Birgitta Valberg Movies

Also known as Life in the Country, this easygoing Swedish comedy is based on a story by Fritz Reuter. That peerless Scandinavian actor Edvard Persson heads the cast as Brassig, a retired land overseer who plays Cupid for a pair of star-crossed lovers. He also convinces a stubborn, taciturn nobleman to modernize his farming methods, thereby effecting a reconciliation between the nobleman and his visionary son. The Swedish sense of humor is not always subtle, and there are admittedly a few moments that won't play well with American audiences. Still, any opportunity to see Edvard Persson in action should not be passed up. ~ Hal Erickson, Rovi

Bergman's comic masterpiece opens with middle-aged lawyer Frederik Egerman (Gunnar Bjornstrand) again failing to consummate his marriage with the much younger Anne (Ulla Jacobsson). While visiting a former lover, actress Desiree Armfeldt (Eva Dahlbeck), he crosses swords with her current lover, Count Malcolm (Jarl Kulle), after both men learn that Frederik is the father of her illegitimate child. At Desiree's behest, her mother invites Egerman, the Count, and their wives along with Egerman's grown son, Henrik (Björn Bjelvenstam) to her manor house for the weekend. Before their departure, divinity student Henrik wards off the eager advances of the housemaid by reading from the Bible aloud, but it seems clear that he and Anne are quite taken with one another. After arriving at the Ryarp estate the guests are served a dinner spiked with a love potion which provokes swift reactions. The bewildered Frederik becomes aware of the increasingly intense bond between Henrik and Anne, and the Countess (Margit Carlquist) makes a public bet with her husband that she can seduce Frederik. Shocked by the dinner-table conversation, the strait-laced Henrik retires to his room to commit suicide. In the course of his bumbling attempt, he has the good fortune to learn why so many prefer sex to death. ~ Michael Costello, Rovi

Inspired by a medieval Swedish ballad, Ingmar Bergman's The Virgin Spring (Jungfrukallan) begins with a scene of unspeakable brutality and ends with an image of uncommon beauty. 15-year-old Birgitta Peterson, on her way to church to light candles for the Virgin Mary, is raped and murdered by two older men. The men look for shelter at the home of Birgitta's father (Max Von Sydow), who murders the bestial killers in cold blood. When the deed is done, Von Sydow, a deeply religious man, begins to question the efficacy of a God that would allow his daughter's death, then permit so bloody a retribution. Then, a fresh, virgin spring bubbles from the ground where his daughter had been lying a few moments before. Taking this natural phenonenon as a sign from above, Von Sydow vows to erect a church on the spot where Birgitta met her doom. The winner of the "best foreign picture" Academy Award, The Virgin Spring currently exists in several versions of varying lengths; the longest, and most graphic, is the original Swedish cut. Believe it or not, this hauntingly beautiful film served as the basis of The Last House on the Left (1972). ~ Hal Erickson, Rovi

Shame is grand master Ingmar Bergman's bitter and unsparing condemnation of war - all war, regardless of which side one chooses. The story begins with two ex-musicians, Eva and Jan Rosenberg (Liv Ullmann and Max von Sydow, respectively) peacefully inhabiting a weathered house where they grow fruits and vegetables. The residence is located on a desolate, arid island in some unspecified geographic location. Many items in The Rosenbergs' house, such as the radio, aren't functioning properly, and an explosive conflict transpires in the distance. (To avoid being ideologically pigeonholed, Bergman avoids identifying either side of the struggle or the reasons for the conflict itself). The Rosenbergs remain aloof, detached and geographically removed from the struggle, but little by little, over time, various elements of the war seep into the couples' lives and force their involvement. The tumult first sets in when jet planes roar over the house; then a parachutist gets killed and soldiers turn up at the Rosenberg residence. Finally, Eva and Jan get forcibly interrogated and incarcerated. Following the complete obliteration of the Rosenberg house, Eva has sex with one of the military leaders, Colonel Jacobi (Gunnar Bjornstrand) for unspecified reasons. Although Bergman never explicitly makes it clear if Jan witnesses this, he does deliberately conceal money that he could have easily used to buy Jacobi's freedom from the other side. As the heart-wrenching tale rolls forward, circumstances force The Rosenbergs into a face-to-face confrontation with their own identities and emotions. ~ Tom Wiener, Rovi

In this Swedish drama, a woman suffers from a terrible fatal illness. Her dark days become brighter after she falls in love and marries a journalist. Soon after the woman bears a child, her health begins to change rapidly. ~ Sandra Brennan, Rovi

Conventions of civility among family members are severely strained by the very real breakup of the bonds between them. During a few days at a vacation home, Katha (Birgitta Valberg), a woman in late middle age, tries to cope with an influx of discontented, disconnected relatives. Her divorced daughter brings all sorts of people to the house, including a woman-friend accompanied by her psychotic son; the grandfather of the house is convinced he is dying and is satisfied by nothing; and some friends drop off their angry teenage son to stay with her, while they go on a long trip abroad. Her friend Emma (Sif Ruud) doesn't help much with keeping a lid on things, as she is a social worker who is fascinated by the awfulness of these situations. ~ Clarke Fountain, Rovi