Abigail van Alyn Movies

In this drama, a neighborhood community becomes tense and upset when they learn that a recently released convicted rapist is living amongst them. ~ Sandra Brennan, All Movie Guide

In 1991, Oakland, California was ravaged by brush fires. This made-for-television feature tells some of the harrowing and heroic stories of those that fought and survived the blaze. ~ Sandra Brennan, All Movie Guide

Curiously listed as a 1991 theatrical production in some sources, Eye on the Sparrow was actually a made-for-TV movie, which first aired December 7, 1987. Mare Winningham plays a blind Missouri woman who marries sightless teacher David Carradine. He is resigned to a world of darkness, but she is bitter over her lot in life, especially after an operation all-too-temporarily restores her sight. Unable to conceive children, the couple tries to adopt: but this is the mid-1960s, and agencies are unwilling to entrust "normal" children to the visually impaired. The only children permitted into their household are the handicapped rejects from foster homes. During their 12-year struggle to prove themselves acceptable as adoptive parents, the woman grows spiritually, learning to shelve her own self-pity by caring for those less fortunate than herself. Based on fact, Eye on the Sparrow was written for television by Barbara Turner (the mother, incidentally, of actress Jennifer Jason Leigh). ~ Hal Erickson, All Movie Guide

Three close friends begin to obsess about infants, breast-feeding, disposable diapers and the like in the made-for-TV Babies. Lindsay Wagner plays a thirtysomething career woman who'd like the responsibilities of motherhood without the complication of a man in her life. Dinah Manoff is a married lady who can't conceive; she tries to convince husband Alan Arkin that adoption is the way to go. And Marcy Walker is carrying a baby who may require delicate prebirth kidney surgery. Babies was first telecast September 17, 1990. ~ Hal Erickson, All Movie Guide

History tells us that would-be automobile mogul Preston Tucker was a silver-tongued con man, who misappropriated his investors' money and played fast and loose with ethics and legalities in the pursuit of his dream. Filmmaker Francis Ford Coppola isn't buying this: to hear Coppola tell it, Tucker was "Mr. Smith Goes to Detroit," a sincere visionary who tried and failed to buck the Big Three auto manufacturers. Moreover, he was a staunch defender of family values, as witness his inseparable relationship with his loyal wife (Joan Allen) and adoring children. It was for his family's sake, rather than any dreams of financial gain, that Tucker created the oddball three-headlight vehicle which he envisioned as the "car of the future". Naturally, the corporate fat cats of 1947 can't abide competition from a rugged individualist; thus, with several politicos in their pockets, they crush the Tucker and the man who built it. We'd have been more inclined to believe the story had Coppola adopted a straightforward Capraesque approach and not utilized all sorts of complicated camera trickery. Somehow, by presenting Tucker in so showoffy a directorial manner, the character comes off more as a sleight-of-hand artist than a bastion of sincerity. Even so, Jeff Bridges does a nice job as Tucker, as does Martin Landau as Tucker's incongruous business partner. Jeff's dad, Lloyd Bridges, appears in an uncredited role as a "bought" senator. ~ Hal Erickson, All Movie Guide

In this hit thriller, a prosecuting attorney-turned-defense lawyer falls in love with a rich, charming client who's been accused of murdering his wife and her maid with a hunting knife. When an unknown assailant gruesomely slays San Francisco newspaper heiress Paige Forrester (Maria Mayenzet), her husband and business partner, Jack Forrester (Jeff Bridges), turns to corporate attorney Teddy Barnes (Glenn Close) for counsel. Teddy, who quit her job with the district attorney's office four years earlier over an ethical dilemma, has reservations about returning to criminal work; nevertheless, she accepts the assignment, convinced of Jack's innocence and eager to face off in court against her old boss, DA Thomas Krasny (Peter Coyote), who's about run for attorney general. With the help of investigator Sam Ransom (Robert Loggia), the recently divorced Teddy builds a strong defense for her client, though the work -- and her incipient romance with Jack -- cause strain in her relationship with her children. When Jack's innocence and his romantic intentions come into question, Teddy feels her life slipping back into a moral quagmire until a series of courtroom denouements set the stage for even bigger surprises. Big-name screenwriter Joe Eszterhas' follow-up to Flashdance, Jagged Edge was directed by Richard Marquand, who had previously lensed Return of the Jedi. Parts of Jagged Edge were shot on-location in San Francisco, whose City Hall provides the film's courtroom exteriors. ~ Brian J. Dillard, All Movie Guide