David Bond Movies

Middle-aged family man Frank (Jim Karen) trains teenaged Freddy (Thom Matthews) for his new job at a medical supply warehouse. In an effort to impress and frighten his young charge, practical joker Frank reveals that the warehouse basement contains a cannister full of a mysterious chemical capable of bringing the dead back to life. It seems that the cannister fell off the back of an army truck during an accidental outbreak of zombiedom. Frank and Freddy unwittingly inhale the chemical and release it into the warehouse. Turning to the operator of a nearby crematorium for help in destroying the suddenly undead specimens that surround them, they unwittingly awaken the residents of a nearby cemetary just as Freddy's pals arrive to party amidst the headstones and wait for their friend's shift to end. Meanwhile, Col. Glover (Jonathan Terry) waits for the call that his missing chemical weapon has been unleashed. ~ Brian J. Dillard, All Movie Guide

Charles Levin makes his debut appearance as traffic cop Elliot Novak in this, the first episode of a two-part story. Officer Novak is introduced to the diner gang when he tickets Vera (Beth Howland) for jaywalking. As for Vera, she is not at all dismayed over that ticket; in fact, she's fallen in love with Elliot at first sight, and intends to become his bride! "Vera Gets Engaged" was originally telecast by CBS in tandem with its followup episode "Vera's Wedding"--the same night that rival network ABC made history with its landmark nuclear-holocaust drama The Day After. ~ Hal Erickson, All Movie Guide

With great reluctance, Quincy (Jack Klugman) sets out to prove that wealthy Powell Dixon (George Gaynes) was murdered by his wife Jeannina (Ina Balin), who has a history of mental problems. What makes this particular case so difficult is that Jeannina and Quincy had been lovers back in their medical-school days. Things takes a wild and unexpected turn when Jeannina herself is apparently murdered--the first of several baffling events which culminate in a startling climactic twist. ~ Hal Erickson, All Movie Guide

Recently widowed Dr. Nichols (Walter Matthau) finds himself ill at ease in re-entering the singles scene. Then he meets Ann Atkinson (Glenda Jackson), a patient recuperating from a jaw operation. Freshly divorced from a philandering spouse, Jackson is as reluctant to inaugurate a lasting commitment as Walter--but inaugurate they do, in a hilarious scene wherein Jackson and Walter try to emulate those romantic couples in 1930s movies who were forced by the censors to keep one foot on the floor while lying in bed. It is Jackson who encourages Matthau to stand up for his ideals during a lawsuit involving senile head physician Dr. Willoughby (Art Carney, who is unbearably funny at times). Richard Benjamin rounds off the cast of polished farceurs who add so much sparkle to House Calls. The film was later adapted into a TV sitcom starring Wayne Rogers in the Matthau role, Lynn Redgrave (and later Sharon Gless) in the Jackson counterpart, and David Wayne as a less aphasiatic version of the Carney character. ~ Hal Erickson, All Movie Guide

Aloha, Bobby & Rose was conceived and promoted as a contemporary Bonnie and Clyde. Paul LeMat plays Bobby, an auto mechanic, while Diane Hull is Rose, a car-wash jockey; the two fall in love and dream of heading off to Hawaii, hence the title. Responsible for an accidental homicide, Bobby and Rose are then forced to take it on the lam. ~ Hal Erickson, All Movie Guide

Officers Jim Reed (Kent McCord) and Pete Malloy are hunting for a prowler when they are suddenly besieged by a sniper. Things get dicier when it appears that the unseen gunman has a particular grudge against Jim Reed. Former Lost in Space regular Angela Cartwright appears in the role of "Cindy Williams"--long before the actress of the same name achieved stardom on Laverne and Shirley. ~ Hal Erickson, All Movie Guide

Carol Lawson plays Etta, an unwed mother determined to carve out a decent life for her son Scott (Michael-James Wixted). When she learns she is dying, Etta asks her long-estranged parents to look after Scott-but her stern and merciless father Zac (Will Geer) is unwilling to do so. Josephine Hutchinson rounds out the supporting cast as Etta's mother Martha. David Rose's evocative musical score won him an Emmy Award. Originally shown on November 8, 1970, "The Love Child" was written and directed by Bonanza star Michael Landon, who in 1985 reworked the story as "A Child of God," an episode of his later series Highway to Heaven. ~ Hal Erickson, All Movie Guide

Columbia Pictures tried to create a tongue-in-cheek American James Bond with this, the first of five motion pictures based on the character of Matt Helm, a spy created in a series of novels by Donald Hamilton. Dean Martin stars as Helm, a boozing, womanizing cad of a spy coaxed out of retirement by ex-girlfriend Tina Batori (Daliah Lavi). His mission: stop the evil Big O organization, whose leader, Tung-Tze (Victor Buono), schemes to sabotage an atomic missile and thus spark World War III. Producer Irving Allen had once been partners with Albert R. Broccoli in the British film production company Warwick Films, their alliance ironically disintegrating over the merits of creating a Bond series. When Broccoli's instincts proved correct, Allen attempted to create his own spy franchise with the Helm character. The sequels to The Silencers (1966) were Murderers' Row (1966), The Ambushers (1967), and The Wrecking Crew (1968). Allen unsuccessfully tried to resurrect the character as a TV movie, Matt Helm (1975). ~ Karl Williams, All Movie Guide

A sudden flareup of sunspots wreaks havoc on Martin's metabolism, to say nothing of his special powers. As a result, Martin (Ray Walston) begins levitating, then shrinking, and finally disappears completely from view. Five days later, and Martin has still not reappeared--and worse, circumstantial evidence has begun to pile up suggesting that Tim (Bill Bixby) has bumped off his "Uncle" for his insurance money! ~ Hal Erickson, All Movie Guide

In this drama, high-school sweethearts elope while still in school, and later have a second ceremony to please their parents. When reality sets in, the new husband abandons his dream of becoming a doctor to become a mechanic. They then move into the father of the bride's home where he lays down strict rules. When the groom gets involved with auto thieves, trouble ensues until both sets of in-laws team up to send him to college where he belongs. ~ Sandra Brennan, All Movie Guide

A locked-in-the-fifties science fiction film, The 27th Day begins with five different people from five different countries suddenly disappearing from view. They have been gently abducted by the agent (Arnold Moss) of a faraway dying planet, who gives each of the five earthlings a "killing capsule" that will destroy everything on Earth and allow the residents of the alien planet to re-colonize the planet--but which will be ineffective if not used after 27 days. In typical Cold War fashion, the representatives of the "good" countries (including Gene Barry) refuse to utilize the capsules, while the Soviets, (personified by Azemat Janti and Stefan Schnabel) intend to deploy the capsules for their own nefarious purposes. Their perfidy only results in the utter decimation of the USSR. ~ Hal Erickson, All Movie Guide

Future "Master of Disaster" Irwin Allen produced this curious but inarguably fascinating adaptation of Henrik Willem Van Loon's best- selling historical volume. A Celestial Tribunal has been convened to decide the fate of the Earth after the invention of nuclear weapons, with The Devil (Vincent Price) and The Spirit of Man (Ronald Colman) debating if humankind should be allowed to continue or be exterminated once and for all. Both men present examples of human behavior at its best and worst, including Dennis Hopper as Napoleon, Hedy Lamarr as Joan of Arc, Virginia Mayo as Cleopatra, Peter Lorre as Nero, Edward Everett Horton as Sir Walter Raleigh, and Groucho Marx, Harpo Marx, and Chico Marx as, respectively, Peter Minuit, Sir Isaac Newton, and a monk (yes, the producers had the daring and vision to cast the Marx Brothers without having them play any scenes together). The Story of Mankind proved to be the last film for both Ronald Colman and Hedy Lamarr; it was also the last time the three Marx Brothers appeared in the same film, though the individual Marxes appeared in a few films following this. ~ Mark Deming, All Movie Guide