Diane Varsi Movies
Diane Varsi started her show-business career by playing the coffee-house circuit as a folksinger. She finally found her true calling when she began taking acting lessons under the aegis of acting coach Jeff Corey. In a twinkling, Varsi was signed to a 20th Century-Fox contract and was cast as Alison McKenzie in the 1957 film version of Grace Metalious' Peyton Place, a performance that earned the 20-year-old novice actress an Oscar nomination. After two years of important roles in major Fox productions, she impulsively ran out on her studio contract, insisting that she was on the verge of a nervous breakdown (which proved to be the case). After several years' retirement in Vermont with her third husband, Varsi decided to give acting a second try. Unfortunately, 20th Century-Fox, still smarting over Varsi's violation of her contract, effectively blocked her chances at renewing her stardom. She was able to pick up roles in low-budget and independent productions, notably as wigged-out Sally LeRoy in the cult favorite Wild in the Streets (1968). After several years of off-and-on screen activity, Varsi retired for good in 1977. Diane Varsi died at the age of 54, of complications ensuing from a respiratory ailment and Lyme Disease. ~ Hal Erickson, All Movie Guide
- 1977
- R
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Without ever revealing the diagnosis, this film chronicles the inner life and outer circumstances of Deborah Blake (Kathleen Quinlan), a young mental patient. As the film opens, she is being accompanied by her subdued parents to yet another mental hospital. This one looks clean and cheerful, at least. Her treatment is handled by Dr. Fried (Bibi Andersson), a very skillful therapist who gets past her deranged defenses and reveals that Deborah harbors some very violent fantasies about some of her relatives. The movie is based on the best-selling autobiographical novel by Joanne Greenberg. ~ Clarke Fountain, All Movie Guide
- Starring:
- Bibi Andersson, Kathleen Quinlan, (more)
The author of the famous late 1930's antiwar book Johnny Got His Gun wrote and directed this film adaptation. It concerns a nameless young soldier (Timothy Bottoms) in a veteran's hospital in the World War I period. The young man has had his face blown off, he is without the use of any of his senses save touch, and also has no arms or legs. He is in a coma at the beginning of the film, and his doctors doubt that he will regain consciousness. This is also what they hope. A nurse, while changing his dressings, discovers that he is awake and responsive. The unrelieved awfulness of his situation is apparent to many. However, in order to keep the "good order" of the military, the regular Army general commanding the hospital will not allow the boy to be seen or his family notified, nor will he permit anyone to perform a mercy killing. Interspersed with this horror are flashbacks of the youth's life before the war. ~ Clarke Fountain, All Movie Guide
- 1971
Writer Zenna Henderson's science-fiction stories were the basis for this made-for-TV movie. A young teacher goes to a remote area to work with secluded and backwards inhabitants. She accidentally discovers, though, that the residents are actually aliens with psychic-powers who escaped their own now-destroyed planet and are hiding here on Earth, hoping to blend in. ~ Bernadette McCallion, All Movie Guide
- 1970
- R
Shelley Winters, who once played the spoofish "Ma Parker" on Batman, brings the same larger-than-life approach to her portrayal of real-life Ma Barker in Bloody Mama. Presiding over her outlaw gang, consisting mainly of her goonish sons, Ma goes on a Depression-era rampage of bank robbery, murder and kidnapping. Obviously filmed in a hurry-watch as the Barker mob drives past modern shopping centers-- Bloody Mama strives for an entertaingly sleazy aura, especially when dealing with the incestuous subtext of Ma's relationship with her boys. And look who plays the Barker brood: Clint Kimbrough, Robert Walden and Robert De Niro! Bloody Mama was scripted by Robert Thom, whose previous collaboration with producer Roger Corman was the cult classic Wild in the Streets (former 1950s ingenue Diane Varsi appears in both films). ~ Hal Erickson, All Movie Guide
- Starring:
- Shelley Winters, Pat Hingle, (more)
- 1968
A rock star decides he'd rather rule the free world than just sell records in this ambitious fusion of political satire and teen exploitation. Teenage rebel Max Flatow (Christopher Jones) has grown tired of life in suburbia with his domineering mother (Shelley Winters) and weak-willed father (Bert Freed), and, having saved up 800 dollars he earned by selling home-brewed LSD to his schoolmates, he blows up the family car with a makeshift bomb and strikes out on his own. A few years later, Max has adopted the name Max Frost, and is one of the world's biggest rock stars, selling millions of records and earning a fortune from concert appearances and music publishing. Max has learned firsthand about the buying power of America's youth, and when Sen. John Fergis (Hal Holbrook) asks Max to appear at a "youth rally" to mobilize younger voters, he realizes the kids could also sway an election if they wanted. At Fergis' rally, Max debuts a new song, "Fourteen or Fight," which demands the voting age be reduced to 14; the youth respond by rising up in support of Max's demands, reducing many American cities to a standstill. As political leaders bow to public pressure, the age of suffrage is reduced to 15, but rather than choosing candidates to support, Max decides it's time he and his inner circle took control. After Max doses Washington, D.C.'s water supply with LSD, congress votes to make any registered voter eligible to hold federal office, and before long Max Frost has become president of the United States. Once in office, Max unveils a bold plan to once and for all do something about people over 30 -- including his parents. Wild in the Streets features an early screen appearance from Richard Pryor as drummer and political activist Stanley X, while media personalities Dick Clark, Walter Winchell, Army Archerd, and Melvin Belli portray themselves. Barry Mann and Cynthia Weil wrote the songs for fictional rockers "Max Frost and the Troopers," including the hit single "The Shape of Things to Come." ~ Mark Deming, All Movie Guide
- Starring:
- Shelley Winters, Christopher Jones, (more)
- 1968
Three friends from a small North Carolina town face bleak economic futures in the years following World War II. Johnny (Robert Walker) takes to running moonshine after his discharge from military service. He tries to think of a way for a better life for wife Carol (Diane Varsi) and their young son. Johnny and Carol hook up with Roger (Dick Clark), an ex-army demolitions expert. They plan to blow up the safe of a bootlegger, steal $200,000 and head off for a new life in sunny California. Their plans are thwarted when Roger uses too many explosives and the noise draws the attention of a Federal agent. Johnny kills the agent in this backwoods crime drama. Merle Haggard has a bit part and sings a few songs with the help of his band The Strangers. Clark was the producer who, with Michael Fisher, is responsible for the story. ~ Dan Pavlides, All Movie Guide
- Starring:
- Robert Walker, Jr., Diane Varsi, (more)
- 1967
Loosely based on Charlie Parker's life and based on the book Night Song, this drama chronicles the friendship between a nearly washed up jazz sax player and a down-and-out college professor. ~ Sandra Brennan, All Movie Guide
- Starring:
- Dick Gregory, Don Murray, (more)
Compulsion is a compelling, stylish thriller, loosely based on the famous 1924 murder trial of thrill-killers Loeb and Leopold, two homosexual students who murdered a young boy to demonstrate their intellectual superiority. Artie Straus (Bradford Dillman) is a sadistic, mother-dominated bully. Judd Steiner (Dean Stockwell) is a submissive, introverted sissy. Having been raised by wealthy, arrogant families, both Artie and Judd consider themselves above conventional morality. Unfeeling and conceited, the boys, after the killing, take delight in offering to aid in finding the culprits. It is this arrogance which leads to their capture and prosecution for the murders. Jonathan Wilk (Orson Welles), playing a Clarence Darrow-like criminal defense attorney, takes on the case, and puts on a defense, without the cooperation of his clients, who will offer no explanation for what they have done. Bradford Dillman gives an outstanding performance, as does Dean Stockwell as the utterly unsympathetic murderers. Orson Welles is flamboyantly imposing as Wilk, who must use all his wits to try to save the boys from execution. Compulsion is a suspenseful courtroom drama, even though most viewers will know the outcome. Tautly directed by Richard Fleischer, the film is an outstanding, believable courtroom drama. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Orson Welles, Dean Stockwell, (more)
- 1958
Ten North Frederick is a generally satisfying adaptation of one of John O'Hara's weaker novels. Gary Cooper plays wealthy businessman Joe Chapin, whose politically ambitious wife Edith (Geraldine Fitzgerald) hopes to ramrod into the White House. To this end, Edith donates tons of money to the party of her choice and forces Joe into a maelstrom of power meetings and high-profile social engagements. Threatening to upset Edith's plans is her daughter Ann (Diane Varsi), who insists upon conducting a romance with an "undesirable" musician. Joe buys off Ann's boyfriend, thereby alienating his daughter. Soon Joe's chickens come home to roost when a rival politician makes public Ann's indiscretions. Adding insult to injury, Edith lets her husband know about her many extramarital affairs. In hoping to win back his daughter's affections, Joe falls in love with Ann's roomate Kate Drummond (Suzy Parker). Finding true happiness and contentment for the first time in his life, Joe is denied even this balm when he becomes mortally ill. Gary Cooper makes a valiant effort at playing a more complex individual than he was accustomed to, succeeding about 75 percent of the time. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Diane Varsi, (more)
- 1958
A spare, almost austere western, From Hell to Texas stars Don Murray as a carefree cowpoke. Accidentally killing the son of a powerful land baron (R. G. Armstrong), Murray runs for his life, pursued by the dead man's vengeful brothers. The fugitive is sheltered by Chill Wills, upon whose ranch Murray spends the bulk of his screen time. In love with Wills' daughter (Diane Varsi), Murray is concerned that he'll eventually have to leave when his pursuers catch up with him, but the boy is exonerated when he saves the life of the land baron's youngest son (Dennis Hopper). A superb piece of filmmaking, From Hell to Texas is barely worth watching unless seen in its original CinemaScope. ~ Hal Erickson, All Movie Guide
- Starring:
- Don Murray, Diane Varsi, (more)
Grace Metalious' once-notorious bestseller Peyton Place is given a lavish -- and necessarily toned-down -- film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion -- which resulted in her illegitimate daughter Allison (Diane Varsi) -- by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can't help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who'd like to be as footloose and fancy-free as the town's "fast girl" Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama's boy Norman Page (Russ Tamblyn). And while all this is going on, "white trash" Selena Cross (Hope Lange) is raped by her stepfather, drunken school caretaker Lucas Cross (Arthur Kennedy). Other characters essential to the action are wealthy Rodney Harrington (Barry Coe), who must pay the price for his dalliance with Betty Anderson; Nellie Cross (Betty Field), Selena's long-suffering mother; and the town's Voice of Reason, Dr. Swain (Lloyd Nolan). This 166-minute soap opera (whittled down to 157 minutes before release) culminates in a spectacular murder trial which lays bare the deep, dark secrets of Peyton Place. Filmed on location in Camden, Maine, Peyton Place was a huge moneymaker (even those who felt that the film was but a heavily laundered shadow of the Metalious original were pleased with the professionalism of it all); it not only spawned a 1961 theatrical sequel, but also a long-running prime time TV serial. ~ Hal Erickson, All Movie Guide
- Starring:
- Lana Turner, Hope Lange, (more)
