vaughan. ~ Tracie Cooper, Rovi