Xenia Valderi Movies

Red Desert (Il Deserto Rosso) once more combines the considerable talents of director Michelangelo Antonioni and star Monica Vitti. Cast as Giuliana, an unhappy wife, Vitti suffers from an unnamed form of depression and malaise. Her quicksilver emotional shifts disturb everyone around her, but they, like she, pretend that nothing is truly wrong. British engineer Corrado Zeller (Richard Harris) seems to understand what Giuliana is really after in life, and he acts upon it by entering into an affair with the troubled woman. Giuliana eventually comes to terms with her physical and mental pain, but this hardly means that she's "cured" in the conventional sense. Monica Vitti's sense of isolation is heightened by Antonioni's (and cinematographer Carlo DiPalma's) choice of colors, and especially by Carlo Savina's bizarre electronic musical score. This is a landmark movie in Antonioni's effort to portray alienated individuals in contemporary life; he places people against towering forms of technology to emphasize their smallness and lostness in the modern world of technological change. ~ Hal Erickson, All Movie Guide

Swindle and The Swindlers are both English-language titles for 1955's Il Bidone, a lesser-known effort from Federico Fellini. Broderick Crawford, Richard Basehart, and Franco Fabrizi play a trio of con artists who victimize the Italian bourgeoisie (who are shown to be no better than the crooks). Giueletta Masina (Fellini's wife), who had previously costarred with Richard Basehart in La Strada, here plays Basehart's wife. Humphrey Bogart had been intended for the role played by Broderick Crawford; one wonders how Crawford's self-deprecating curtain speech about the hollowness of his existence would have played in Bogart's hands. Swindle was not released to the US until nine years after its completion. ~ Hal Erickson, All Movie Guide

This romantic Italian anthology film is comprised of six episodes that deal with a century of love. The first vignette, "Garibaldin," set in 1854, follows a rebellious priest who attempts to sway others to his beliefs. "Pendolin" examines a philandering wife's affair with a hotel porter who really only wanted to give her her lost earrings. "Purification" follows an honorable soldier who refuses to convey his commanding officer's last words to his unworthy girlfriend. In the fourth episode, "Golden Wedding," an elderly couple celebrate their wedding anniversary and discover mutual disillusionment. "The Last Ten Minutes" examines the efforts of a priest and a condemned man to conceal the truth about the man's crime from his wife. Finally, in "Amore," which is set in 1954, a father tries to persuade his daughter's husband to stay married to her. ~ Sandra Brennan, All Movie Guide

This film boasts clips of numerous acclaimed actors and actresses of Italy's silent cinema: Francesca Bertini, Lyda Borelli, Eleonora Duse, Antonio Gandusio, Elena Makowska (who also acts in this film), Pina Manichelli, Amleto Novelli, Bartolomeo Pagano, and Ermete Zacconi. They're glimpsed in footage from the collection of a former silent-film actor, Ettore Omeri (Umberto Melnati), who shows them at local schools. The performances of Bertini and Borelli draw laughter from some of the younger members of the audience, provoking an incident at the screening. A woman recognizes herself acting in one of the films Omeri exhibits and takes offense at the derisive reactions. She requests the clip from him and sends her son to obtain it, but while he's visiting the film archive, Omeri's secretary accidentally starts a fire. Omeri is arrested for mishandling dangerous materials, but freed by the help of the wealthy producer who is the husband of the silent-film actress; he gives Omeri work and helps endow his film museum. ~ Nicole Gagne, All Movie Guide