Roland Varno Movies

An unusually disturbing noir from a director better known for more mainstream fare like High Noon and From Here to Eternity, Act of Violence focuses on a WWII veteran haunted by his past. A film that was close to the director's heart, he said that it represented "the first time that I felt confident that I knew what I was doing and why I was doing it." Van Heflin stars as Frank Enley, a contractor living a peaceful life in a small California town, when Joe Parkson, a man who served in the army with him, arrives in the area, intent on killing him. He follows Frank to a lake where he's fishing but is unable to kill him. When a lakeside bartender tells Frank that a man with a limp is looking for him, Frank is frightened, realizing why he has come. He tells his wife, Edith (Janet Leigh), that Joe is a man who spent time with in a Nazi POW camp, who is now mentally ill, and that he intends to avoid him. When Frank goes to Los Angeles for a business convention, Joe arrives at his house and tells his wife that her husband is responsible for his injury and for the deaths of a number of men. Fearing for her husband's life, Edith heads for L.A. with Joe not far behind. ~ Michael Costello, Rovi

Perhaps the finest American film from the famed European director Max Ophüls, the film stars Joan Fontaine as a young woman who falls in love with a concert pianist. Set in Vienna in 1900, the story is told in a complex flashback structure as the pianist, Stefan Brand (Louis Jourdan), comes upon a letter written to him by Lisa Berndl (Fontaine), a girl who has been in love with him for years. Stefan is in the process of fleeing Vienna on the eve of fighting a duel. As he prepares himself for the nocturnal journey, the letter arrives. It begins, "By the time you read this letter, I may be dead." As Stefan sits back in his study to read this letter, it turns out to be a confession of unrequited love from Lisa. The story flashes backs to when Lisa was 14 years old and Stefan was her neighbor. After following Stefan with a girlish obsession, the romance gets much more serious, and they have a brief encounter. Stefan promises to come back to her after a concert tour, but he never does. Meanwhile, Lisa marries another man when she discovers that she is pregnant with Stefan's child. When she runs into Stefan years later, he doesn't remember her and tries to seduce her. After Stefan reads the letter, he wants to rush to her side, but now poor Lisa is dying from typhus. ~ Paul Brenner, Rovi

In this low-budget espionage adventure, an ex-FBI agent is convinced by an active agent to help him find a stolen map showing the location of invaluable uranium deposits located on a remote South Pacific island. Later the two, and a few others, end up in a hotel in Death Valley with the maps. Murder ensues as different people vie to get their hands on the valuable documents. ~ Sandra Brennan, Rovi

Three's a Crowd is the misleadingly lighthearted title for this tense Republic murder mystery. When her fiance is mysteriously killed, heiress Diane Whipple (Pamela Blake) reluctantly agrees to marry Jeffrey Locke (Charles Gordon). Since both Diane and Jeffrey visited the dead man just before the murder, both are under suspicion-and neither completely trusts the other. Screenwriter Dane Lussier characteristically overloads the film with red herrings, misleading clues and surprise plot twists. When it's all over, it's a wonder that even the people on screen know exactly what's happened! ~ Hal Erickson, Rovi

With famed journalist Drew Pearson appearing in the film's prologue and epilogue, it was easy in 1945 to confuse Betrayal from the East with Real Life. Lee Tracy is once again cast as a seemingly disreputable type with a heart of gold, in this case an expatriate ex-GI named Eddie. Believing that he'd be willing to sell out his country, a Japanese spy ring approach Eddie and ask him to get his hands on secret American war plans. But Eddie is still a true-blue Son of Uncle Sam; at the behest of Army Intelligence, Eddie agrees to play counterspy, using dictaphones, phony messages and other such devices to pull the wool over the enemy's eyes. The results aren't very pretty for either Eddie or his fellow counterspy Peggy (Nancy Kelly), though the audience can take some comfort in the fact that their sacrifice was for the good of Democracy. Fairly slow going during most of its 82 minutes, Betrayal From the East comes to a startling conclusion as Peggy suffers mightily at the hands of her Japanese captors. ~ Hal Erickson, Rovi

Our Hearts Were Young and Gay was based on the lighthearted joint autobiography of actress Cornelia Otis Skinner and humorist Emily Kimbrough. Gail Russell and Diana Lynn star respectively as Cornelia and Emily, two innocent but fun-loving young girls at loose in the Roaring 20s. The story concerns the girls' first trip abroad to London and Paris, and the various misadventures encountered therein. The more amusing moments involve a pair of rabbit-skin capes that begin shedding at the most inopportune moments, and a lengthy episode in which the girls are stranded atop Notre Dame Cathedral at midnight. And of course there's romance, in the form of handsome young doctor Tom Newhall (Bill Edwards) and college "Lothario" Avery Moore (James Brown). Also appearing are Charlie Ruggles as Cornelia's actor-father Otis Skinner and Dorothy Gish (whose talkie film appearances were sadly infrequent) as Mrs. Skinner. So well-received was Our Hearts Were Young and Gay that Paramount commissioned a 1946 sequel, Our Hearts Were Growing Up . ~ Hal Erickson, Rovi

He looks like Dracula, talks like Dracula and dresses like Dracula; but since the movie rights to Dracula were controlled by Universal, Bela Lugosi's character name is Armand Tesla in Columbia's Return of the Vampire. Bringing the Old Legend up to date, the film contrives to have the blood-sucking Tesla rise from his coffin when his tomb is blasted open during the London Blitz. Making up for lost time (he's been interred since WW1), Tesla enlists the aid of talking werewolf Andreas (Matt Willis), who brings him provisions and seeks out new victims. The next soft white neck on Tesla's list belongs to the lovely Nicki Saunders (Nina Foch), but not if Lady Jane Ainsley (Frieda Inescort), who knows what the mysterious stranger is really up to, has anything to say about it. Incidentally, the girl playing Tesla's victim in the opening credits is an unbilled Jeanne Bates. ~ Hal Erickson, Rovi

Errol Flynn are the on-screen spark plugs in this bracing propaganda yarn, which relies on the personalities of its casts as well as the lively direction of Raoul Walsh to overcome the improbabilities of its plot. In 1942, a lone RAF bomber flying deep into Germany (just inside the old Polish border) is shot down after completing its mission. The skipper is killed, and left in command is Flight Lieutenant Terry Forbes (Errol Flynn), an Australian who plans on leaving damage behind on the ground so the Germans remember him, even if he doesn't make it back to England. The rest of the crew consists of brash American bombardier Johnny Hammond (Ronald Reagan), bookish Canadian navigator Jed Forrest (Arthur Kennedy), wide-eyed Flight Sergeant Lloyd Hollis (Ronald Sinclair), the son of a World War I hero, and First World War veteran Kirk Edwards (Alan Hale, Sr.). They're captured in short order, and brought before Luftwaffe Major Otto Baumeister (Raymond Massey) for interrogation -- they not only manage to escape, but gather some information vital to the Allied war effort. Now they only have to figure out how to cross most of Germany and Holland, avoiding capture along the way by a mix of sheer daring, blind luck, and assistance from two anti-Nazi Germans (Nancy Coleman, Albert Bassermann) -- and just when it seems that all of the odds have turned against them, they find themselves faced with a German plot to wipe out a major part of London, and one last opportunity to get home. ~ Bruce Eder, Rovi

This modestly produced film version of Gregor Ziemmer's book Education for Death surprised everyone at RKO--and in the film industry--by becoming one the biggest hits of 1943. The "children" invoked in the title are borne on behalf of Adolf Hitler; according to the film, it is standard operating procedure in Nazi Germany for young girls to willingly submit to being impregnated by Aryan men (with or without the benefit of clergy) in order to sustain the "Master Race." Those who refuse are ticketed for sterilization, or worse. One of the holdouts is Bonita Granville, a German girl raised and educated in America whose taste of democracy has made her utterly resistant to Nazism. In the film's key scene, the near-naked Bonita is publicly flogged for her defiance, whereupon Bonita's lover, "good Nazi" Tim Holt, suddenly has an awakening of conscience and stops the whipping. This act of courage results in the executions of both Holt and Granville, but they willingly go to their deaths rather than accede to Hitler's demands. It is true enough that many people flocked to see Hitler's Children because of the sensational, censor-provoking aspects of the film, but equal numbers of filmgoers and critics also recognized the above-average artistic contributions of director Edward Dmytryk and scriptwriter Emmet Lavery (both of whom received substantial cash bonuses for their work on this film). Hitler's Children was the second biggest moneymaker of RKO's 1943-44 season, only slightly behind the Cary Grant vehicle Mr. Lucky. ~ Hal Erickson, Rovi

Ernst Lubitsch directs the 1942 political satire classic To Be or Not to Be, which marked the final screen appearance of comedienne Carole Lombard. In Warsaw at the beginning of WWII, Maria Tura (Lombard) and husband Joseph (Jack Benny) perform anti-Nazi plays with their theater troupe until they are forced to switch to Shakespeare's Hamlet. Lt. Stanislav Sobinski (Robert Stack) falls for Maria and meets up with her during Joseph's famous "To Be or Not to Be" speech as Hamlet. When Stanislav is eventually dispatched for war, he implicates Maria with Professor Siletsky (Stanley Ridges), who has a secret plan to destroy the Warsaw resistance. The Polish theater troupe is then forced to use their theatrical skills to ensure their survival. Eventually, they turn to impersonating Nazi officers -- and even Hitler himself -- in order to outwit the enemy and keep the resistance safe from spies. To Be or Not to Be opened to a controversial release in 1942, when the U.S. was still very much involved in WWII. It was remade in 1983 starring Mel Brooks and real-life wife Anne Bancroft. ~ Andrea LeVasseur, Rovi

Underground is an average Warner Bros. suspenser, given a boost by its unrelenting portrayal of Nazis as verminous scum--several months before America's entry into World War II. Jeffrey Lynn plays an impressionable young European who is intoxicated by the "glories" of National Socialism. Lynn's brother, Philip Dorn, is on the opposite side of the fence as an announcer for an underground Resistance radio station. At first scornful of his brother's activities, Lynn soon learns that Hitler isn't the saint he believed him to be--especially after several of his friends are liquidated by the Gestapo. Lynn belatedly joins his brother's cause and, at the cost of his own life, helps the Resistance thwart a band of fifth columnists. Underground is a solid piece of film craftsmanship, lacking only the big star names that would have made it a box-office hit. ~ Hal Erickson, Rovi

The Refugee was the original release title for the offbeat John Wayne vehicle Three Faces West. Wayne, Sigrid Gurie and Charles Coburn are starred as John Philips, Leni Braun and Leni's father Dr. Braun, who like so many other victims of the Depression are forced to move bag and baggage from the Dust Bowl to the West Coast. A fugitive from fascist oppression in Austria, Dr. Braun hopes to carve out a new existence for himself and his daughter Leni by tilling the soil, but she is more interested in being reunited with her Austrian boyfriend Eric von Scherer (Varno) once she arrives in Oregon. In charge of the migration westward is John Phillips who loves Leni but keeps his feelings to himself. But when Leni discovers that her sweetheart has thoroughly embraced the Nazi cause, she finds solace in the arms of the faithful Phillips. Among the screenwriters of The Refugee was Samuel Ornitz, later one of the blacklisted Hollywood Ten. ~ Hal Erickson, Rovi