Daniel Valdez Movies

This landmark of Chicano cinema is an adaptation of Tomas Rivera's 1971 novel of the same title. Told from the perspective of Marcos, the 12-year-old son of migrant Mexican-American farm workers, the film follows their travels over the course of a year, each of its 12 sections linked to a month of the calendar. The family starts off in Texas at the beginning of harvest season. Their hardscrabble journey takes them across the length and breadth of the Midwest. Along the way, Marcos and his family encounter a rich, difficult, and, at times, pathetic cast of characters including other migrant workers, a shoe salesman, and, in the most startling part of the film, white Americans. Through these encounters, Marcos comes to understand his place in the order of things, namely, near the bottom, discovers the power of familial bonds to comfort and overcome hardship, and uncovers in himself a desire to learn and educate. ~ Brian Whitener, Rovi

Lou Diamond Phillips plays legendary 1950s rocker Ritchie Valens (born Ricardo Valenzuela), in this musical biography. Before scoring radio and concert success with hits like "La Bamba", "C'mon Let's Go", and "Donna", Valens was a 15-year-old migrant worker who worked with his mother Connie (Rosana De Soto). Valens' half-brother Bob Morales (Esai Morales) is a vitriolic ex-con who roars into the migrant camp on his Harley after his release from jail. Valens' musical talents are encouraged by his family -- though later various members of his family react to his fame with varying degrees of pride and envy -- and he soon earns an audition with legendary record producer and former Artie Shaw clarinet player Bob Keane (Joe Pantoliano). Valens soon appears in an Alan Freed rock n' roll teen exploitation film, lip-synching his blistering recorded version of "Ooh, My Head". When a romance with Donna Ludwig (Danielle von Zerneck) is forbidden by her conservative father, Valens pens the famous ballad that bears her name. Tours follow his chart success until the fatal plane crash that claimed the lives of Valens, The Big Bopper (aka J.P. Richardson), and Buddy Holly on February 3rd, 1959. The supporting cast is excellent with power-pop icon Marshall Crenshaw playing Buddy Holly singing "Crying, Waiting, Hoping". Brian Setzer accurately portrays rocker Eddie Cochran, and Howard Hunstberry plays Jackie Wilson and sings "Lonely Teardrops". Additional music is provided by Los Lobos, a band who traces their musical roots directly to Valens and other Mexican influences. Also making cameo appearances are the real-life Mrs. Connie Valenzuela and Bob Morales. Although not 100% historically accurate, La Bamba is much more accurate than 1978s The Buddy Holly Story. The feature turned a new generation on to the influential Tex-Mex rock that was an inspiration to such later rockers as The Bobby Fuller Four as well as Los Lobos. ~ Dan Pavlides, Rovi

This gripping 1979 drama about the dangers of nuclear power carried an extra jolt when a real-life accident at the Three Mile Island nuclear plant in Pennsylvania occurred just weeks after the film opened. Kimberly Wells (Jane Fonda) is a TV reporter trying to advance from fluff pieces to harder news. Wells and cameraman Richard Adams (Michael Douglas, who also produced) are doing a story on energy when they happen to witness a near-meltdown at a local nuclear plant, averted only by quick-thinking engineer Jack Godell (Jack Lemmon). While Wells and Adams fruitlessly attempt to get the story on their station, Godell begins his own investigation and discovers that corporate greed and cost-trimming have led to potentially deadly faults in the plant's construction. He provides evidence of the faulty equipment, which could lead to another meltdown (the "China syndrome" of the title), to the station's soundman to deliver to Wells and Adams at a hearing on nuclear power. However, on the way to the hearing, the soundman is run off the road by evil henchmen, leading Godell to realize that his own life is threatened, possibly by his bosses at the plant. Driven to the edge of a breakdown, Godell takes over the plant's control room at gunpoint and demands to reveal his findings on TV. The plant's management, however, has other plans, and the facility itself is becoming dangerously unstable. Whether or not you agree with the film's clear anti-nuclear bias, its sobering message and riveting, realistic story and performances are still difficult to ignore. ~ Don Kaye, Rovi

Cruisin' J-Town tells the story of the once popular, now principally forgotten, jazz fusion band Hiroshima. It's a standard talking head band documentary intercut with concert footage. Thankfully, the musicians themselves are articulate and interesting figures and have much to say about their cultures and politics. Their reflections carry the film, but the movement of history has certainly lessened their importance. ~ Brian Whitener, Rovi