Raf Vallone Movies
Educated at the University of Turin, Raf Vallone was a professional soccer player and jack-of-all-trades journalist before making a spectacular film acting debut in the neorealist classic Bitter Rice. While Vallone has never wanted for roles of depth and meaning (Giovanni in De Sica's Two Women [1961], Eddie Carbone in Arthur Miller's A View from the Bridge [1962]), some producers insist upon casting him only as a jet-setting playboy, nattily attired in the latest fashions, a beautiful girl on each arm. In addition, Vallone has played so many unsavory characters like Mario Bello in 1964's Harlow that one wonders if his first name shouldn't be "Raffish." The actor began curtailing his film work in 1990, not long after his well-rounded portrayal of Cardinal Lamberti in The Godfather III (1990). Raf Vallone is the husband of his one-time co-star, actress Ellen Varzi. ~ Hal Erickson, All Movie Guide- 1971
- PG
A Gunfight was the first mainstream American film to be produced by an Indian tribe -- specifically, the Jicarilla Apaches of New Mexico. Kirk Douglas and Johnny Cash star as Will and Abe, two long-in-tooth gunfighters with nary a dime between them. Although Will and Abe are fast friends, they agree to a winner-take-all showdown, selling tickets to the momentous event. The townspeople are certain that Will is going to win the shootout, but he knows that it would be a fatal mistake to underestimate Abe. Standing on the sidelines is Will's wife Nora (Jane Alexander), who seems curiously disinterested in the outcome, even though she may become a widow before the day is over. Despite the financial input of the Jicarilla tribe, A Gunfight has nothing to do with Indians; perhaps the tribe just wanted to put together a good, old-fashioned western, sans any social commentary. ~ Hal Erickson, All Movie Guide
- Starring:
- Kirk Douglas, Johnny Cash, (more)
- 1991
Season of Giants succeeds more in ambition than in execution. This 195-minute TV movie proposes that a great professional rivalry existed between Renaissance geniuses Michelangelo (Mark Frankel) and Leonardo da Vinci (John Glover). While the Florentine and Roman scenery is authentic, certain elements of the story cause the viewer to doubt its credibility. For starters, both Michelangelo and Da Vinci weather several years' time without either aging or changing their clothes; also, the "creative process" is minimized, with both artists going from inspiration to final product in what seems to be a matter of hours (maybe Michelangelo used a roller on the Sistine Chapel). Season of Giants was originally shown in two parts over the TNT Cable service, with a surprising paucity of advertising fanfare. ~ Hal Erickson, All Movie Guide
- 1968
The Spanish Thousand and One Nights brings a new slant to an old story. Several Arabian Nights legends are blended together into a single coherent continuity. Evidently certain that this sort of stuff was too hokey to take seriously, the producers handle the material with tongue firmly in cheek. Jeff Cooper plays the ingenuous hero Oman, while the villainy is in the capable hands of Raf Vallone. And, yes, there are plenty of undulating harem girls and veiled princesses; foremost among these is the dazzling Luciana Paluzzi. ~ Hal Erickson, All Movie Guide
In this mystery, a vengeful husband goes looking for the six people who tortured him and then killed his wife. The husband is a WW II vet and one of the killers is now a high-ranking German official. The plot is based on a Mario Puzo story. The film is also titled Seven Graves for Rogan. ~ Sandra Brennan, All Movie Guide
- Starring:
- Edward Albert, Rod Taylor, (more)
- 1962
A View from the Bridge is set in New York, but the alleged political undesirability of playwright Arthur Miller dictated that this film be lensed in France. Director Sidney Lumet shot the film in both English and French, with the English version sounding more recited than acted at times. Raf Vallone plays Eddie Carbone, a tough Italian-American longshoreman living in Brooklyn with his wife Beatrice Carbone (Maureen Stapleton), and her comely niece, Catherine (Carol Lawrence) -- to whom he feels an overwhelming yet undeclared attraction. Then two illegal immigrants, Rodolpho and Marco (Jean Sorel and Raymond Pellegrin), turn up, and rage builds in Eddie when he senses a burgeoning, mutual attraction between Rodolpho and Catherine. To divert suspicions of his own incestuous desires, he first declares Rodolpho a homosexual, then does everything in his power to ensure that Rodolpho and Marco are deported - thus setting the film up for a surprisingly grisly and shocking climax. The film is more commonly remembered today for a "shocking" set piece, in which Eddie kisses Rodolpho full on the lips to "prove" that the boy is gay. ~ Hal Erickson, All Movie Guide
- Starring:
- Raf Vallone, Jean Sorel, (more)
Inside jokes about the film industry dominate this slight tale of ambition and romance at the Cannes Film Festival. Keith Carradine plays a first-time director who has sunk two years and all his money into a movie about the execution of murderer Gary Gilmore. With his last bit of cash, he flies himself and his picture to Cannes, but the film is seized by French customs. The wife of an Italian producer (Monica Vitti) helps him retrieve his work, and the two become embroiled in a passionate, yet ultimately ill-fated, affair. Carradine gets the first-time, self-important director mostly right, but the movie is so specific to the film industry that viewers may lose interest. ~ Don Kaye, All Movie Guide
- Starring:
- Keith Carradine, Monica Vitti, (more)
- 1951
Silvana Mangano portrays a fickle club chanteuse who must choose between the love of two men (Raf Vallone and Vittorio Gassman). She chooses neither, entering a convent for the sake of convenience. This overwrought drama was produced by Dino de Laurentiis, and reworked by five screenwriters including such respected names as Dino Risi and Franco Brusati, but comes up as a soggy soap-opera rather than an imposing star-vehicle. Nino Rota's fine score and the always watchable Mangano are its only saving graces. ~ Robert Firsching, All Movie Guide
- Starring:
- Silvana Mangano, Raf Vallone, (more)
- 1953
Camicie Rosse (Red Shirts) was released in most markets as Anita Garibaldi, in deference to the star status of Anna Magnani. The actress plays the wife of the great Italian patriot Garibaldi, who at the beginning of the film hovers on the brink of death, harking back to past glories. Most of the story deals with the European political upheavals of 1848-49, and Garibaldi's participation in these earth-shattering events. Raf Vallone stars as Garibaldi, while the stellar supporting cast includes Alain Cuny, Jacques Sernas, Serge Reggiani and Michel Auclair. According to some reports, Auclair was supposed to have played Garibaldi, but was replaced by Vallone when the film's initial director, Goffriedo Allesandri, was put out of commission by an auto accident (Allesandrishares screen credit with Franco Rosi, who completed the film). ~ Hal Erickson, All Movie Guide
- Starring:
- Anna Magnani, Raf Vallone, (more)
- 1970
- R
In this limp western melodrama, when Mexican bandit Hector Cordoba (Raf Vallone) attacks a U.S. Army fort a few miles from the Mexican border, General John Pershing (John Russell) orders Captain Rod Douglas (George Peppard) to organize a group of soldiers to cross the border into Mexico to capture Cordoba and to bring him back to the U.S. for trial. When Douglas's band cross into Mexico, Douglas meets Leonora (Giovanna Ralli), a beautiful Mexican woman raped by Cordoba, who agrees to lead the Americans to Cordoba's stronghold. But Leonora is not entirely trustworthy, and when the Americans reach the fort, Cordoba takes them prisoners. Now, the Americans must escape from Cordoba's clutches and make it back to the other side of the border. ~ Paul Brenner, All Movie Guide
- Starring:
- George Peppard, Giovanna Ralli, (more)
- 1985
Leading man Gabriel Byrne adds a "Harlequin Romance" dash to the two-part, six-hour TV movie Christopher Columbus. Seeking out a swifter route to the lucrative Indies, Genoa-born Columbus begs King John of Portugal (Max Von Sydow) to finance a westbound expedition. Failing this, he turns to Spain's Queen Isabella (Faye Dunaway), who is entranced by Columbus' near-religious fervor. After the famous 1492 expedition, Columbus is bankrolled for future forays into the New World, which win him both adulation and vilification. Originally telecast May 19 and 20, 1985, Christopher Columbus was filmed on location in Spain, Malta and the Dominican Republic, making full use of a $15 million budget. It isn't an earth-shattering cinematic experience, but is lots more worthwhile (and less ponderous) than the brace of Columbus biopics inflicted upon movie audiences in 1992. Those concerned with political correctness should be satisfied with the film's second half, which explores the more sinister elements of chauvinistic colonization. ~ Hal Erickson, All Movie Guide
- 1949
The White Line is a modest anti-war statement set in a tiny Italian village near Trieste. As the result of an International Peace Conference, the nearby borders are changed, with a white line drawn in the middle of the town. One half of the community belongs to the Italians, while the other half is controlled by Yugoslavia. The ramifications of this decision range from humorous to disastrous, with some consequences wandering to the realm of the surreal. In keeping with the Biblical phrase "And a child shall lead them," it is up to the kids in town to point up the absurdities of the new border. Alas, tragedy ensues, but out of hopelessness arises a new form of hope. Filmed in 1950 as Cuori senza Frontiere, The White Line attained bookings in the U.S. thanks to the presence of Gina Lollobrigida in a secondary role (Lollobrigida was afforded top billing in the American prints). ~ Hal Erickson, All Movie Guide
- Starring:
- Gina Lollobrigida, Raf Vallone, (more)
- 1954
This film is comprised of three vignettes focusing upon women and war. The first episode, set in WW II, chronicles the sad journey of an American woman who goes to Italy to bring her husband's body home. In Italy she makes a heart-wrenching discovery: he had been living with an Italian family and had impregnated their daughter and sees the child. The second story chronicles the abandonment of Joan of Arc, by her king and her soldiers. The third episode is a humorous adaptation of "Lysistrata," the Greek play where Athenian wives refused to sleep with their husbands until they stopped making war. ~ Sandra Brennan, All Movie Guide
- 1954
The French/Italian Obsession was based on a novel by American suspense writer William Irish (aka Cornell Woolrich). Michelle Morgan and Raf Vallone are carnival performers, touring the provinces with a successful trapeze act. Though Morgan knows that Vallone is on the lam from a murder charge, she marries him anyway. When Vallone is sidelined by an injury, he is replaced by handsome young aerialist Jean Gaven, an unsuspecting friend of the man Vallone killed. Gaven is himself bumped off before long, prompting the disillusioned Morgan to turn over Vallone to the authorities. As it turns out, we're in Postman Always Rings Twice territory: Vallone didn't kill Gaven, but by the time the guilty party confesses, the police have confirmed that Vallone was responsible for the earlier murder. ~ Hal Erickson, All Movie Guide
- 1961
When French playwright Pierre Corneille wrote El Cid, a fanciful version of the life of 11th-century Spanish hero Rodrigo Diaz de Bivar, aka "El Cid", an attempt was made to honor the "classic unities" and to compress the whole story into a single day! Be assured that the 1961 film version of El Cid is more faithful to the actual chronology. Charlton Heston adds one more character to his gallery of historical portrayals as El Cid, the disgraced Spanish knight who rids his country of its Moorish conquerors. The triumphs of El Cid's military life are not matched by his private affairs; he is betrayed by his bride Chimene (Sophia Loren) and is made a political pawn by the avaricious Spanish landowners. El Cid has a climax unique in the annals of movie epics: the final assault against the landgrabbers is led by a dead hero. El Cid established the short but generally profitable reign of producer Samuel Bronston as the King of the Epics; his imprint on the film is much stronger than that of director Anthony Mann. ~ Hal Erickson, All Movie Guide
- Starring:
- Charlton Heston, Sophia Loren, (more)
Based on a Solzhenitsyn book, this is the story of a Moscow official in Stalinist Russia whose future freedom depends on a technological break-through. ~ Tana Hobart, All Movie Guide
- 1976
- R
This cut-rate Italian giallo effort stars Daniela Giordano as Margaret, a recently paroled ex-reprobate who takes up residence in a broken-down mansion where she is soon terrorized by both the house's creepy owner and the red-hooded minions of a Satanic death cult, whose leader abducts young women for ghastly sacrificial rituals. This scenario serves as a vehicle for numerous violent images -- mysteriously appearing patches of blood, perverse S&M tableaux, and graphic impalements with a ceremonial spear, to name but a few -- some of which which may be the product of Margaret's own disturbed mind. Thoroughly weird and sadistic, this sleazy film aspires to the venerable standard of works by Mario Bava and Dario Argento but falls considerably short of the mark. Even the presence of Raf Vallone -- wasted in an undemanding role that amounts to suave window-dressing -- fails to enhance the proceedings. ~ Cavett Binion, All Movie Guide
- 1965
Of the two competing Jean Harlow biopics released in 1965, producer Joseph E. Levine's Harlow is the more slickly professional, though neither film is exactly a cinematic landmark. Carroll Baker plays 1930s "platinum blonde" Jean Harlow, who, in keeping with the portrait painted by biographer Irving Schulman and Arthur Landau (upon whose book this film is based) was a forlorn waif tossed around like a football by the predatory males of wicked old Hollywood. Prodded by a hellish stage mother (Angela Lansbury) and an implicitly incestuous stepfather (Raf Vallone), Harlow rises to the pinnacle of movie stardom but never finds true happiness. The wedding-night revelation that her new husband, producer Paul Bern (Peter Lawford), is impotent is just another devastating blow for the poor girl. After all she goes through in the film, Harlow's premature death at age 26 is almost a relief. The only person who truly, deeply, sincerely cares about her is her lovable agent Arthur Landau (played by lovable Red Buttons) who, it will be remembered, co-authored the original Harlow book. Movie buffs will derive some perverse pleasure by the script's many distortions of the facts. Whatever its shortcomings, Harlow posted a huge profit for Joe Levine and Paramount Pictures. ~ Hal Erickson, All Movie Guide
- Starring:
- Carroll Baker, Martin Balsam, (more)
Gay Talese's bestseller Honor Thy Father is given a superb, albeit slightly expurgated, treatment in this made-for-TV movie. Joseph Bologna plays Bill Bonanno, the son of New York City Mafia-don Joe "Bananas" Bonanno (Raf Vallone). When his father disappears in 1964, Bill is compelled to take over the "family business." This proves well-nigh impossible as several Mafiosi fall over themselves trying to stake their own claims within the Bonanno empire. Lewis John Carlino, the script writer for the 1968 Mafia flick The Brotherhood, adapted the Talese novel for television. Joseph Campanella "appears" as the slyly noncommittal off-screen narrator. Honor Thy Father was first telecast March 1, 1973. The producers sagaciously withheld the film from the critics until that night to make certain no reviewer would spoil the audience's enjoyment by prematurely cataloging the differences between the film and the book. ~ Hal Erickson, All Movie Guide
- Starring:
- Brenda Vaccaro, Joseph Bologna, (more)
- 1950
Disciples of Italian filmmaker Pietro Germi have noted the stylistic influence of Hollywood's John Ford in Germi's neorealist Il Camino Della Speranza. The story concerns the plight of illegal immigration, as experienced by a pair of Sicilian miners. Unable to find work in their own country, the protagonists embark on a long and arduous journey to the French border, with immigration officials nipping at their heels every step of the way. Structurally, the film resembles Ford's Stagecoach, right down to the upbeat denouement, wherein one sympathetic authority figure decides "to heck with the rules." Heading the cast is Italian movie favorite Raf Vallone. Germi co-wrote the film with Federico Fellini and Tullio Pinelli. ~ Hal Erickson, All Movie Guide
- Starring:
- Raf Vallone, Elena Varzi, (more)
- 1950
Strange Deception combines a standard revenge tale with a postwar reenactment of the first four books of the New Testament. Freshly released from a Russian POW camp, Italian soldier Raf Vallone tries to discover who betrayed his brother to the Nazis. Alain Cuny is an enigmatic carpenter who has confessed to causing the brother's death. Cuny is slain by Vallone, whereupon it is revealed that the carpenter sacrificed himself on behalf of the real culprit, Phillipe Lemaire. Vallone catches up with Lemaire, but is unable to kill him, thanks to the Christlike example of Cuny. Originally titled Il Cristo Proibito (The Forbidden Christ, just so we don't miss the point), this film represented the movie directorial debut of novelist Curzio Malaparte, who also wrote the musical score. ~ Hal Erickson, All Movie Guide
- Starring:
- Raf Vallone, Elena Varzi, (more)
- 1953
Il Segno di Venera (The Sign of Venus) offers an earthier Sophia Loren than American audiences would later become accustomed to. Agnese (Loren) has no trouble attracting men, which is more than can be said for her plain-Jane friend Cesira (Franca Valeri). The two girls embark on a search for an appropriate mate for Cesira, despite the fact that all eligible males instantly gravitate to Agnese. Some of the choices -- petty thief Alberto Sordi, impecunious poet Vittorio De Sica -- are frankly not good enough for either girl. Alternating between humor and pathos, Il Segno di Venera is light, forgettable entertainment. ~ Hal Erickson, All Movie Guide
- Starring:
- Franca Valeri, Vittorio De Sica, (more)
