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Henry van Lyck Movies

1986  
 
A televised music show could be the opportunity that a female mechanic needs to break into the music world. ~ Iotis Erlewine, Rovi

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1976  
 
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1976's Coup de Grace (released in Germany as Der Fangschluss) was inspired by a Marguerite Yourcenar novel and directed by Volker Schlondorff. The story is set in Latvia in 1919, at the height of the Soviet Civil War. Margarethe von Trotta plays an aristocrat sympathetic to the Communist cause. Besides her ruinous habit of falling love with men who do not love her, Margarethe's tragic flaw is her refusal to acknowledge the cost of the revolution in terms of human lives. ~ Hal Erickson, Rovi

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Starring:
Margarethe von TrottaMatthias Habich, (more)
 
1975  
PG  
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The Lost Honor of Katharina Blum marks the directorial debut for actress Margarethe von Trotta, who co-directed the film with her then-husband Volker Schlöndorff. At a costume party, Katharina Blum (Angela Winkler) meets Ludwig Goetten (Jürgen Prochnow ) and spends the night with him. The next morning, he's gone and the police bust into her apartment looking for him with the belief that he is a dangerous terrorist. She is taken into police custody and interrogated by Kommissar Beizmenne (Mario Adorf), who questions her about her every action. Meanwhile, sleazy reporter Werner Toetges (Dieter Laser) makes her story into a scandal in the papers by writing sensational stories about her personal life and portraying her as a criminal in photos. He exaggerates the testimonies of her ex-husband, neighbors, and even her elderly mother who is dying of cancer in an intensive care hospital. With the fear-induced public thinking she is a Communist and terrorist sympathizer, Katharina receives hate mail and personal threats until she is finally driven over the edge. ~ Andrea LeVasseur, Rovi

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Starring:
Angela WinklerMario Adorf, (more)
 
1975  
 
German director Werner Herzog's internationally acclaimed "breakthrough" film is based on the famous story of mysterious 19th-century child genius Kasper Hauser. As played by Bruno S., Hauser shows up unannounced in the middle of a village square, frightening the populace with his bizarre behavior. He cannot talk, nor is there any indication of his parentage, thus Kaspar is immediately the object of close scrutiny from the authorities. When he finally does develop the power of speech, he reveals a highly advanced state of intelligence, as well as a seeming gift of prophecy. The winner of the 1975 Grand Jury prize at the Cannes Film Festival, Every Man for Himself and God Against All was originally released in Germany under the title Jeder für Sich und Gott Gegen Alle. ~ Hal Erickson, Rovi

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Starring:
Bruno S.Brigitte Mira, (more)
 
1970  
 
Charley (Werner Enke) is a shiftless man with a chip on his shoulder and a smoldering resentment of society in this offbeat comedy. He encounters a series of situations which seem to always land him in trouble, but he always seems to extricate himself from any real danger. Both the Establishment and the rebels who fight against it are lampooned in this gag filled film. ~ Dan Pavlides, Rovi

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Starring:
Werner EnkeGila Von Weitershausen, (more)
 
1970  
 
A wine salesman, Leipnitz is an incorrigible bachelor whose frequent affairs are the talk of the town. His family does not like his reputation, and wants him to settle down. It seems he may just do that when, hospitalized for exhaustion, Leipnitz meets the woman of his dreams, the nurse. They are engaged. But is one fiance enough for Leipnitz? ~ Rovi

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1968  
 
A small Munich neighborhood is a favorite haunt for students, beatniks, and struggling artists and poets. Martin (Werner Enke) is a songwriter of dubious talents, and Henry (Henry van Lyck) is an out-of-work actor of similar ability. After Martin apathetically witnesses a burglary, he falls asleep. The indifferent Martin reports the incident to the police the next day, but ends up becoming a suspect. The boys meet a pretty girl from an upscale neighborhood, and soon she and Martin are hanging out together. The police arrive, wounding Martin when he brashly offends their dead-serious sensibilities. Immovable positions of authority meet head-on with careless youth in this film, the first for director May Spils. ~ Dan Pavlides, Rovi

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Starring:
Werner EnkeUschi Glas, (more)
 
1968  
 
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A soldier is assigned to guard a fortress on a remote Greek island and finds himself unable to cope with the crushing boredom of the task in this interesting drama, an early film by renowned-director Werner Herzog. The story is set during WWII and concerns a soldier who was wounded and stationed on the Nazi-controlled island. He is accompanied by his wife and two other guards. It is a very quiet island and soon the men begin looking for constructive things to do. First they paint houses. Then they try raising goats. One of them finds a small stockpile of explosives, so the men begin making bombs. Another of the men can read Greek and so begins translating some of the ancient inscriptions on the castle walls. He discovers that pirates once controlled the island. Meanwhile, the other guard invents a little machine that systematically captures and kills roaches. Eventually the lead soldier finds himself beginning to crack up, suffering a minor breakdown when he hears someone playing Chopin on the piano. When, to escape their tedium, the guards are assigned a detail on a ridgetop, the lead soldier begins shooting at windmills. Further agitated by his perceived betrayal by his comrades, he then attacks the local village and threatens to use his bombs to destroy it. In the end, the insane renegade is stopped. Herzog is said to have based the story on an article describing similar events that occurred during the Seven Years' War. ~ Sandra Brennan, Rovi

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Starring:
Peter BrogleWolfgang Reichmann, (more)