Dorothy Vaughan Movies

Back in the 1930s, '40s and '50s, artist George Petty was famous for his "Petty Girl" illustrations; lovingly detailed renderings of ripe young damsels wearing next to nothing, and sometimes not even that. In The Petty Girl, George Petty is portrayed by Robert Cummings, while Joan Caulfield co-stars as strait-laced college professor Victoria Braymore. The plot contrives to have Petty abandon his nubile creations in favor of avant-garde art, all because he's been told to do so by his new patroness (Audrey Long). Somewhere along the way, Petty and the prim Miss Braymore find themselves in a compromising situation at a Greenwich Village nightclub. Thus it is only a matter of time before Petty goes back to the sort of artwork he does best, and Miss Braymore loosens her inhibitions -- and everything else -- to serve as Petty's latest model. Incredibly, this amusing exercise in old-fashioned male chauvinism was based on a story by novelist Mary McCarthy. ~ Hal Erickson, All Movie Guide

Arizona rodeo champs Dave Saunders (Tim Holt) and Chito Rafferty (Richard Martin) head for Oro Grande, CO, to witness the marriage of their friend Tug Bailey (William Phipps) to Easterner Jane Whipple (Elaine Riley). But Bailey, a successful prospector, is in trouble with claim jumpers, notably Gypsy Avery (Veda Ann Borg) and her husband John (Robert Shayne), who don't shy away from murder to get what they want. Although accused of a killing actually committed by Gypsy and on the run from the law, Dave and Chito pin down the Avery gang near Tug's claim and the score is settled in a final shootout. The Rider From Tucson was filmed at Lone Pine, CA. ~ Hans J. Wollstein, All Movie Guide

1950's Emergency Wedding is a remake of 1940's You Belong to Me. The later film stars Larry Parks, who'd had a bit role in the original. Parks plays wealthy Peter Kirk, a playboy, while Barbara Hale co-stars as female doctor Helen Hunt. When Peter marries Helen, it is a "given" that he'll stay home while she works. Unfortunately, Peter becomes jealous of the amount of time Helen spends at the hospital with her patients. Out of pique, Peter makes the supreme sacrifice and offers to get a job himself. All sorts of misunderstandings and remonstrations ensue before the title Emergency Wedding is explained at the very end. ~ Hal Erickson, All Movie Guide

William Powell stars in Take One False Step as a happily married college professor who foolishly agrees to a reunion supper with old flame Shelley Winters. Winters later disappears, and the evidence points to murder. To allay suspicion--and to avoid losing an important financial grant to his university--Powell starts his own investigation. The trail leads him to San Francisco, where poor Powell becomes mired in a confusing crime plot. Fortunately, Winters is still alive; unfortunately, Powell may not be for long. Adapted from the Irwin Shaw novel Night Call, Take One False Step is saved from tawdriness by the innate dignity of William Powell. Also, the film is leavened by unexpected moments of humor, notably the relaxed banter between Powell and Shelley Winters. ~ Hal Erickson, All Movie Guide

The Lady From Shanghai, a complex, involving puzzle-within-a-puzzle mystery story, is a showcase for Orson Welles, showing his singular talents and sensibilities as few other films have. The story is superficially simple: a seaman Michael O'Hara (Welles) is hired as a crew member on the yacht of the wealthy Banister (Everett Sloane). His beautiful but mysterious wife Elsa (Rita Hayworth) has met O'Hara earlier, when he saved her from a mugging. What ensues is a complicated and bizarre pattern of deception, fraud and murder, with O'Hara finding himself implicated in a murder, despite his innocence. The film is best remembered for its final sequence when the plot comes to a literally smashing climax in the famous "hall of mirrors" sequence, with Elsa and Banister shooting it out amidst shards of shattering glass. Orson Welles, who produced, directed, wrote and starred in the film, is sometimes self-indulgent in his use of visual tricks and techniques, which at times sacrifice plot for visual brilliance, but he pulls it together in the end to produce a stunning, difficult film. Rita Hayworth gives one of her best performances as the deceptive, seductive temptress, hard-edged and cynical. The film confounds, unsettles and disorients the viewer, very much as Welles intended to do. While not an easy film, it is well worth the attention required to follow it, and Welles offers no easy solutions or any false happy endings to his tour-de-force mystery. ~ Linda Rasmussen, All Movie Guide

A Cornell Woolrich novel was the source for the variable Monogram melodrama I Wouldn't Be in Your Shoes. The plot refers to the dancing shoes of young terpsichorean Tom (Don Castle). A print from one of those shoes is found at the scene of a murder, and the police don't buy Tom's story that his footwear was stolen. The only person who believes in Tom's innocence is his wife and dancing partner Ann (Elyse Knox), and it is she who follows the trail of clues to the genuine killer. Without revealing the ending, it can be noted here that the actual miscreant has remained in very close proximity of both Tom and Ann all along -- and has been encouraged to do so by the police! ~ Hal Erickson, All Movie Guide

Usually associated with erudite, urbane comedies, the legendary screen team of Katharine Hepburn and Spencer Tracy goes intensely dramatic in the expensive western Sea of Grass. Tracy plays cattle baron Colonel James Brewton, who staunchly opposes opening the western frontier to homesteaders. Standing steadfastly beside Brewton-at least at the beginning--is his headstrong wife Lutie (Hepburn). Eventually disillusioned by the stern implacability of her husband, Lutie leaves Brewton and goes off to Denver, where she falls in love with liberal attorney Brice Chamberlain (Melvyn Douglas), the champion of the homesteaders' cause. Upon giving birth to Chamberlain's son, Lutie confesses her indiscretion to Brewton, who takes the news with commendable restraint, even offering to accept the baby as his own. Unfortunately, the Brewtons' standing in the community is weakened by the revelation of Lutie's infidelity, causing her to leave her husband for a second time. Years later, Lutie's grown-up boy Brock (Robert Walker) drifts to the wrong side of the law, leading to his death at the hands of a posse. Though it hardly seems possible under the circumstances, Brewton and Lutie are at long last reconciled through the intervention of their daughter Sara Beth (Phyllis Thaxter). Elaborately produced in the traditional MGM manner and adroitly directed by Elia Kazan, Sea of Grass is still one of the lesser Tracy-Hepburns. ~ Hal Erickson, All Movie Guide

Gene Autry is back near the saddle, trying to help out a crippled jockey. Gene is certain that the jockey can ride in the Big Race if the lad can regain his self-confidence. Meanwhile, Gene and comical sidekick Sterling Holloway have another problem on their hands: A rogue stallion has "kidnapped" Gene's prize mare. Piloting a plane, Autry seeks out and locates the stallion. The jockey and mare enter the race, and win. Director John English keeps Trail to San Antone constantly on the move, resulting in one of the better postwar Gene Autry vehicles for Republic Studios. ~ Hal Erickson, All Movie Guide

When Episcopalian bishop Henry Brougham (David Niven) prays for divine guidance in his efforts to raise the necessary funds for a new cathedral, his prayers are answered in the form of a handsome, personable guardian angel named Dudley (Cary Grant). Establishing himself as a Yuletide guest in the Brougham home, Dudley arouses the ire of Henry, who, unaware that his visitor is from Up Above, assumes that Dudley has designs on the bishop's wife Julia (Loretta Young). Eventually, the lives of both Henry and Julia are agreeably altered by the presence of the affable angel: He regains the "common touch" he'd almost lost, while she realizes anew how much she truly loves her husband. Adapted by Robert E. Sherwood and Robert Bercovicci from a novel by Robert Nathan, The Bishop's Wife was remade in 1996 as The Preacher's Wife, with Denzel Washington, Whitney Houston and Courtney B. Vance. ~ Hal Erickson, All Movie Guide

Lucille Ball is an American taxi-dancer living in London whose roommate has disappeared. The missing girl had left to answer a job offer in the "personal" column of the Times...just like several other women who've vanished without a trace. Scotland Yard detective George Zucco suggests that Ball answer the personals herself in hopes trapping the killer. She crosses the paths of several eccentrics, including deranged artist Boris Karloff, who for a brief time is the prime suspect. The actual culprit, a sex murderer, is the least likely and most helpful of Ball's contacts -- a fact that she learns almost too late. ~ Hal Erickson, All Movie Guide

Set upon the mighty Mississippi, this comedy chronicles the travails of a showboat captain trying to keep his operation financially afloat. He barely has enough money to do so and with no license, operates illegally. He finds more trouble when he moors at a posh hotel, pretends that he is a fine Southern colonel and gets himself embroiled in a huge feud. Things get worse when the town sheriff enters the mix. ~ Sandra Brennan, All Movie Guide

True Confession was one of the unfunniest of the "screwball" comedies of the 1930s, and its musical remake, Cross My Heart, isn't much of an improvement. Betty Hutton steps into the old Carole Lombard role as Peggy, a compulsive liar who'll do anything to help her attorney fiance Oliver Clarke (Sonny Tufts) get ahead. When it looks as though an unsolved murder case will be Clarke's ticket to success, Peggy, sticking her tongue in her cheek (as she always does when she's about to tell a whopper), glibly confesses to the killing. Peggy's plan is to allow her boyfriend to prove her innocence, thereby cementing his reputation as a man of integrity-but things don't go quite as planned. The subsequent trial is enlivened by the antics of looney Russian actor Peter (Michael Chekhov), who may or may not be the actual murderer. Betty Hutton's song numbers are just about as mediocre as the rest of the film. ~ Hal Erickson, All Movie Guide