William Ungerman Movies

David Lynch's prequel to his cult television series "Twin Peaks" concerns the last seven days in the life of Laura Palmer (Sheryl Lee), whose plastic-wrapped corpse, found floating in a river, was the fulcrum for the television series. During the day in the town of Twin Peaks, Laura is a top honors student at the local high school. By night, she is a sex-crazed cokehead, prostituting herself at a sleazy sex club to get money to feed her drug habit. Her race to oblivion is fueled by her father, Leland (Ray Wise), who, as his alter ego Bob (Frank Silva), has been sexually abusing Laura since she was a child. But Laura has an attack of conscience when she realizes that she is leading her best friend Donna (Moira Kelly) down the same rocky road. Leland, however, discovers Laura's nocturnal debauchery when, during a business trip out-of-town, his mistress for a sexual tryst sets him up with his own daughter. In a fit of jealous rage, Leland follows Laura as she travels to a sex party in an abandoned railroad car. Consumed by insatiable longing, Leland transforms himself into Bob, with tragic results for Laura and her friends. ~ Paul Brenner, Rovi

New York City has long been regarded as the heart of the American art movement, but near the end of the 1940s, as the post-war rise of Abstract Expressionism became the new wave of painting in the United States, a small but determined band of painters, curators, and collectors on the West Coast were determined to make themselves known. Filmmaker Morgan Neville examines the rise of the Los Angeles art scene and how it brought a new and vigorously American slant to contemporary painting in the documentary The Cool School. Neville profiles Walter Hopps and Irving Blum, owners of the Ferus Gallery, which championed the new school of Los Angeles art; sculptors Ed Kienholz and Larry Bell; and painters Ed Ruscha, John Altoon, and Billy Al Bengston, all of whom were championed by the Ferus Gallery; architect Frank Gehry, whose ideas dovetailed with those of the new L.A. artists; and Dennis Hopper and Dean Stockwell, actors and Hollywood bohemians whose love of the new L.A. art (and willingness to buy pieces) provided crucial support for a struggling movement. Jeff Bridges serves as narrator. ~ Mark Deming, Rovi