Anita Bolster Movies
A member of Ireland's famed Abbey Theatre, sharp-featured character actress Anita Bolster (sometimes billed Anita Sharp-Bolster) had enjoyed a long career on the British stage and screen before coming to America in 1938. She received rave reviews on Broadway in Lady in Waiting, with which she also toured until making her American screen debut in 1941. Bolster became one of the busiest character actresses of the 1940s, usually playing prissy spinsters, gossips, and housekeepers. In the 1950s, she twice played "second witch" in television versions of Macbeth and she finished her career playing yet another housekeeper, this time in the cult daytime soap opera Dark Shadows. ~ Hans J. Wollstein, All Movie Guide- 1968
Though in a weakened state, "good" witch Bathia Mapes (Anita Bolster) makes two separate efforts to cure Barnabas (Jonathan Frid) of vampirism. But "bad" witch Angelique (Lara Parker) puts a stop to all that by killing Bathia. This episode originally aired on March 18, 1968. ~ Hal Erickson, All Movie Guide
- 1968
Bathia Mapes (Anita Bolster), who describes herself as a benevolent witch, arrives at Collinwood in hopes of lifting the curse on Barnabas (Jonathan Frid). Alas, it may be too late for Millicent (Nancy Barrett), who has already fallen victim to Barnabas' fangs. This episode first aired on March 15, 1968. ~ Hal Erickson, All Movie Guide
- 1968
Hoping to drive his young wife insane, Nathan (Joel Crothers) sends Millicent (Nancy Barrett) to the tower room, where she is attacked and bitten by the lurking Barnabas (Jonathan Frid). Meanwhile, Joshua (Louis Edmonds) and Natalie (Grayson Hall) hold a séance in hopes of lifting the curse on Barnabas. Anita Bolster makes her first appearances as the mysterious Bathia Mapes. This episode originally aired on March 14, 1968. ~ Hal Erickson, All Movie Guide
- 1966
A young lad with a penchant for spinning elaborate yarns gets himself in deep trouble when he tries to tell people that he really did witness a terrible murder. Unfortunately no one believes him--except the killer. This drama, set within a resort community on the Adriatic Sea is a remake of the 1949 film The Window. ~ Sandra Brennan, All Movie Guide
- 1964
In this lively British comedy, a newlywed couple's quaint country cottage becomes a nightmare of repairs as they try to fix it up themselves. They originally purchased the ramshackle pile to escape the influence of the new wife's meddlesome father. Unfortunately, the place needs more help than they are able to give and they must reluctantly get her father's help. He brings in a bumbling builder and things only get worse from there. ~ Sandra Brennan, All Movie Guide
- Starring:
- Leslie Phillips, Stanley Baxter, (more)
- 1964
A woman has to choose between the rich man she wants and the bohemian type who loves her in this comedy. Michele O'Brien (Leslie Caron) is a young widow raising a baby in Greenwich Village. She's decided that her child needs a father, and she determines that her best bet as a prospective mate is Dr. Phillip Brock (Robert Cummings), a well-heeled child psychologist. The only trouble is, Phillip doesn't like children very much, so Michele tries to keep her baby a secret from him. Michele's upstairs neighbor, Harley Rummell (Warren Beatty), is in love with her and is more than happy to baby-sit; however, Harley makes his living shooting nudie films in his flat, and when the baby begins making cameo appearances in the films, Michele starts wondering if Harley might be a bad influence on the tyke. William Peter Blatty, later to write the best-selling novel The Exorcist, penned the screenplay. Keep an eye peeled for a young Donald Sutherland in a bit part. ~ Mark Deming, All Movie Guide
- Starring:
- Warren Beatty, Leslie Caron, (more)
- 1963
Adrian Messenger (John Merivale) asks his friend, British colonel Anthony Gethryn (George C. Scott), to check on the whereabouts of the eleven men named on a written list. Not long afterward, the plane on which Messenger is travelling is deliberately blown up. The mystery killer slipped the bomb on the plane while disguised as a priest, and we soon learn that the killer adopts a different guise for each of his subsequent murders. As Gethryn tracks down the men on Messenger's list, he discovers that all had been POWs in the same Burmese stockade during World War II, and he deduces that the murderer, who is methodically decimating those on the list, had been a traitor and informer. Gethryn traces the killer to the British estate of The Marquis of Gleneyre (Clive Brook), where his visit coincides with the return of "prodigal" American relative George Brougham (Kirk Douglas). Gethryn is convinced that Brougham is the killer, and that he plans to murder the only heir who stands in the way of the family fortune, but he has no tangible proof. Filmed primarily in Ireland, The List of Adrian Messenger received good theatrical bookings by virtue of its gimmick: several of the bit characters are played by famous stars in heavy makeup, and each of these stars -- Kirk Douglas, Burt Lancaster, Robert Mitchum, Frank Sinatra, and Tony Curtis -- "unmasks" in the epilogue. In truth, only Douglas and Mitchum did any real acting under their mounds of collodion and crepe hair; the others showed up only to shoot their unmasking scenes (at a salary of $75,000 each!) and were "doubled" in the film itself. ~ Hal Erickson, All Movie Guide
- Starring:
- George C. Scott, Dana Wynter, (more)
- 1960
A short ghost story, this film is better than it looks at first glance. When Jean, the patient wife of novelist David, inherits a country house, it seems an ideal opportunity for David to complete his long-awaited book, even though the house harbors Patrick, a mischievous, family poltergeist. David is bored until he's seduced by Valerie, the curvaceous blonde divorcee who's typing his manuscript. When Jean, with Patrick's help, learns of the affair and confronts him, David swears that he is through with the blonde and will play the model husband. He's lying. This thriller is an entertaining treat, with enjoyable performances by Sandra Dorne as the temptress, Patricia Dainton as the wife, and Anita Sharp as a cantankerous housekeeper. ~ Michael P. Rogers, All Movie Guide
In the British farce School for Scoundrels, Ian Carmichael plays a naïve young loser, Henry Palfrey, who is anxious to get ahead in the world. He enrolls in a "school" that specializes in teaching one-upmanship -- the slogan is "How to win without actually cheating." Through fair means and foul, Henry learns how to come out top dog in any situation, with such experts as (the real-life) Stephen Potter (Alastair Sim) as his guide. A perceptive series of comic blackouts exposing the essential hypocrisy in all walks of life, School for Scoundrels was based on the book by Potter. ~ Hal Erickson, All Movie Guide
- Starring:
- Ian Carmichael, Terry-Thomas, (more)
- 1960
Breaking with their usual videotape tradition, the producers of NBC television's Hallmark Hall of Fame decided to commit its 1960 production of Macbeth to film. Maurice Evans stars as the fatally ambitious Scots warrior, with Judith Anderson as Lady MacBeth and Malcolm Keen as Duncan, whom MacBeth murders in order to further his own advancement. The production was a restaging of Hall of Fame's live presentation of the play, which was telecast in 1954. So impressed were Shakespeare scholars by Evans' interpretation of Macbeth that few complaints were made about the rather ruthless cutting of the Shakespearean text. This George Schafer-directed Macbeth was eventually released theatrically in Europe, its running time expanded by outtakes and newly filmed footage. ~ Hal Erickson, All Movie Guide
- Starring:
- Maurice Evans, Judith Anderson, (more)
- 1960
The oft-filmed Maurice Renard novel Hands of Orlac was given another cinematic go-round in this Franco-British production. Famed concert pianist Stephen Orlac (Mel Ferrer) survives a plane crash, but his hands are permanently destroyed. Helpful surgeon Volcheff (Donald Wolfit) grafts a pair of new hands on the hapless Orlac. Unfortunately, they're the hands of an executed murderer--useless for a pianist, but quite handy (no pun intended) for less delicate work. Before long, Orlac is convinced that he himself has become a killer thanks to his new extremeties. Two-bit magician Nero (Christopher Lee) decides to exploit Orlac's fears for his own financial gain, with horrifying results. Originally filmed in 1959, Hands of Orlac was finally released in the US in 1964 . ~ Hal Erickson, All Movie Guide
- Starring:
- Mel Ferrer, Dany Carrel, (more)
- 1959
Dame Sybil Thorndike, Kathleen Harrison and Estelle Winwood, collectively representing some 200 years of British theatrical history, are top-billed in this feathery bit of whimsy. The starring trio plays three elderly residents of a nursing home, fed up with their monotonous existence. They engineer an escape from their drab surroundings and head for an impromptu holiday on an Irish island. Stanley Holloway plays a likeable old codger who becomes the ladies' partner in "crime." Alive and Kicking refuses to patronize its leading characters--or the mature audience to whom this charming comedy is aimed. ~ Hal Erickson, All Movie Guide
- Starring:
- Sybil Thorndike, Kathleen Harrison, (more)
- 1959
In this comedy, a man chooses an unethical way to help keep a financially struggling boy's club from closing down, by threatening to publish incriminating articles about prominent people who have recently died. His blackmail scheme is successful until he attempts to extort from a gangster's family. ~ Sandra Brennan, All Movie Guide
- 1957
To make the Rising of the Moon, American filmmaker John Ford returned to his Irish roots. An obscure and highly personal film for Ford, it is comprised of three episodes--each offering insight into Irish culture and values. All are introduced by Tyrone Power. In "The Majesty of the Law," a police officer is assigned to arrest an Irish curmudgeon who hit the neighbor who sold him a lousy batch of homemade whiskey. But this is no ordinary arrest as the old man is a traditionalist who loathes the new directions his beloved Eire is going. Out of respect, the cop eschews his car and walks to his cottage. The two have a conversation and the old man mourns the loss of the old ways and expresses his frustration over the encroachment of modern amenities that are destroying the Irish heritage. The sympathetic cop offers to free him if the old man will pay a small fine, but though the codger has more than enough to pay it, he refuses on principal. Even when the man who filed the charges offers to pay the fine, the coot refuses to give in and stoically heads off to serve his time. As he walks with the officer to the jail, the whole town comes out to honor the old man. Set at a train station "A Minute's Wait" offers a humorous look at Irish conceptions of time as train's brief scheduled stop to pick up some lobsters for an important dinner stretches out into a long, leisurely pause. The final vignette, "1921" features members of Dublin's Abbey Theatre and tells the story of how they engineer an elaborate rescue of an Irish patriot from prison. ~ Sandra Brennan, All Movie Guide
- Starring:
- Noel Purcell, Cyril Cusack, (more)
- 1957
In this romantic comedy, four children are seemingly orphaned and remanded to their aunt and uncle's custody after their parents, renowned explorers, are lost. The proper English aunt is the sister of the missing mother; the playboy uncle is the brother of their father. Both are single and whichever marries first is the one who will get full custody. Naturally, the disparate duo dislike each other at first. But this is a movie, and after much mayhem, they fall in love, marry and adopt the children. ~ Sandra Brennan, All Movie Guide
- Starring:
- John Carroll, Virginia Bruce, (more)
- 1955
An 18-month-old baby disappears in London. The parents, US embassy worker David Knight and his wife Julia Arnall, are panic-stricken. Detective David Farrar tries to locate the child, but clues are scarce. At the last possible moment, Farrar rescues the infant from a grueling fate and collars the kidnappers. This nail-biting film is filled to capacity with many of Britain's top supporting players, including Thora Hird, Everley Gregg, Joan Sims, Shirley Anne Field, Joan Hickson, Dandy Nichols, Mona Washbourne, Barbara Winsor and George Woodbridge. Released in the US by Republic, under the title Tears for Simon. ~ Hal Erickson, All Movie Guide
- Starring:
- David Farrar, David Knight, (more)
- 1955
British actor Kenneth More's screen charisma helps smooth over the rough spots of Raising a Riot. More plays Tony, a young husband and father. When Tony's wife Mary (Shelagh Fraser) takes a trip to Canada, the hapless hubby is left in charge of their three precocious (to put it mildly) children. The film then goes off on several directions, many of them hilarious: some of the best scenes involve the kids' ongoing feud with a bunch of American children. One of the three youngsters is played by Mandy Miller, who'd previously burst onto the movie scene with her brilliant portrayal of a deaf child in Crash of Silence. Ronald Squire indulges in his usual scene-stealing as the kid's rogueish grandpa. ~ Hal Erickson, All Movie Guide
- Starring:
- Kenneth More, Shelagh Fraser, (more)
- 1955
In this comedy, a jewel thief hides his loot on an abandoned scow. Later he is captured and thrown in jail after assaulting someone. Two models end up buying the boat. The barge is almost sunk in an accident. Later two tart old ladies end up with the goods. They then help the younger women get the reward money. ~ Sandra Brennan, All Movie Guide
- 1953
Framed for robbery, 18th century medical student Alan Ladd is sentenced to a New South Wales penal colony. En route to the prison, Ladd is tormented by sadistic ship's captain James Mason, while Mason's beloved Patricia Medina takes a fancy to the new prisoner. Once at the colony, Ladd is befriended by governor Sir Cedric Hardwicke, since the populace is in desperate need of a qualified physician. Mason's efforts to continue persecuting Ladd are foiled when Mason is killed by a group of disgruntled aborigines. Though it sounds a lot like Captain Blood, Botany Bay was based on a novel by Charles Nordhoff and James Norman Hall (of Mutiny on the Bounty fame). ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, James Mason, (more)
- 1952
The blarney is as thick as the characters' brogues in You Can't Beat the Irish. Jack Warner stars as lazy but enterprising Irish paterfamilias Bartley Murnahan. To support his family, Bartley has hit upon a foolproof scam. By arranging a series of subtle subterfuges, he convinces his neighbors that he has fallen heir to a huge fortune. Before long, Bartley is the cock of the walk, never having to pay a cent for anything because all the local merchants assume he's going to reimburse them tenfold when the legacy is settled. The beautiful part of the scheme is that Bartley himself never has to tell a lie: he merely relies upon the gullibility and greed of those around him. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Warner, Barbara Mullen, (more)
- 1951
In this comedy, a bookie wins a boutique and decides to modernize the joint by devising, new, more effective programs for running it. Those who have worked in the shop for years are not pleased with the new changes, and when the bookies elaborate plans blow up in his face, they are only too pleased to go back to working for the shop's original owner. ~ Sandra Brennan, All Movie Guide
- 1949
The never-solved disappearance of Judge Crater in 1930 was the inspiration for RKO's The Judge Steps Out. Alexander Knox (who also co-scripted the film with director Boris Ingster) plays Bailey, a highly respected Boston magistrate who is fed up to the gills with his workload and his troublesome wife (Frieda Inescourt) and daughter (Martha Hyer). Thus, he decides to hit the road, eventually taking a job as a hash-slinger at a roadside diner. Here he is treated with compassion and understanding by his boss Peggy (Ann Sothern), who, unaware of Bailey's true identity, likes him for himself rather than his prestige. This offbeat comedy-drama manages to keep the audience guessing as to how things will turn out for everyone concerned. Filmed in 1947, The Judge Steps Out was withheld from American release for nearly two years; before making the rounds in the U.S., it was shown in Great Britain under the title Indian Summer. ~ Hal Erickson, All Movie Guide
- Starring:
- Alexander Knox, Ann Sothern, (more)
- 1949
Outrageously sexist, The Perfect Woman is also very funny if you're in a politically incorrect mood. A dotty scientist (Stanley Holloway), fascinated with the concept of artificial life, creates a synthetic woman (the staggeringly beautiful Patricia Roc) in his lab. This ersatz female is considered the "perfect woman" because she will do anything she is told, and will keep her mouth shut in the bargain. The scientist's niece (also Patricia Roc) decides to have some fun by posing as the robot girl. Based on a play by Wallace Geoffrey and Basil Mitchell, The Perfect Woman takes a while getting started, but the payoff makes up for the slow build. ~ Hal Erickson, All Movie Guide
- Starring:
- Patricia Roc, Stanley Holloway, (more)
- 1948
The Woman in White attempts to translate the archaic prose of 19th century gothic-mystery writer Wilkie Collins to the medium of film. Gig Young plays a 19th century painter who, while en route to a country estate, encounters a strange, ethereal young lady (Eleanor Parker) who both begs his help and insists that he keep their meeting a secret. He will meet the girl again at several crucial junctures -- though she will fail to recognize him. The painter has unknowingly stumbled upon a scheme by the diabolical Count Fosco (Sydney Greenstreet) to claim an inheritance on behalf of a dissipated nobleman (John Emery); the plan involves a marriage of convenience to the hapless lady of the house (Alexis Smith), blackmail, hidden siblings, and the suppression of a dark family secret involving Fosco's neurotic wife (Agnes Moorehead). The full plotline is far too labyrinthine to go into detail here -- in fact, it can barely be followed in the film itself. While The Woman in White suffers from excess verbiage, the film is at its best in its shadowy, nocturnal "conspiracy" set pieces and in the scenes with timorous aristocrat John Abbott, to whom every raised voice is a threat to his fragile health. And keep an eye on Sidney Greenstreet's pet monkey, Iago, easily the most well-adjusted character in the film. ~ Hal Erickson, All Movie Guide
- Starring:
- Eleanor Parker, Alexis Smith, (more)
- 1947
Based on the novel by Agatha Christie and play by Frank Vosper, Love From a Stranger isn't quite as good as the 1937 version of the same property. This time, Sylvia Sidney and John Hodiak play the roles originally filled by Ann Harding and Basil Rathbone. Falling under the romantic spell of charismatic Manuel Cortez (Hodiak), impressionable sweepstakes winner Cecily Harrington (Sidney) marries him after a whirlwind courtship. It doesn't take long for Cecily to figure out that Cortez is a dangerous psychotic, bent on murdering his wife and claiming her fortune. Unable to convince anyone else of Cortez intentions (even though his behavior would, in real life, get him locked away in a minute), Cecily determines to outsmart her husband and catch him in his own trap. Ironically, Frank Vosper never saw either film version of Love From a Stranger, having died under mysterious circumstances in 1937 (too bad Agatha Christie never wrote that story!) ~ Hal Erickson, All Movie Guide
- Starring:
- John Hodiak, John Howard, (more)
