Virginia Vale Movies

More expensive-looking than most PRC productions, Crime Inc. is based on a story by former crime reporter Martin Mooney. Drawing from his own experiences, Mooney has concocted a tale of a newspaper journalist who faces a prison term because he refuses to reveal his sources. Tom Neal plays the Mooney counterpart, a crime reporter who takes on a gang of racketeers. His effectiveness is somewhat diluted when he falls in love with Martha Tilton, the sister of one of the crooks. Further complicating things is the fact that the foreman of a jury listening to testimony against the racketeers is in fact the leader of the gang. ~ Hal Erickson, Rovi

When the film rights to its "Saint" series proved too expensive to renew, RKO Radio came up with a lookalike property in the form of "The Falcon", even engaging George Sanders, the best of the "Saint" impersonators, to play the studio's newest gentleman detective. The Gay Falcon opens as Gay Lawrence (Sanders) -- aka the Falcon -- is hired to guard a priceless diamond. When the owner of the gem is murdered, suspicious immediately falls upon Lawrence's ex-con chauffeur Goldie (Allen Jenkins). Two more killings occur before Lawrence is able to uncover the insurance scam behind it all. Along the way, he romance a pair of toothsome leading ladies, Helen (played by series regular Wendy Barrie) and Elinor (Anne Hunter). Hans Conried contributes a sparkling bit as a snide police sketch artist. ~ Hal Erickson, Rovi

In this romance, a wealthy young heiress marries an avaricious foreigner to please her father and then dreams of finding herself an all-American boy who falls in love her and not her fortune. Not surprisingly, her marriage falls apart and soon afterward, she falls in love with and marries a fellow who works in the necktie department of her daddy's store. She does not tell her husband that she is going to someday going to someday inherit the store. Meanwhile, her husband gets a series of promotions and is happy until the truth slips out. Enraged, he immediately goes to work for the company's biggest rival. Fortunately for the marriage, that is not the end of the story. ~ Sandra Brennan, Rovi

Panama Menace is the reissue title of PRC's South of Panama. Secret agent Roger Pryor is dispatched below the border to protect an important scientific formula. Believe it or don't, this mixture has the ability to render things invisible. Enemy agents, Lionel Royce and Lucien Prival want to get their mitts on this vital secret. Femme fatale Virginia Vale spends most of her time cowering the corner, allowing two-fisted Pryor to make the world safe for democracy. Watch for Beaver Cleaver's future dad Hugh Beaumont in a minor role. ~ Hal Erickson, Rovi

A wedding ceremony is rudely interrupted by a bank robbery next door, the bridegroom is shot and the best man is accused of being the culprit. All this takes place during the first five minutes of Triple Justice, George O'Brien's final western for RKO. Brad Henderson (O'Brien) is innocent, of course, but is forced to clear his good name and reputation by tracking down not only the three real bank robbers but also their secret boss, Deputy Sheriff Harry Woods). Along the way, Brad falls in love with lovely (Virginia Vale), the sister of neophyte outlaw Bud McTaggart), and finds himself the center of attention of three equally charming senoritas, (The Lindemann Sisters, who perform a couple of standard Mexican ballads. Miss Vale) also takes time out for a song, Fred Ross and Ray Whitley's "Lonely Rio. ~ Hans J. Wollstein, Rovi

Cowboy hero George O'Brien has his hands full with crooked land promoter Paul Everton in Prairie Law. Selling acres and acres of worthless land while promising to provide an unlimited water supply to his customers, Everton sparks off a range war between cattlemen and homesteaders. Working on behalf of the cattlemen, O'Brien brings an end to the feud and takes on Everton's many minions single-handed. Virginia Vale makes a return appearance from previous George O'Brien vehicles to play the requisite heroine. A standard entry, Prairie Law benefits from RKO Radio's usual topnotch production values. ~ Hal Erickson, Rovi

Cattle rancher George O'Brien, thinking that he's emptying his six shooters in the direction of rustlers, apparently kills one of his own ranchhands. To make amends, O'Brien joins up with the dead man's father in trying to corral the crooks. Turns out that O'Brien is innocent of the accidental killing, proof of which comes none too soon to patch up the relationship between George and the late ranchhand's sister (Virginia Vale). Bullet Code was one of the last of George O'Brien's budget westerns for RKO. He would soon gracefully hand over his holsters to new RKO cowboy Tim Holt. ~ Hal Erickson, Rovi

A remake of sorts of the 1935 western The Arizonian, this fine George O'Brien oater features Leon Ames as Sheriff Judd Cronan, a slick lawman running Mesa City as if he owns the place. When schoolmarm Virginia King (Virginia Vale) has had enough of both Cronan's capriciousness and his advances and decides to leave town, the sheriff arranges for his henchman Pete (Joe McGuinn) to commit a bit of kidnapping. Unhappily for Cronan and his cronies, Cliff Mason (O'Brien), a retired lawman, happens by and is easily persuaded to stick around and do something about the general lawlessness of the area. Cornered, the sheriff sends for Duke Allison (Henry Brandon), a hired killer. Marshal of Mesa City was the first of six westerns teaming George O'Brien with RKO starlet Virginia Vale, formerly Dorothy Howe and the winner of the "Gateway to Hollywood" radio contest. ~ Hans J. Wollstein, Rovi

In this sentimental drama, a washed-up boxer falls for a nightclub owner whose business has nearly been ruined by Prohibition. Both of them are fairly depressed by their lives and end up living together in the home of the fighter's recently murdered manager. The deceased's young son comes home from school and the couple offers to care for him. They put him through high school and then college, all the while preparing him to become a prizefighter. ~ Sandra Brennan, Rovi

This collection of short films features the '30s comedian Leon Errol in A Panic in the Parlor, Crime Rave, and Man-I-Cured. ~ Iotis Erlewine, Rovi

We never actually see J. Carroll Naish in Alcatraz, but there's no doubt he's the "king" of the title. Most of the action takes place aboard a passenger ship, which Naish has boarded incognito in hopes of escaping prosecution. Naish and his gunmen take over the ship, complicating the lives of passengers and crew alike (in one scene, nurse Gail Patrick is obliged to perform an operation while being guided by an on-shore surgeon via wireless). Seamen Lloyd Nolan and Robert Preston bide their time, then turn the tables on Naish and his henchmen. Packing more action into its 57 minutes than most "A" pictures, King of Alcatraz is a film buff's dream, with a cast filled to the brim with familiar faces, from up-and-coming Anthony Quinn to silent movie vets Monte Blue, Tom Tyler and Gustav von Seyfertitz. ~ Hal Erickson, Rovi

Sarong-clad Dorothy Lamour made her Technicolor debut in this follow-up to her earlier starrer Jungle Princess. After crash-landing on a tropic isle, aviator Bob Mitchell (Ray Milland) and his mechanic Jimmy Wallace (Lynne Overman) make the acquaintance of the lovely Tura (Lamour). While Bob enthusiastically teaches Tura how to kiss, Jimmy tangles with comic-relief chimpanzee Gaga and playful tiger cub Meewa. The villain of the piece is megalomanic witch doctor Kuasa (J. Carroll Naish), who hypnotizes Tura into assisting him with his periodic human sacrifices. Just as Bob, Jimmy and Tura are about to meet their doom at the hands of Kuasa, a timely volcanic eruption saves the day. Any hints of miscegenation (a big no-no for 1938 movie censors) are swept away when it is revealed that Tura is the daughter of white parents, enabling her to find connubial bliss in the arms of Bob. In his autobiography, Ray Milland recalled the filming of Her Jungle Love in vivid detail, devoting special attention to the time that he relieved himself during a swimming sequence ("No wonder the water was so warm" was Dorothy Lamour's only comment). ~ Hal Erickson, Rovi

A remake of 1932's Guilty as Hell, Night Club Scandal also borrows a page from 1934's Murder at the Vanities by depicting the "friendly adversary" relationship between a reporter (Lynne Overman) and a cop (Charles Bickford). Top-billed John Barrymore plays a respectable doctor married to a nightclub singer (Evelyn Brent), who murders his wife and frames the victim's lover for the crime. Overman and Bickford spot holes in Barrymore's story, bringing him to justice by Reel Seven. The murder plot is standard stuff, but the main attraction of Night Club Scandal is the aggressively masculine love/hate byplay between tipsy Lynne Overman and flint-eyed Charles Bickford. The best moment occurs at the end, when the wide-eyed ingenue (Louise Campbell) doesn't marry the fellow the audience expects her to! ~ Hal Erickson, Rovi