Buddy Uzzaman Movies

A half-parody and half-loving tribute to the over-the-top style of Indian musicals, this song-and-dance-filled musical comedy-drama concerns Geena (Preeya Kalidas), a pretty and virtuous young women who has been raised by a loving but strictly traditional Indian family. One day, Geena happens to meet a charming and footloose visiting Englishmen named Jay (James MacAvoy), and it's love at first sight for the both of them. However, Geena's family does not approve of her dating a relative stranger, and as her brothers keep an eye on her every move, Geena is forced to meet Jay on the sly. Before long, she impulsively leaves for England with him, with her family giving chase. Along the way, the story stops periodically to give the characters the opportunity to burst into song, though along with the expected Hindi pop tunes, the characters let loose with blues, folk, and roots rock compositions. Bollywood Queen was screened in competition at the 2003 Sundance Film Festival. ~ Mark Deming, All Movie Guide

In the mid 1960s, scores of refugees from India illegally came to England looking for a better life and found themselves living the very lives they sought to escape. This British drama, chronicles the daily existence of one household of these illegal refugees. The tale centers on Amir who journeys to a grungy northern English industrial town via vegetable crate with only a few dollars to his name. He ends up staying in a ramshackle house with 17 other illegals, all of them men. They lead a dreary life working in a factory filled with others like them. The only bright spot in their lives is a weekly outing to the local cinema that shows Indian films during the daytime. Occasionally a whore visits the house and provides the men with sexual release. The leader of the house is Hussein Shah, a traditional patriarch. Upon his arrival, Amir is befriended by Sakib, a student who shows him the basic ropes of English living. Despite their humble lives, the men get on well. But one day, Hussein brings home a new illegal alien, a lovely blonde woman from Ireland and trouble ensues. The woman is unmarried and pregnant. To help her, Hussein allows a marriage of convenience between the woman and his smart-alecky nephew Irshad. The baby is born, but more trouble ensues when Hussein begins objecting to the woman's free-spirited ways, and his nephew's lack of respect. ~ Sandra Brennan, All Movie Guide

An assembly of Indian women, both immigrants and their British-born brethren, travel to the English seaside in this comic drama. The plot focuses on a trio of young women caught between tradition and independence: Ginder (Kim Vithana), who risks the uncertainties of social ostracism and single motherhood in order to escape from her abusive husband; Hashida (Sarita Khajuria), who jeopardizes her promising future in medical school when she becomes pregnant by her West Indian boyfriend (Mo Sesay); and Simi (Shaheen Khan), who integrates her feminist politics and her commitment to her culture by heading up the Saheli Asian Women's Group. To provide the women of her community with a chance to get together and enjoy themselves, Simi organizes a ladies-only trip to Blackpool, a seaside resort town that resembles Atlantic City. Along for the ride are boy-crazy teens, conservative matrons, and a garish visitor from Bombay, each of them offering a singular perspective on Asian immigrant culture. Asha (Lalita Ahmed), a middle-aged wife, mother, and newsstand proprietor, spends much of the trip experiencing picturesque visions in which an Indian goddess reprimands her for the missed opportunities in her life. Introspection gets pre-empted, however, when Ginder's husband (Jimmi Harkishin) and his brothers show up looking for a little involuntary family reunion. Bhaji on the Beach screenwriter Meera Syal would go on to pen the award-winning novel (Anita and Me) and work on Goodness Gracious Me, the BBC's Indian/Pakistani sketch comedy show. Fans of Anglo-Asian cinema will recognize actress Souad Faress, who plays the colorful Rekha Tendon, from her role as the haughty Cherry in My Beautiful Laundrette. Akbar Kurtha, who plays one of Ginder's brothers-in-law, would go on to portray the title character in My Son the Fanatic. Writer/director Gurinder Chadha would return with another ensemble feature, What's Cooking?, in 2000. ~ Brian J. Dillard, All Movie Guide

After the death of Peter Sellers in 1980, writer/director Blake Edwards assembled a new "Pink Panther" film from outtakes of Sellers as Inspector Clouseau from previous movies in the series (the result was called The Trail of the Pink Panther) and later made two attempts to revive the series with another actor. In this case, Edwards cast Roberto Benigni as Jacques Gambrelli, a hopelessly inept French policeman who turns out the be the illegitimate son of Inspector Clouseau. Gambrelli becomes involved with the investigation of a kidnapping involving the beautiful Princess Yasmin (Debrah Farentino) literally by accident, when he crashes into a car driven by Police Commissioner Dreyfus (Herbert Lom). Gambrelli soon becomes smitten with Yasmin, while the investigation suggests that the kidnapping was set up by her mother, the Queen (Shabana Azmi), and her lover, General Jaffar (Aharon Ipale). Claudia Cardinale who played a different character in the original Pink Panther returns, while Burt Kwouk returns as the violent Korean manservant Cato. Roberto Benigni's Gambrelli proved no more successful at the box office than Ted Wass's Clouseau-like Clifton Sleigh in The Curse of the Pink Panther (1983), though after his multiple-Oscar winning success with 1998's La Vita e Bella, Roberto's probably gotten over it. ~ Mark Deming, All Movie Guide

Religious and personal tensions escalate steadily in this drama, and nearly everyone in it has some sort of extra-sensitive "toes" that get stepped on by others. James Wilby would seem to have a relatively non-controversial job, for a foreigner, since he is a wildlife conservationist, and foreigners are always going on about the environment. Pakistan is, however, a pretty strange place for his Jewish wife Hannah, the daughter of an American senator. The couple are almost deranged with a desire to have a child together, and when they hear about a local shrine which is said to give the blessing of fertility, they think that it sounds harmless enough and go out to see it. In the rest of the world, eunuches are a thing of the past, but in Pakistan and India, they actually have a culture of their own; ironically enough, they run the fertility shrine. When Wilby and Hannah visit the place, they are rendered unconscious with a drugged drink, and a local boy is called in to inseminate Hannah, who does in fact become pregnant. The birth of the child, however, seems to be the trigger for a lot of strange goings-on, beginning with Hannah's conversion to Islam, which strains her marriage nearly to the breaking point. Also, Hannah has discovered that Alistair has been carrying on with a family friend, and in addition, the eunuches seem to be excessively interested in the child she has by now given birth to. ~ Clarke Fountain, All Movie Guide

This compelling German-Swiss drama offers subtle commentary and insight into the difficulties faced by Third World refugees who come to Germany. The story of a Pakistani refugee trying to make a living in Hamburg is simply and directly told in a way that enhances filmmaker Jan Schutte's desire to present the characters' struggles with humanity and dignity rather than bludgeoning the audience with his larger point that the German government tends to victimize such immigrants while society unconsciously alienates them. At the same time, the story also contains an upbeat tribute to the human spirit's ability to rise up in the face of adversity. ~ Sandra Brennan, All Movie Guide

In this alternately comic and grave reflection on the effects of Thatcherism on polyethnic England, middle-class liberals Rosie (Frances Barber) and Sammy (Ayub Khan Din) engage in an openly adulterous marriage while living in a lower-class neighborhood in London. When they're not hiding their troubled marriage behind a series of "enlightened" affairs, the couple associates with a social circle that ranges from leftist to radical and includes enigmatic street philosopher Victoria (Roland Gift). Sammy's long-lost father, Rafi (Shashi Kapoor), a South Asian politician, arrives for a visit just as rioting erupts in response to the killing of an innocent black woman by British police. Rafi decries not only the social upheaval that has transformed the country where he spent his halcyon university years, but also the lack of propriety on display in his son's marriage. Admitting that he's on the run for allegedly corrupt and violent political activities, the well-mannered yet manipulative Rafi uses his wealth to try to reign in what he sees as Sammy and Rosie's sexual and political excesses. Meanwhile, he tries to court Alice (Claire Bloom), the proper British lady he deserted decades earlier. The messy whirl of desire, resentment, and dogma that alternately throws these characters together and rips them apart ultimately reflects the confused and confusing society in which Sammy and Rosie live; soon even the unassailable Rafi must question his beliefs about life after empire. Sammy and Rosie Get Laid marked the second collaboration between director Stephen Frears and writer Hanif Kureishi; star Ayub Khan Din would go on to write another Anglo-Asian culture-clash comedy, 1998's East Is East. ~ Brian J. Dillard, All Movie Guide

Richard Attenborough directed this dramatic story, based on actual events, about the friendship between two men struggling against apartheid in South Africa in the 1970s. Donald Woods (Kevin Kline) is a white liberal journalist in South Africa who begins to follow the activities of Stephen Biko (Denzel Washington), a courageous and outspoken black anti-apartheid activist. Woods and his wife Wendy (Penelope Wilton) get to know Biko, and they become friends, until Biko is brutally murdered at the hands of government troops in 1977 for his activities against the country's repression of the black majority population. Donald is shocked and appalled by Biko's murder and determined that the truth about Biko will become known to the world; eventually, Donald and Wendy Woods and their children must leave South Africa (and nearly everything they have) as they spread the word about Biko's life and death to ensure that he did not die in vain. Washington received an Academy Award nomination for his performance as Biko. ~ Mark Deming, All Movie Guide