Deborah Kara Unger Movies

Bette Gordon, who made her directorial debut in 1983 with Variety, returned 15 years later with this adaptation of Scott Bradfield's novel The History of Luminous Motion about an alcoholic mother. "Only two things mattered to me -- being with my mom and being in motion," says ten-year-old Phillip (Eric Lloyd), who teaches himself physics and biology as he's driven about by his mother Margaret (Deborah Kara Unger). After a car crash, they settle down with Hackensack hardware store owner Pedro (Terry Kinney). Phillip receives letters and phone calls from his dad (Jamey Sheridan). Eventually, mother and son leave Pedro to live on Staten Island -- where the boy meets some strange teens (James Berland, Paz De La Huerta), Pedro appears as a ghostly figure, and Phillip's father turns up. Shown at the 1998 Locarno Film Festival. ~ Bhob Stewart, All Movie Guide

Director David Fincher followed the success of his dark and atmospheric crime thriller Seven (1995) with another exercise in stylish film noir, this time lifting the pallid atmosphere a notch to indulge in a fast-paced trip through the cinematic funhouse. Michael Douglas plays Nicholas Van Orton, a Scrooge-like San Francisco investment banker following in his father's Scrooge-like footsteps. On Nicholas's 48th birthday (the age at which his father committed suicide), his younger, free-spirited brother Conrad (Sean Penn) blows into town and gives Nicholas a special gift for "the man who has everything" -- a ticket to CRS (Consumer Recreation Services), a company that constructs games custom-fit for each participant to provide, as CRS salesman Jim Feingold (James Rebhorn) cryptically puts it, "whatever is lacking." Nicholas's secure life begins a downhill slide as CRS masterminds a series of elaborate pranks, harmless at first, that quickly become malicious and life-threatening. Stripped of financial resources and convinced that he can trust no one, Nicholas begins to wonder if CRS is a front for a more covert operation, and if the game is in fact an attempt to steal his fortune and leave him for dead. Determined to fight back alone, Nicholas infiltrates CRS in order to "pull back the curtain and meet the wizard." ~ Anthony Reed, All Movie Guide

After surviving a brutal car wreck, commercial director James Ballard finds himself slowly drawn to a mysterious subculture of people who have transformed automobile accidents into erotic events. Like the J.G. Ballard novel that inspired it, David Cronenberg's study of the sexual dimension of man's relationship to technology was a magnet for controversy, drawing a NC-17 rating and criticism from several sources, including studio owner Ted Turner, who attempted to prevent the film's American release. But though some have leveled charges of pornography, James' descent into this fetishistic underworld is approached with cold, scientific detachment. Characters like Vaughn, the charismatic group leader who stages recreations of celebrity car crashes, seem more like driven researchers than sexual renegades, which is undoubtedly part of the film's point. This impression is reinforced by the pristine cinematography by Peter Suschitzsky, which proves particularly haunting during a crucial accident scene, and Howard Shore's superb score. Far from exploitative, Crash in fact proves less transgressive than the original novel, but is still undoubtedly not for all tastes. ~ Judd Blaise, All Movie Guide

Conner MacLeod (Christopher Lambert) returns in this, the third film in the Highlander series. MacLeod is an "Immortal," a 16th century Scottish soldier who has been both blessed and cursed with the gift of eternal life. After the death of his beloved wife (a common occurrence for him, but one he's never gotten used to), MacLeod travels to Japan during the feudal era where he encounters a fellow immortal, the wizard and swordsman Nakano (Mako). Nakano and MacLeod become friends, and the Scott learns many valuable lessons from the wise magician; however, when Nakamo's arch enemy Kane (Mario Van Peebles) -- an immortal who has pledged himself to evil -- finds the sorcerer's hideaway, he promptly chops off the magician's head. The attack causes Nakamo's cave to collapse with Kane trapped inside, and McLeod narrowly escapes. Moving into the 20th century, MacLeod is in New York City where he's become romantically involved with Alex Johnson (Deborah Unger), an archeologist who is planning a dig in Japan; however, the site she's excavating just so happens to be the cave where Kane remains trapped inside. Once the villain is freed, he sets out to find MacLeod and determine once and for all who is to be the final immortal. Highlander: The Final Dimension was trimmed of two sex scenes for its American theatrical release, though they were restored when the film was brought out on home video. Despite the suggestion of the title "The Final Dimension," a fourth Highlander film was released in 2000. ~ Mark Deming, All Movie Guide

Hotel Room is a made-for-cable anthology, featuring three separate stories that are all set in the same New York hotel room over different years. Set in 1992, the first, "Getting Rid of Robert," features three girlfriends who devise a plan to help Sasha dump her sleazy movie executive boyfriend. The second, set in 1969, is called "Tricks" and is about a dull, junkie prostitute Darlene, her client Moe and the sudden re-appearance of Moe's friend Lou. "Blackout," the last story, is set in 1936 and is about a young husband who is attempting to accept the madness of his gorgeous wife. ~ Stephen Thomas Erlewine, All Movie Guide

In 1945, a tribunal was held to investigate atrocities committed by the Japanese upon Australian soldiers during World War II. At an internment camp, 1100 Australian soldiers were tortured and killed by the Japanese, with only 300 survivors. This horrible event was not known until a terrible discovery of decapitated corpses was made at a grisly site on Ambon Island in Indonesia after the war. Stephen Wallace directed this courtroom drama based on the incident and follows the intrepid investigator who uncovers the truth behind the missing Australian soldiers. Bryan Brown plays Captain Cooper, the prosecutor of the case, in which 91 Japanese officers and soldiers are accused of murdering the Australian prisoners-of-war. The chief defendants are camp commander Takahashi (George Takei) and Captain Ikeuchi (Tetsu Watanabe). Takahashi denies knowing anything about the atrocities, as does Ikeuchi. Nevertheless, Cooper presses on to undercover the truth. But standing in his way is the American delegation, led by Major Beckett (Terry O'Quinn). They don't want a case to go forward that would reflect badly on the Japanese high command, since General MacArthur wants to reinstate many of the Japanese officers in a new postwar Japanese order. ~ Paul Brenner, All Movie Guide