Melvin Van Peebles Movies

The son of a black Chicago tailor, Melvin Van Peebles attended West Virginia State College, then earned a BA from Ohio Wesleyan. Van Peebles served three years in the Air Force as a navigator/bombardier. Out of uniform, Van Peebles pursued a painting career, made a handful of amateur films, and held down jobs as a postal worker and San Francisco cable-car grip. Refusing ever to allow grass to grow under his feet, he spent some time in Mexico, attended graduate school in Holland and picked up spare change (and a few overnight jail terms) as an unlicensed street entertainer in Paris. Still a relatively young man, he remained in Paris to write five novels (all in English, because he never bothered to learn any French); one of these was La Permission, the story of a star-crossed interracial romance. On the strength of his book, Van Peebles became eligible for admission to the French Cinema Center as a director. Unexpectedly receiving a grant of $70,000, he converted La Permission into his first feature film, The Story of a Three-Day Pass (1968). On the strength of this film, Van Peebles was courted by several Hollywood studios, who had no idea he was African American and assumed he was a French auteur. While few studios in 1968 were willing to take a chance on a black director (couldn't offend any bigots, you know), Columbia Pictures gave Van Peebles carte blanche to direct a satirical comedy-fantasy on the topic of black-white stereotyping, Watermelon Man (1970). He kept the costs low on this project so that he could invest his salary into a privately financed labor of love, Sweet Sweetback's Baadassss Song (1970). Crude and offensive by "establishment" standards, this tale of a black fugitive's one-man vendetta against Whitey proved to be an enormous hit with African American audiences. It also proved that Hollywood had itself a genuine "renaissance man" in Van Peebles; he not only produced, directed, wrote and starred in Sweet Sweetback, but also edited and scored the film. Having briefly satiated his filmmaking aspirations, Van Peebles turned to Broadway, writing and scoring the 1971 musical Ain't Supposed to Die a Natural Death. His next theatrical project was 1972's Don't Play Us Cheap, which won first prize at the Belgian Film Festival when a hastily produced movie version was offered in competition. Since that time, VanPeebles has developed a TV-movie pilot, Just an Old Sweet Song (1977), and has written and acted in a number of movie and TV projects, frequently in collaboration with his actor/director son Mario Van Peebles. As of this writing, Melvin Van Peebles' only movie directorial effort of the past two decades has been the hit-and-miss fantasy Identity Crisis (1990). ~ Hal Erickson, All Movie Guide
1968  
 
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Artfully squeezing every penny out of a grant from the French Cinema Center, Melvin Van Peebles made his directorial debut with Story of a Three-Day Pass. Harry Baird plays a black American GI, Turner, who falls in love with French mademoiselle (Nicole Berger). Upon his return from an idyllic weekend, Turner is demoted by his bigoted captain for fraternizing with a white girl. Honored as the French entry in the San Francisco Film Festival, this poignant little romantic drama "made" Van Peebles, who on the strength of his newly established reputation was assigned to direct Columbia's The Watermelon Man. Story of a Three-Day Pass was based on Van Peebles' own novel La Permission. ~ Hal Erickson, All Movie Guide

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Starring:
Pierre DorisChristian Marin, (more)
1970  
R  
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African-American activist and actor Melvin Van Peebles directed this comedy-drama starring Godfrey Cambridge as Jeff Gerber, a white, middle class husband to Althea (Estelle Parson) and father of two who is also a mild bigot. One morning, Jeff wakes up to discover that he has become a black man overnight. After trying in vain to remove his new pigment, Jeff ventures out into the world, only to discover the hostility he once engendered himself. After his neighbors petition to get him out of the neighborhood, his boss (Howard Caine) tries to use his new identity to the company's advantage and his doctor suggests he seek medical care elsewhere, Jeff comes to see the many sides of racism. The only rays of hope in his situation are the friendship of several fellow black people, including a bus driver (D'Urville Martin) and a restaurant counter man (Mantan Moreland). ~ Karl Williams, All Movie Guide

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Starring:
Godfrey CambridgeEstelle Parsons, (more)
1971  
R  
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Produced, directed, written, scored by, and starring Melvin Van Peebles, this landmark "blaxploitation" film was as controversial as it was popular for its then X-rated story of one African-American man's triumph over the Man. After beating a couple of white cops he witnessed brutalizing a local black revolutionary, sex show performer Sweetback (Van Peebles) has to go on the run. As he flees through decrepit South Central Los Angeles, Sweetback demonstrates his formidable potency through sex as well as violence, evading the police manhunt by any means necessary. As Sweetback runs off into the sunset, however, Van Peebles warns that the story, like the 1960s racial strife, isn't over. ~ Lucia Bozzola, All Movie Guide

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Starring:
Melvin Van PeeblesSimon Chuckster, (more)
1973  
NR  
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Melvin Van Peebles' first film after his groundbreaking blaxploitation effort Sweet Sweetback's Baadasssss Song was this photographed version of his Broadway musical Don't Play Us Cheap, in which a pair of Satan's helpers, in order to earn their horns, are dispatched to Harlem to crash into (and break up) a wild party. Don't Play Us Cheap received only a minimal release in 1973, and was largely unseen until it was released on videotape in the mid-'90s. ~ Mark Deming, All Movie Guide

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Starring:
Esther RolleAvon Long, (more)
1976  
 
Originally telecast September 14, 1976, as a CBS "General Electric Theater" special, Just an Old Sweet Song was the first of three pilots for Down Home, a proposed TV series created by filmmaker Melvin Van Peebles. Robert Hooks and Cicely Tyson star as Nate and Priscilla Simmons, the patriarch and matriarch of a middle-class Detroit family. Upon learning that their grandmother (Beah Richards) is not long for this world, Nate and Priscilla pack up their kids and head down South. Eventually, the family rediscovers its African-American roots and elects to stay in their new rural surroundings. Robert Hooks' real-life sons (Kevin and Eric Hooks) appear as his screen sons, Junior and Highpockets. Just an Old Sweet Song was followed by two 60-minute sequels in 1978: Kinfolks (in which Madge Sinclair replaced Cicely Tyson as Priscilla Simmons) and Down Home. Alas, none of the three films yielded a weekly series. ~ Hal Erickson, All Movie Guide

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1977  
PG  
Based on the life story of NASCAR auto racing champion Wendell Scott, this film, starring Richard Pryor as Scott, covers his struggles -- from the end of World War II to 1971-- to overcome racism and gain the freedom to demonstrate his winning auto-racing skills to everyone. He is not without support: he has Mary Jones (Pam Grier), his loving wife, a sense of humor, and quite a few good friends, including the white race-car driver Hutch (Beau Bridges). Filmed in the Atlanta area, this movie features performances by folksinger Richie Havens, Julian Bond (later a Congressman), and Maynard Jackson (at one time Atlanta's mayor). ~ Clarke Fountain, All Movie Guide

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Starring:
Richard PryorBeau Bridges, (more)
1981  
 
The three-part TV miniseries The Sophisticated Gents covers 25 years in the lives of a group of close friends. Nine African-American members of a sports club gather for a quarter-century reunion. As they reminisce over the high and low points of their lives, some of the members await the arrival of the group's troublemaker with less than enthusiasm. The story comes to an out-of-left-field conclusion involving an escaped killer (Melvin van Peebles) and a pursuing cop. The nine "gents" of the title are played by Ron O'Neal, Thalmus Rasulala, Bernie Casey, Dick Anthony Williams, Raymond St. Jacques, Robert Hooks, Rosey Grier, Paul Winfield...and the aforementioned Melvin van Peebles. Based on John A. Williams' novel The Junior Bachelor Society, the 4-hour The Sophisticated Gents was originally telecast September 29, October 1 and October 2, 1981; for reasons unknown, its debut had been postponed for nearly two years. ~ Hal Erickson, All Movie Guide

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Starring:
Paul WinfieldBernie Casey, (more)
1985  
R  
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In what can only be described as a dramatic change of pace, Robert Altman directed this raunchy teen comedy based on the antics of two characters featured in a series of stories published in the National Lampoon. Oliver Cromwell Ogilvie (Daniel Jenkins), aka O.C., and his buddy Mark Stiggs (Neil Barry), are a pair of misfit teenagers whose greatest joy in life is making those around them miserable. O.C.'s ancient grandfather (Ray Walston) has just had his insurance cancelled, and when he discovers that suburbanite salesman Randall Schwabb (Paul Dooley) is responsible, O.C. and Stiggs swing into a summer-long campaign to get revenge on Schwabb and his family. While it received some of the most brutally negative reviews of Altman's career, O.C. and Stiggs is worth a quick look for its cast, which includes fellow outcast auteurs Dennis Hopper and Melvin Van Peebles, comics Louis Nye and Jane Curtain, the one-time glamour girl of the Clifford Irving scandal Nina Van Pallandt, and Thomas Hal Phillips, reprising his role as Hal Phillip Walker from Nashville. World music superstars King Sunny Ade and his African Beats appear and provide the musical score. ~ Mark Deming, All Movie Guide

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Starring:
Daniel JenkinsNeil Barry, (more)
1986  
 
An TV news satire from director Robert Downey, this film concerns a cable evening news show that gradually turns into chaotic performance art. Head newscaster Terrence Hackley (Zack Norman) has been caught by his wife Joy (Tammy Grimes) with a plaid skirt in his suitcase, so he covers up by wearing it in his interviews. The sagging ratings start to go up and then they zoom sky-high after Joy and the weatherman bounce the station's signal off the moon and it lands in houses around the world. Several zany vignettes send up media moguls and film directors as the news program becomes increasingly bizarre. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Zack NormanTammy Grimes, (more)
1987  
 
Produced for public television, Taking Care of Terrific spotlights Joanne Vanicola as a teenaged baby sitter named Enid. Enjoying quality time in the park with her charge Joshua (Benjamin Barrett), Enid is given a strong dose of reality when some bag ladies wander into view. Enid and Joshua then and there decide to arrange one wonderful evening's worth of entertainment for the park's homeless. They are given a hand by street musician Melvin Van Peebles. The 60-minute Taking Care of Terrific first aired January 16, 1988, as part of PBS' Wonderworks children's series. ~ Hal Erickson, All Movie Guide

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1987  
PG13  
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This third sequel to the 1975 mega-hit Jaws returns Lorraine Gary to the role of Ellen Brody, widow of the Roy Scheider character from the first two films. When her son Sean, the current police chief of shark-plagued Amity Island, is killed by the beast, Ellen goes to the Bahamas to comfort her surviving son. Michael Brody (Lance Guest) and his friend Jake (Mario Van Peebles) are marine biologists there to help, but in the end it is up to Ellen and her new beach-bum love -- played by Michael Caine -- to put a halt to the fishy horror. Director Joseph Sargent concludes the series with an ending chosen from several alternate possibilities. ~ Robert Firsching, All Movie Guide

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Starring:
Michael CaineLorraine Gary, (more)
1990  
R  
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This hip-hop comedy stars Mario Van Peebles as rapper Chilly D, who becomes possessed by the spirit of outrageous fashion designer Yves Malmaison (Richard Fancy). ~ Jason Ankeny, All Movie Guide

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Starring:
Mario Van PeeblesIlan Mitchell-Smith, (more)
1991  
R  
Charles Lane directed Andy Breckman's script, based on an old "Saturday Night Live" sketch of Breckman's that featured Eddie Murphy. Comic Lenny Henry takes Murphy's place in True Identity as a black man forced to don white face in order to save his life. Henry plays Miles Pope, an agreeable British actor whose luck sours when he finds out that businessman Leland Carver (Frank Langella) is actually a notorious underworld mobster. Carver now wants to rub Miles out and the only way that Miles can escape Carver's retribution is to disguise himself as a man named Frank LaMotta, the Italian-American killer that Carver has hired to kill him. During the story, Miles finds that he has to assume a variety of roles to keep from getting shot --a gay real estate agent, a British lord, James Brown's brother Val, and even Othello. But the biggest shock for Miles comes when he plays the white man and discovers that he is given preferential treatment --not only by whites, but also by blacks and Hispanics. ~ Paul Brenner, All Movie Guide

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Starring:
Lenny HenryFrank Langella, (more)
1992  
R  
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Eddie Murphy plays Marcus Graham, a hotshot ad exec who's also an insatiable womanizer. He is thus hardly prepared for his new boss, Jacqueline, played by Robin Givens. In terms of things romantic, Jacqueline is nothing more or less than a female version of Marcus -- and now, for the first time, he's getting the runaround. Boomerang boasts supporting-cast contributions from Halle Berry, David Alan Grier, Martin Lawrence, Grace Jones, Eartha Kitt, Geoffrey Holder, and Melvin Van Peebles. Watch closely and you'll see director Reginald Hudlin in a bit role. ~ Hal Erickson, All Movie Guide

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Starring:
Eddie MurphyHalle Berry, (more)
1993  
R  
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Writer, director, and star Mario Van Peebles tried to correct historical misconceptions about African-Americans on the frontier with this action-packed western that's also an homage to spaghetti Westerns. During the Spanish-American War, a squadron of black soldiers led by Jesse Lee (Van Peebles) is assigned a dangerous mission behind enemy lines in Cuba by evil Colonel Graham (Billy Zane). Joined by a white gambler, Little J (Stephen Baldwin), the troupe is to recover a chest of gold. Realizing that Graham will slaughter them once they've relinquished the booty, Lee and his men retrieve the chest, wound Graham, and head for home. Ambushed by Graham in New Orleans, the "posse" heads for Lee's hometown of Freemanville, a frontier settlement of ex-slaves. Years ago, Lee's minister father (Robert Hooks) was murdered there by Klansmen, and the gunslinger wants revenge. There's new trouble brewing in Freemanville, however. Sheriff Bates (Richard Jordan), top lawman in neighboring Cutterville, plans to wipe out Freemanville's citizens and sell their lucrative property to a railroad. Then there's Graham, still on Lee's trail. ~ Karl Williams, All Movie Guide

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Starring:
Mario Van PeeblesStephen Baldwin, (more)
1994  
 
This German film consists of six separate vignettes each created by a different international director, each challenged to create brief erotic scenarios. The first, named "Wet," was directed by Bob Rafelson and involves an encounter between a bathroom fixtures salesman and a customer who comes after hours to sample the hot tubs. The next, "The Dutch Master," directed by Susan Seidelman, follows a modern woman's obsession with 17th century Dutch painting and who eventually enters it to fulfill her dreams. The third, "The Insatiable Mrs. Kirsch," is Ken Russell's entry and tells the story of a young novelist who becomes obsessed with a highly-sexed woman addicted to auto-erotic pursuits. A young man gets what he wants after a voodoo woman grants his wish involving a hot woman and a motorcycle in the fourth episode directed by Melvin Van Peebles. Number five, "Touch Me," by Paul Cox follows the amorous friendships of women. Finally the sixth episode, "The Cloud Door," from Mani Kaul, involves a beautiful princess locked in a palace by a religious fanatic, a lascivious parrot, and a handsome young man. ~ Sandra Brennan, All Movie Guide

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Starring:
Arliss HowardCynda Williams, (more)
1994  
PG13  
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Party-hard skydiving teacher Ditch Brodie (Charlie Sheen) has a knack for getting himself into trouble, but his booze-babes-and-planes shenanigans hardly prepare him for an international plot that pits Brodie and a mysterious KGB agent against a post-Cold War Russian villain called Kerr (Chris McDonald) and an American heavy named Ben Pinkwater (James Gandolfini). Aerial set pieces alternate with tongue-in-cheek flirtation and conspiracy-theory suspense as Brodie meets a beautiful new student, Chris Morrow (Nastassja Kinski), then must try to explain to the authorities how he allowed her to fall out of a plane to her death. Soon Brodie -- on the run from both Kerr and the police -- begins to realize that in espionage, as in romance, often nothing is as it seems. ~ Brian J. Dillard, All Movie Guide

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Starring:
Charlie SheenNastassja Kinski, (more)
1995  
R  
Set in a post-WWIII world, this action fantasy centers on the deadly struggle between a great warrior and the villainous overlord who stole the warrior's lover and brutally murdered his father. ~ Sandra Brennan, All Movie Guide

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Starring:
Costas MandylorGary Daniels, (more)
1995  
R  
This controversial political drama semi-fictionalizes the history of the radical Black Panther Party, an African-American organization that polarized America from 1966-70. Huey Newton (Marcus Chong) and Bobby Seale (Courtney B. Vance) are a pair of Oakland, California, men who form a new political party dedicated to protecting Blacks from bigoted cops through violent means. Their "Black Panther Party for Self-Protection" serves free lunch to kids, educates the community in African-American awareness, gets drug dealers off the streets, and has gun battles with the Oakland police. Two members of the Panther Party are Tyrone (Bokeem Woodbine) and Judge (Kadeem Hardison). When FBI director J. Edgar Hoover (Richard Dysart) suspects that the Black Panthers' leftist leanings are an indication of communist involvement, Judge, an affable Vietnam vet, agrees to become a double agent, reporting to both the Feds and the Panthers. After the Panthers storm the State Assembly in Sacramento, political paranoia grows, and Hoover conspires with the mafia to flood urban streets with cheap heroin, thus destroying the party. Director Mario Van Peebles, who also appears in the role of Stokely Carmichael, worked from a script written by his father, Melvin Van Peebles, based on his book about his real-life experiences with the Black Panthers. ~ Karl Williams, All Movie Guide

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Starring:
Kadeem HardisonBokeem Woodbine, (more)
1996  
R  
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In this highly-charged police drama, Officer Michael Rhoades is becoming increasingly disturbed by the amount of white-on-black violence that has been escalating in his quiet town. He is especially disturbed that much of that interracial brutality is coming from the police. Rhoades calls they FBI but lacks sufficient hard evidence to warrant their involvement. Still determined, Rhoades launches his own investigation, but it is his young partner DeBruler whom makes the shocking discovery that connects the police department with a violent gang of locals. ~ Sandra Brennan, All Movie Guide

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Starring:
Mario Van PeeblesJosh Brolin, (more)
1996  
 
Filmed on location in Nova Scotia, the made-for-TV Calm at Sunset is a "generation-gap" story with an unusual twist. Instead of causing his family heartbreak by refusing to follow in his dad's footsteps, the protagonist disappoints his family by insisting on being just like his dad. Fisherman Russell Pfeiffer (Michael Moriarty) has always dreamed of a better and more prosperous life for his sons, and to that end bankrolls their college education. But while older son Joseph (Christopher Orr) is willing to seek employment outside the family's sphere of influence, 18-year-old James (Peter Facinelli) drops out of law school during his first year, intending to follow his dream of owning his own fishing boat. This dream is not only a source of grief for hard-working Russell and his wife, Margaret (Kate Nelligan), but may also prove so dangerous that James will never make it to age nineteen. Add to this a shocking family secret, and you have all the ingredients for a solid and entertaining Hallmark Hall of Fame presentation. Adapted from a novel by Paul Watkins, Calm at Sunset debuted December 1, 1996, on CBS. ~ Hal Erickson, All Movie Guide

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Starring:
Michael MoriartyPeter Facinelli, (more)
1997  
 
Directed by cutting-edge black filmmaker Melvin Van Peebles, this episode stars the director's son, Mario Van Peebles, as William Clark, the captain of the space station Meridian. When three of his crew members suddenly turn up dead, Clark is accused of mass murder. Only Clark knows that the three unfortunates were lured into committing suicide by bizarrely seductive images; but if he tells the truth about the incident at his trial, he may end up forfeiting his own life. "Bodies of Evidence" was first telecast on June 20, 1997. ~ Hal Erickson, All Movie Guide

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1997  
R  
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This off-beat urban anthology offers four different views of the mayhem and destruction that came from the 1992 Los Angeles riots. The first vignette "Gold Mountain," directed by Galen Yuen, centers on a struggle between a traditional-minded Chinese storekeeper and his increasingly uncontrollable son, who is assimilating rapidly into American ghetto life. Their relationship explodes as their store is looted during the riot. Alex Munoz's "Caught in the Fever," featuring a screenplay by the late Joe Vasquez, follows the corruption of a basically good Latino couple who get caught up in the riot's hysteria and set aside their values participate in the chaos. In "Empty" an Anglo policeman finds himself in the center of the riot alone and surrounded by angry youths who force him to take desperate measures. The final vignette, "Homecoming Day" centers upon a black man who managed to escape South Central and forge a better life for himself and his wife. The day the verdict for the Rodney King trial was announced, he goes back to the old neighborhood to see his mother, not realizing that the place will soon become a maelstrom of hatred and violence. In making this anthology, the four filmmakers created continuity by having characters from each film occasionally appear in the background of the other films. They also all utilized the same cinematographer, editor and basic crew. ~ Sandra Brennan, All Movie Guide

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Starring:
Luke PerryCicely Tyson, (more)
1997  
 
The highlight of the homicide unit's New Year's party is the unreeling of "Back Page News," a documentary produced by the unit's in-house video photographer Brodie (Max Perlich). Some of the events covered by Brodie's camera prove to be embarrassing, especially when the identity of the infamous "lunch bandit" is revealed. And some of them are most amusing, notably the sequence in which Kellerman (Reed Diamond) and Lewis (Clark Johnson) chase a suspect right onto the set of a TV series titled "Homicide: Life on the Street," much to the consternation of director Barry Levinson (playing himself). Former series regular Isabella Hoffman makes a cameo appearance as Megan Russert. ~ Hal Erickson, All Movie Guide

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Starring:
Richard BelzerAndre Braugher, (more)
1998  
NR  
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In this medium-length (53 minutes) French-U.S. documentary made for European television, black filmmaker Melvin Van Peebles examines African-American film history. Narrating while clips, stills, and location shots are seen behind him in a rear projection, Van Peebles' commentary covers a wide range of racial stereotyping. Beginning with early silent films, even prior to Birth of a Nation, excerpts from more than 70 features are unspooled. At one juncture, Van Peebles departs from mainstream Hollywood films to examine the independent black cinema, made for exhibition in the network of blacks-only theaters. When Van Peebles' self-produced his innovative and potent Sweet Sweetback's Baadasssss Song (1971), the film was a milestone. Embraced by the Black Panthers, it grossed $10 million in the U.S., grabbing the attention of the film industry -- which then used it as a springboard to distort Van Peebles' themes into the more violent "blaxploitation" genre of the '70s. Made in video and transferred to 35mm, this documentary was shown at the 1998 Sundance Film Festival. ~ Bhob Stewart, All Movie Guide

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Starring:
Mario Van Peebles

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