Molly Urquhart Movies

Michael Caine stars as an espionage agent whose young son is kidnapped. Complicating matters is the fact that the kidnappers (John Vernon and Delphine Seyrig) are Caine's own colleagues. They want to secure Caine's aid in rounding up a diamond smuggling ring, and they don't care who they have to hurt to do so. He agrees to go along, all the while searching for his missing son. Janet Suzman co-stars as Caine's estranged wife, who is compelled to join him in his search. Helmed by veteran filmmaker Don Siegel, The Black Windmill is based on Seven Days to a Killing, a novel by Clive Egleton. ~ Hal Erickson, All Movie Guide

The title character in this British sitcom was Jacquie Villiers (Moira Lister) who, after the death of her husband in a freak accident, discovered that she had inherited nothing but debts. To keep a roof over the heads of herself and her family, she tackled a variety of truly odd jobs, and also took in a boarder named Freddie Phillipson (Donald Hewlett). Debuting in 1967, The Very Merry Widow lasted until 1969, by which time its title had been adjusted to The Very Merry Widow and How. Of the series' 19 taped episodes, only two are presently known to exist. ~ Hal Erickson, All Movie Guide

By 1964, it was possible for a major studio to make a film touching upon the Spanish Civil War without having to answer to some senate investigating committee or other. Based on Emeric Pressburger's novel A Mouse on Sunday, Behold a Pale Horse stars Gregory Peck as a war veteran who continues waging a one-man offensive years after hostilities have officially ceased. Exiled to France, Peck is lured back to Spain by vengeful police captain Anthony Quinn. Priest Omar Sharif advises Peck that he's being tricked, but Peck is determined to return to Spain to bid farewell to his dying mother Mildred Dunnock. Halfway through, the film bogs down into ponderous preachifying and moralizing, but overall the film is worth a glance. In 1966, Behold a Pale Horse was scheduled to be telecast on a major American network, but was cancelled at the last minute, reportedly at the behest of the Spanish government. ~ Hal Erickson, All Movie Guide

Veteran British "heavy" Donald Pleasence has the 1960 programmer The Big Day all to himself. Pleasence plays a businessman who has overextended himself financially, and overplayed his hand in his personal life. His already rocky marriage is further threatened by his impatient mistress. Adding to his headaches is his go-getting brother-in-law, whose salesmanship savvy may very well lose Pleasence his job. Donald Pleasence is so much better than his material in The Big Day that it might be advisable to turn the sound down and revel in his silent emoting. ~ Hal Erickson, All Movie Guide

Audrey Hepburn stars in The Nun's Story as Sister Luke, postulant of a Belgian order of nuns. Though frequently disillusioned in her efforts to spread good will -- at one point she is nearly killed by a mental patient (Colleen Dewhurst) -- Sister Luke perseveres. Sent as a nurse to the Belgian Congo, an assignment she'd been hoping for, Sister Luke is disappointed to learn that she will not be ministering to the natives but to European patients. Through the example of no-nonsense chief surgeon Peter Finch, the nun sheds her idealism and becomes a diligent worker -- so much so that she contracts tuberculosis. Upon the outbreak of World War II, Sister Luke tries to honor the edicts of her order and not take sides, but this becomes impossible when her father (Dean Jagger) is killed by the Nazis. Realizing that she cannot remain true to her vows, Sister Luke leaves the order and returns to "civilian" life. The Nun's Story ends with a long, silent sequence in which Sister Luke divests herself of her religious robes, dons street garb, and walks out to an uncertain future. There is no background music: director Fred Zinnemann decided that "triumphant" music would indicate that Sister Luke's decision was the right one, while "tragic" music would suggest that she is doing wrong. Rather than make an editorial comment, the director decided against music, allowing the audience members to fill in the blanks themselves. The Nun's Story is based on the book by Kathryn Hulme, whose depiction of convent life was a lot harsher and more judgmental than anything seen in the film. ~ Hal Erickson, All Movie Guide

The third of the droll British "Doctor" series, Doctor at Large once more stars Dirk Bogarde as young Dr. Simon Sparrow. Back in his old stamping grounds at St. Swithin's Teaching Hospital, Sparrow misses his chance at becoming chief surgeon when he crosses swords with the formidable Sir Lancelot Spratt (James Robertson Justice). Forced to go job hunting, our hero undergoes a variety of hilarious medical and romantic misadventures before ending up right where he started. Some of the film's best scenes involve shapely nurse Nan, played by Shirley Eaton of Goldfinger fame. Like its predecessors, Doctor at Large was based on characters created by real-life medico George Gordon. ~ Hal Erickson, All Movie Guide

Mary Hilton (Diana Dors) is a young salesgirl in the cosmetics department of a major London store, who chances to meet -- and fall hopelessly in love with -- Jim Lancaster (Michael Craig), a young would-be professional musician. She is attracted to him sufficiently to leave her own, neglectful husband (Harry Locke). But Jim's interest in her, although also sincere, is deflected by his attraction to Lucy Carpenter (Mercia Shaw), a much wealthier and older woman, who seems to be able to offer him the security that he's always lacked. That's difficult enough for Mary to take, but when Jim's relationship with Lucy takes a tragic turn, she snaps -- her love for Jim is transformed into a murderous hatred for her rival, resulting in murder, and a death sentence. Mary's story is told entirely in flashbacks, as she awaits her final sentencing or possible reprieve, and attempts to tie up the loose ends in her life involving her mother, brother, and husband. ~ Bruce Eder, All Movie Guide

If the plot of the 1993 Kevin Costner film A Perfect World seemed vaguely familiar, perhaps it's because it bears a more than passing resemblance to the British-made 1952 thriller The Hunted (U.S. title: Stranger in Between). Dirk Bogarde stars in this emotional melodrama as an escaped murderer, sloshing through the North Country mud. Bogarde is reluctantly saddled with a fugitive orphan boy (Jon Whitely), who insists upon tagging along. The murderer ends up sacrificing his freedom to rescue the injured boy from certain death. While The Hunted was greeted with moderate enthusiasm in Britain, its virtues were trumped by the French film critics of the era. ~ Hal Erickson, All Movie Guide

The Anglo-American musicomedy Happy Go Lovely is set in Edinburgh, Scotland, during a major film festival. The gathered throngs are aghast when unknown dancer Janet Jones (Vera-Ellen) steps daintily from a limousine owned by a Scottish millionaire. A few miles earlier, the girl had thumbed a ride from the limo driver, but the public doesn't know this, and soon rumors are flying. Before she knows what has happened, Jones has become the festival's main attraction. She is also romanced by B.G. Bruno (David Niven), whom she assumes to be a reporter but who, of course, is the millionaire in disguise. Ostensibly a musical, Happy Go Lovely is limited to two songs, though both are performed con brio by the fabulous Vera-Ellen. The film was produced independently by N. P. Rathvon and released by Rathvon's former studio, RKO Radio. It was shot in black and white but is now reportedly only available in a colorized print. ~ Hal Erickson, All Movie Guide

The all-purpose title Floodtide was trotted out once more for this 1949 British drama. Gordon Jackson plays a lowly shipyard worker who falls in love with Rona Anderson, his boss' daughter. For the girl's sake, Jackson keeps an eye out for opportunities to advance himself. Through determination and resourcefulness, he works his way up to an executive position with a shipping firm, but tries his best not to forget his humble roots. Filmed extensively on location, Floodtide was run on a seemingly hourly basis in the early days of American television. ~ Hal Erickson, All Movie Guide