Norma Varden Movies
The daughter of a retired sea captain, British actress Norma Varden was a piano prodigy. After study in Paris, she played concerts into her teens, but at last decided that this was be an uncertain method of making a living--so she went to the "security" of acting. In her first stage appearance in Peter Pan, Varden, not yet twenty, portrayed the adult role of Mrs. Darling, setting the standard for her subsequent stage and film work; too tall and mature-looking for ingenues, she would enjoy a long career in character roles. Bored with dramatic assignments, Varden gave comedy a try at the famous Aldwych Theatre, where from 1929 through 1933 she was resident character comedienne in the theatre's well-received marital farces. After her talkie debut in the Aldwych comedy A Night Like This (1930), she remained busy on the British film scene for over a decade. Moving to Hollywood in 1941, she found that the typecasting system frequently precluded large roles: Though she was well served as Robert Benchley's wife in The Major and the Minor (1942), for example, her next assignment was the unbilled role of a pickpocket victim's wife in Casablanca (1942). Her work encompassed radio as well as films for the rest of the decade; in nearly all her assignments Norma played a haughty British or New York aristocrat who looked down with disdain at the "commoners." By the '50s, she was enjoying such sizeable parts as the society lady who is nearly strangled by Robert Walker in Strangers on a Train (1951), the bejeweled wife of "sugar daddy" Charles Coburn in Gentlemen Prefer Blondes (1953), and George Sanders' dragonlike mother in Jupiter's Darling (1955). Norma Varden's greatest film role might have been as the mother superior in The Sound of Music (1965), but the producers decided to go with Peggy Wood, consigning Varden to the small but showy part of Frau Schmidt, the Von Trapps' housekeeper. After countless television and film assignments, Norma Varden retired in 1972, spending most of her time thereafter as a spokesperson for the Screen Actors Guild, battling for better medical benefits for older actors. ~ Hal Erickson, All Movie Guide- 1943
This airy bit of MGM fluff stars Lana Turner as small-town soda clerk Peggy Evans. After telling off the self-important new drugstore manager Bob Stuart (Robert Young), Peggy, convinced that there's no future for her in her hometown, fakes her suicide and heads for the big city. After a series of dizzying comic complications, she successfully poses as the long-lost daughter of millionaire Cornelius Burden (Walter Brennan). Meanwhile, poor Bob, held responsible for Peggy's "death," comes to town determined to clear his name by exposing Peggy as an impostor. How this all works itself out is as hard to swallow as the rest of the picture, but the stars are attractive and the production values first-rate. ~ Hal Erickson, All Movie Guide
- Starring:
- Lana Turner, Robert Young, (more)
There are those who consider Sherlock Holmes Faces Death to be the best of Universal's Holmes series, though others hold out for 1944's The Scarlet Claw. Based loosely on Conan Doyle's The Musgrave Ritual, the plot finds Holmes (Basil Rathbone) and Watson (Nigel Bruce) being summoned to the Musgrave estate when several mysterious murders occur. By the time the mystery is solved, Sally Musgrave (Hillary Brooke), young mistress of the estate, has decided to donate her property to "the people" as part of the war effort, cuing another of Holmes' patriotic curtain speeches. The best moment occurs when Holmes suddenly realizes that the floor of Musgrave castle resembles a huge chess board -- a clue vital to the ultimate solution of the case. Peter Lawford shows up unbilled as an inebriated sailor. ~ Hal Erickson, All Movie Guide
- Starring:
- Basil Rathbone, Nigel Bruce, (more)
- 1943
For reasons unknown, Paramount Pictures decided to dust off the 1926 George S. Kaufman-Herman Mankiewicz stage comedy The Good Fellows for its 1942-43 release schedule. Cecil Kellaway plays Jim Hilton, a small-town family man who neglects his wife and kids, preferring the company of his lodge brothers. He spends so much time with and money on "The Good Fellows" that he's soon hopelessly in debt. An unexpected third-act financial windfall saves the day, but Hilton shows few signs of mending his ways by fadeout time. The film might have seemed fresher had not the premise been done to death in the previous decade by Laurel & Hardy, Charley Chase and other 2-reel comedians. ~ Hal Erickson, All Movie Guide
- Starring:
- Cecil Kellaway, Mabel Paige, (more)
- 1943
In his book on "screwball" comedies, the late William K. Everson described What a Woman as "indistinguishable from a dozen other big-business comedies, but a pleasant and zany time-killer." Once again, Rosalind Russell is cast as a high-pressure female executive, in this instance liteary agent Carol Ainsley. Having landed the motion picture rights for a best-selling novel, Carol begins looking for an appropriately handsome leading man for the film version. She decides that the novelist himself-an unassuming fellow named Michael Cobb (Willard Parker in his starring film debut) would be the ideal star for the film. Unfortunately, Cobb has never performed any of the heroice deeds of his fictional protagonist, so it's up to Carol to reshape him in the image of his literary alter ego. Meanwhile, magazine writer Henry Pepper (Brian Aherne), who has fallen in love with Carol while interviewing her, looks askance at her efforts to "build up" the unprepossessing Cobb. ~ Hal Erickson, All Movie Guide
- Starring:
- Rosalind Russell, Brian Aherne, (more)
- 1943
According to this exuberant Paramount musical, famed pre-Civil War minstrel performer Daniel Decatur Emmett looked and sounded exactly like Bing Crosby! Very loosely based on the real Emmett's life and career, the film is essentially an excuse for an unending stream of Southern-fried ballads and boisterous blackface production numbers. The best scenes involve Emmet's creation of the minstrel tradition, helped along by Billy De Wolfe as the original "Mr. Bones." As Emmet's sweetheart Millie Cook, Dorothy Lamour has less to do than fourth-billed Marjorie Reynolds as Jean Mason, the physically challenged girl whom Emmet ultimately marries. In the midst of several old-time musical numbers, Bing Crosby introduces one of his lasting hits, "Sunday, Monday and Always". ~ Hal Erickson, All Movie Guide
- Starring:
- Bing Crosby, Dorothy Lamour, (more)
- 1942
Strange but true: Norma Shearer turned down the title role in Mrs. Miniver to star instead in the insignificant trifle We Were Dancing. Loosely based on two Noel Coward playlets originally presented as part of the omnibus production Tonight at 8:30, the story concerns the romance between socialite Vicki Wilomirsky (Norma Shearer) and Nicki Prax (Melvyn Douglas), an impoverished baron who supports himself as a "professional guest." Nicki steals Vicki away from her stuffy attorney fiance Hubert Tyler (Lee Bowman), but their subsequent marriage comes to an end when Vicki spots Nicki in the arms of his ex-lover Linda Wayne (Gail Patrick). Returning to Tyler, Vicki is on the verge of a second marriage, when Nicki once again waltzes into her life?.and on and on it goes, where it will stop, nobody knows. ~ Hal Erickson, All Movie Guide
- Starring:
- Norma Shearer, Melvyn Douglas, (more)
A woman's attempt to disguise herself as an underage girl mushrooms into a series of humorous deceptions in this romantic comedy. Ginger Rogers stars as Susan Applegate, a young woman living in New York who, nearly broke and sick of the city, decides to head home to Iowa. Lacking the money for a regular ticket, she pretends to be an unusually tall 11-year old girl named Sue-Sue in order to pay half-price. The train conductors catch on to her scheme, however, forcing her to take refuge in the car of Major Philip Kirby (Ray Milland). The kindly major virtually adopts the "lost little girl," and circumstances force Susan to play along and accompany him to the local military academy. There the fun begins, as she struggles to deal with the unwelcome romantic attentions of countless young cadets and her own increasing attraction to the engaged Major Kirby. The Major and the Minor was the first Hollywood feature helmed by the legendary Billy Wilder. ~ Judd Blaise, All Movie Guide
- Starring:
- Ginger Rogers, Ray Milland, (more)
One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's café has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. ~ Robert Firsching, All Movie Guide
- Starring:
- Humphrey Bogart, Ingrid Bergman, (more)
At the close of World War I, shell-shocked amnesia victim Ronald Colman is sequestered in a London sanitarium; with no identity and no next of kin, he has nowhere else to go. Unable to stand the loneliness, Colman wanders into the streets, then stumbles into a music hall, where he is befriended by good-natured entertainer Greer Garson. That Colman and Garson fall in love and marry should surprise no one; what is surprising, at least to Colman, is that he discovers that he has a talent for writing. Three years pass: while in Liverpool to sell one of his stories, Colman is struck down by a speeding car. When he comes to, he has gained full memory of his true identity; alas, he has completely forgotten both Garson and their child. Returning to his well-to-do relatives, Colman takes over the family business. Having lost her child, the distraught Garson seeks out the missing Colman. Psychiatrist Philip Dorn helps Garson, advising her that to reveal her identity may prove a fatal shock for her husband. To stay near him all the same, Garson takes a job as Colman's secretary. "Strangely" attracted to Garson, Colman falls in love with her all over again. Will there be yet another memory lapse? Under normal circumstances, we wouldn't believe a minute of Random Harvest, but the magic spell woven by the stars and by author James Hilton (Lost Horizon, Goodbye Mr. Chips etc.) transforms the wildly incredible into the wholly credible (just one quibble: isn't Colman a bit long in tooth as a "young" World War I veteran?) The film was one of MGM's biggest hits in 1942--indeed, one of the biggest in the studio's history. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Greer Garson, (more)
- 1942
Dashiel Hammett's The Glass Key, a tale of big-city political corruption, was first filmed in 1935, with Edward Arnold as a duplicitous political boss and George Raft as his loyal lieutenant. This 1942 remake improves on the original, especially in replacing the stolid Raft with the charismatic Alan Ladd. Brian Donlevy essays the role of the boss, who is determined to back reform candidate Moroni Olsen, despite Ladd's gut feeling that this move is a mistake. Ladd knows that Donlevy is doing a political about-face merely to get in solid with Olsen's pretty daughter Veronica Lake. It is Ladd who is left to clean up the mess when crime lord Joseph Calleila murders Olsen's wastrel son Richard Denning and pins the rap on Donlevy. As Ladd struggles to clear Donlevy's name, he falls in love with Lake--when he's not being pummeled about by Calleila's psychopathic henchman William Bendix. Far less complex than the Dashiel Hammett original (and far less damning of the American political system), The Glass Key further increased the box-office pull of Paramount's new team of Alan Ladd and Veronica Lake. ~ Hal Erickson, All Movie Guide
- Starring:
- Brian Donlevy, Veronica Lake, (more)
- 1941
In this remake of the 1930 film of the same name, a bank robber suffers a war wound and undergoes plastic surgery. Upon his recovery, he discovers that he is the exact double of a banker (who is trapped in a German POW camp). Being an opportunist, the fellow then assumes the banker's identity and his wife while he plans another caper. Fortunately, an observant Yard inspector sees through the robber's masquerade. Later the robber goes straight after revealing the plans of a German spy ring to steal every penny from the bank. ~ Sandra Brennan, All Movie Guide
- Starring:
- Nancy Kelly, Edmund Gwenn, (more)
The second Bing Crosby/Bob Hope "Road" picture casts Crosby as a penny-ante sideshow promoter and Hope as Crosby's only client, "Fearless Frazier." Under Crosby's tutelage, Hope has been shot from a cannon, zapped in an electric chair and nearly strangled by an octopus. Now they're practically broke and stranded on the African coast. Crosby spends the last of their money to spring helpless Dorothy Lamour from a native slave market. Actually, Lamour and her pal Una Merkel are scamming Crosby and Hope to finance a safari across Africa, so that Lamour can link up with her wealthy fiance in Zanzibar. En route through the deepest, darkest jungle, both Hope and Crosby fall in love with Lamour. But when they find out they're being taken for chumps, the boys leave the safari and strike out on their own. Captured by cannibals, the boys try and fail to win their freedom by having Hope wrestle a particularly grumpy gorilla. Making their escape after teaching the natives their time-honored "Patty Cake" routine, they head for Zanzibar. Once again, Crosby spends his ready money to spring Lamour from her captured-by-slavers con game, obliging Hope, Crosby, Lamour and Merkel to try to earn passage money home by staging a "sawing the lady in half" routine for the locals. Crosby: "Are you sure you know what you're doing?" Hope: "If I don't, one of us is going back half fare." Like the earlier Road to Singapore, Road to Zanzibar sticks too closely to the script and plot to allow those inveterate adlibbers Hope and Crosby free reign. Still, there are some choice moments: our favorite bit occurs when Crosby comments to Lamour on the artificiality of movie musicals--whereupon the sound of an orchestra pops up out of nowhere. ~ Hal Erickson, All Movie Guide
- Starring:
- Bing Crosby, Bob Hope, (more)
Given the omnipresence of the Motion Picture Production Code in 1940, the second film version of Robert E. Sherwood's Waterloo Bridge would have to be laundered and softened to pass muster. In the original, made in 1931, the heroine is nothing more or less than a streetwalker, patrolling London's Waterloo Bridge during World War I in hopes of picking up the occasional soldier. She falls in love with one of her clients, a young officer from an aristocratic family. Gently informed by the young man's mother that any marriage would be absolutely impossible, the streetwalker tearfully agrees, letting her beau down gently before ending her own life by walking directly into the path of an enemy bomb. In the remake, told in flashback as a means of "distancing" the audience from what few unsavory story elements were left, the heroine, Vivien Leigh, starts out as a virginal ballerina. Robert Taylor, a British officer from a wealthy family, falls in love with Vivien and brings her home to his folks. This time around, Taylor's uncle (C. Aubrey Smith), impressed by Vivien's sincerity, reluctantly agrees to the upcoming marriage. When Taylor marches off to war, Vivien abandons an important dance recital to bid her fiance goodbye, losing her job as a result. Later, she is led to believe that Taylor has been killed in battle. Thus impoverished and aggrieved, she is given a motivation for turning to prostitution, a plot element deemed unecessary in the original-which indeed it was. Now the stage is set for her final sacrifice, though the suicidal elements are carefully weeded out. Waterloo Bridge was remade for a second time in 1956 as Gaby, with Leslie Caron and John Kerr. ~ Hal Erickson, All Movie Guide
- Starring:
- Vivien Leigh, Robert Taylor, (more)
- 1940
The schizophrenic screenplay of The Earl of Chicago is rendered even more bizarre by the uneven performance by Robert Montgomery. He plays Silky Kilmont, a Runyonesque American gangster who inherits a British title (Earl of Gorley) and mansion. Taking charge of his new estate, Silky has an amusing time trying to acclimate himself to the customs of the "landed gentry". Things take a sinister turn when Silky discovers that his trusted attorney Doc Ramsey (Edward Arnold) is actually a bigger crook than he is. In a rage, Silky murders Ramsey, then goes into what appears to be a catatonic shock, refusing to defend himself at his murder trial. Blood finally tells at the climax when Silky Kilmont, aka the Earl of Gorley, meets his fate with a dignity and decorum worthy of his aristocratic forebears. The queasy atmosphere of the film is heightened by its utter lack of romance; outside of character actress Norma Varden, there are barely any women in the film at all. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Montgomery, Edward Arnold, (more)
- 1940
Former child star Jackie Cooper headlines this sentimental behind-the-scenes comedy drama. He plays an ex-child star who now jerks sodas for a living in Hollywood. He gets back into the movie business when he overhears a conversation between producers discussing their newest prodigy. Cooper butts in and suggests the producers remake Skippy (a real-life 1931 film that made young Cooper a star). The bigwigs like the idea and then hire Cooper to become the boy's acting coach. Once back on the backlot, Cooper finds both trouble and romance while helping the young boy adjust to life as a movie star. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jackie Cooper, Susanna Foster, (more)
- 1939
In this comedy, an inmate relishes the peace and solitude of prison life as it affords him a welcome escape from his nagging wife. He tries everything he can do to stay there, including committing more crimes, but it is to no avail: they release him. ~ Sandra Brennan, All Movie Guide
- 1939
In this British comedy, a young woman begins managing her free-spirited father's waterfront pub and does a great job of it until the shipyard is closed down. To help the poor workers, she gathers them together to walk to London in protest. No one goes along with the scheme, so the plucky gal then does all she can to single handedly get the shipyard to open again. She does so by pretending to be someone else so she can get an audience with an important diplomat. One song from the show, "Wish Me Luck as You Wave Me Goodbye," was a favorite of soldiers heading off to fight WW II. ~ Sandra Brennan, All Movie Guide
- Starring:
- Gracie Fields, Sydney Howard, (more)
- 1938
In her only Warner Bros. starring film, Carole Lombard plays a Hollywood movie actress who makes the park-bench acquaintance of an impoverished French marquis (Fernand Gravet). Hoping to coerce Carole into marriage, the nobleman poses as a butler and enters her household. His plan is to compromise Lombard and force her to make him an "honest man"--with the attendant cash settlement. Ralph Bellamy, as ever, is the poor clod who really loves Lombard but who loses her in the end to the chastened Gravet. Rodgers and Hart were commissioned to write several songs for this film, but found most of their efforts consigned to the cutting room floor. Fools for Scandal was based on Nancy Hamilton's stage play Return Engagement. ~ Hal Erickson, All Movie Guide
- Starring:
- Carole Lombard, Fernand Gravey, (more)
- 1938
In this comedy a young woman weasels out of a vacation with her parents and away from the young man they want her to date by conning a scientist to pose as a doctor and tell them she is terribly ill. The daughter and her "physician" end up traversing the country in their attempts to avoid her family and the suitor who disgusts her. Along the way, the two fall in love. Marital bliss ensues. ~ Sandra Brennan, All Movie Guide
- 1938
As cleaner-salesman/electioneer Miller learns of the actions of evil Maltby in running the orphanage, he turns his loyalties to the kind Burtwell. ~ All Movie Guide
- 1937
In this comedy, a street artist has successfully conned his wife and family into believing that he is a well-to-do businessman. This scam has been going on for many years. Unfortunately, it all blows up in his face when his alter ego is believed murdered and he becomes the prime suspect. ~ Sandra Brennan, All Movie Guide
- 1937
In this drama, a doctor disguises himself as a circus clown and starts a new life. When a wealthy young woman is knocked out by an elephant, he reaches into his medical bag of tricks and saves her. The two then fall in love. Unfortunately Dr. Clown's foster child does not approve of the match until the socialite proves her innocence after the girl is accused of killing the lion tamer. ~ Sandra Brennan, All Movie Guide
- Starring:
- Nils Asther, June Clyde, (more)
- 1937
In this comedy, a mild-mannered shipping clerk and his wife get into deep trouble after they are mistaken for jewel thieves by gangsters who want them to steal some valuable jewels. Despite the couple's protest, the crooks force them into pulling off the job during a ritzy party. While there, they realize that the real jewel thieves are also in attendance. The two ingeniously engineer the capture of the crooks and bring them to justice. ~ Sandra Brennan, All Movie Guide
- Starring:
- ZaSu Pitts, Claude Dampier, (more)
- 1936
Winding up his Hollywood film career in 1935, venerable British stage star George Arliss returned to his homeland for his last movie assignments. In East Meets West, the 68-year-old Arliss dons turban and monocle to portray an Eastern sultan who is inordinately proud of his son. The young man bids fair to break his father's heart by conducting an affair with the wife of a notorious criminal. Arliss exercises his usual third-act prerogative of tying up all loose plot ends and providing confusion unto his enemies. East Meets West was based on an old George Arliss stage vehicle, Edwin Greenwood's The Lake of Life. ~ Hal Erickson, All Movie Guide
- Starring:
- George Arliss, Lucie Mannheim, (more)
