Deborah Kara Unger Movies

John Seale directed this lively, though overly familiar, adventure tale. Frank Flynn (Mark Harmon) is a jazz musician who travels to the South Seas to look for his missing brother Charlie. Once there, he takes up with an attractive hitchhiker named Anna (Deborah Unger). When he finds out that his brother has been bludgeoned to death by a group of natives, Frank decides to investigate the case on his own. Frank meets Charlie's former business associate, Robert "Viv" Vivaldi (Jeroen Krabbe) and his insouciant manner causes Frank to suspect he may have had something to do with his brother's death. Anna then reveals herself to be Viv's ex-wife and Frank's badgering of Viv causes both Frank and Anna to flee into the jungle, where they come upon some curious gold bars. Frank then recalls their father had mentioned something to Charlie about an American bomber that had crashed in the jungle, loaded with gold. Viv then catches up with the duo and, although Anna is captured, Frank befriends a group of natives who teach him the ways of the South Pacific Islanders. They also lead him to the location where the plane full of gold went down; they then help Frank lay siege to Viv's home. ~ Paul Brenner, All Movie Guide

Hotel Room is a made-for-cable anthology, featuring three separate stories that are all set in the same New York hotel room over different years. Set in 1992, the first, "Getting Rid of Robert," features three girlfriends who devise a plan to help Sasha dump her sleazy movie executive boyfriend. The second, set in 1969, is called "Tricks" and is about a dull, junkie prostitute Darlene, her client Moe and the sudden re-appearance of Moe's friend Lou. "Blackout," the last story, is set in 1936 and is about a young husband who is attempting to accept the madness of his gorgeous wife. ~ Stephen Thomas Erlewine, All Movie Guide

The black sheep son of a wealthy family sinks deeper into corruption the harder he tries to pull himself out in this drama. Richter Boudreau (Eric Stoltz) is a small-time film critic with a checkered past and some bad debts who decides to return to his old home town of Tulsa in hopes of getting his life back in order, much to the dismay of his mother Cynthia (Mary Tyler Moore), who is sick of lending him money and would prefer to have nothing to do with him. Richter still carries a torch for his one-time girlfriend Vicky (Deborah Kara Unger), who these days is married (not especially happily) to Ronnie (James Spader), a low level drug dealer with loftier criminal ambitions. Richter owes Ronnie money from a long time ago and isn't in a position to say no when Ronnie asks him to help with his latest scheme; Cherry (Joanna Going), a stripper, was a witness to the murder of a prostitute, and since the killer, Bedford Shaw (Marco Perella), is the son of the richest and most powerful man in town, Harmon Shaw (James Coburn), Ronnie feels that this information has remarkable blackmail potential. Richter finds himself caught up in Ronnie's plan while fully aware of the danger of tangling with Harmon Shaw. He also finds himself falling into ill-advised romance with Cherry. Keys to Tulsa was the first directorial effort for producer Leslie Greif; Cameron Diaz and Michael Rooker also appear in supporting roles. ~ Mark Deming, All Movie Guide

After surviving a brutal car wreck, commercial director James Ballard finds himself slowly drawn to a mysterious subculture of people who have transformed automobile accidents into erotic events. Like the J.G. Ballard novel that inspired it, David Cronenberg's study of the sexual dimension of man's relationship to technology was a magnet for controversy, drawing a NC-17 rating and criticism from several sources, including studio owner Ted Turner, who attempted to prevent the film's American release. But though some have leveled charges of pornography, James' descent into this fetishistic underworld is approached with cold, scientific detachment. Characters like Vaughn, the charismatic group leader who stages recreations of celebrity car crashes, seem more like driven researchers than sexual renegades, which is undoubtedly part of the film's point. This impression is reinforced by the pristine cinematography by Peter Suschitzsky, which proves particularly haunting during a crucial accident scene, and Howard Shore's superb score. Far from exploitative, Crash in fact proves less transgressive than the original novel, but is still undoubtedly not for all tastes. ~ Judd Blaise, All Movie Guide

Joey returns to his home in Staten Island and discovers that things changed dramatically while he was in prison. His mother died, and his brother Tommy married. Joey's former flame has also married and had kids. Big brother Tommy takes Joey in, much to the displeasure of his stripper-wife Lorraine. She thinks Joey will be trouble but doesn't seem to notice that the biggest trouble is sleeping beside her in bed. After many problems, tensions escalate into the story's violent final confrontation. ~ Sandra Brennan, All Movie Guide

Bette Gordon, who made her directorial debut in 1983 with Variety, returned 15 years later with this adaptation of Scott Bradfield's novel The History of Luminous Motion about an alcoholic mother. "Only two things mattered to me -- being with my mom and being in motion," says ten-year-old Phillip (Eric Lloyd), who teaches himself physics and biology as he's driven about by his mother Margaret (Deborah Kara Unger). After a car crash, they settle down with Hackensack hardware store owner Pedro (Terry Kinney). Phillip receives letters and phone calls from his dad (Jamey Sheridan). Eventually, mother and son leave Pedro to live on Staten Island -- where the boy meets some strange teens (James Berland, Paz De La Huerta), Pedro appears as a ghostly figure, and Phillip's father turns up. Shown at the 1998 Locarno Film Festival. ~ Bhob Stewart, All Movie Guide

In 1966, Rubin "Hurricane" Carter was a top-ranked middleweight boxer whom many fight fans expected to become world champion. When three people were shot to death in a bar in Paterson, New Jersey, Carter and his friend John Artis, driving home from another club in Paterson, were stopped and questioned by police. Although the police asserted that Carter and Artis "were never suspects," a man named Alfred Bello, himself a suspect in the killings, claimed that Carter and Artis were present at the time of the murders. On the basis of Bello's testimony, Carter and Artis were convicted of murder, and Carter was given three consecutive life sentences. Throughout the trial, Carter proclaimed his innocence, saying that his African-American race and work as a civil rights activist were the real reasons for his conviction. In 1974, Bello and Arthur Bradley, who also claimed that Carter was present at the scene of the crimes, recanted their testimony, but Carter and Artis were reconvicted. In the early 1980s, Brooklyn teenager Lesra Martin worked with a trio of Canadian activists to push the State of New Jersey to reinvestigate Carter's case; in 1985, a Federal District Court ruled that the prosecution in Carter's second trial committed "grave constitutional violations" and that his conviction was based on racism rather than facts. Carter was finally freed, and he summed up his story by saying, "Hate got me into this place, love got me out." The Hurricane is based on Carter's incredible true story and stars Denzel Washington as Carter, Vicellous Shannon as Lesra Martin, and John Hannah, Liev Schreiber and Deborah Unger as the Canadian activists. Veteran filmmaker Norman Jewison directed. ~ Mark Deming, All Movie Guide

The fortunes of a family of Hungarian Jews are followed over the course of nearly 150 years in this epic historical drama, with leading man Ralph Fiennes playing three different roles. The story begins in the late 18th century, as Aaron and Josefa Sonnenschein (the name means "Sunshine" in German) die in an explosion while making an herb tonic for sale in their village. Their son Emmanuel (David de Keyser), the only survivor of the tragedy, travels to Budapest, carrying the recipe for the medicine with him. He's able to parlay the formula into a successful business, and Emmanuel and his wife Rose (Miriam Margolyes) raise two sons, Ignatz (Ralph Fiennes), who becomes a successful lawyer, and hot-tempered Gustave (James Frain). The Sonnenscheins also make room in their home for Valerie (Jennifer Ehle), but Emmanuel and Rose become furious when Valerie becomes romantically involved with Ignatz. Eventually, Valerie and Ignatz raise two children, Istvan (Mark Strong) and Adam (Ralph Fiennes), and the family changes its name to Sors in hopes of avoiding the anti-Semitism sweeping Europe. In time, Adam goes so far as to convert to Catholicism, and he marries another Catholic, Hannah (Molly Parker). He soon begins an affair with his brother's wife, Greta (Rachel Weisz), who is unable to persuade Adam to leave as the Nazis rise to power. Adam and Hannah have only one son, Ivan, who is fated to watch his father die in a concentration camp; as Ivan grows to adulthood (now played by Ralph Fiennes), he swears revenge on the forces of fascism and embraces Communism. Ivan throws in his lot with Communist leader Andor Knorr (William Hurt), but a liaison with the wife of a party official (Deborah Kara Unger) leads Ivan to tragic consequences and a jail term. In time, Valarie and Gustave are reunited at the family's estate as the only two members of the Sonnenschein clan who survive to witness the Hungarian Revolution in 1956. Hungarian director Istvan Szabo co-wrote Sunshine's original screenplay in collaboration with American playwright Israel Horovitz. ~ Mark Deming, All Movie Guide

A literary drama offering the parallel tales of two wounded souls, director Mehdi Norowzian's tale of redemption and the struggle to find one's place in life finds an ex-convict's correspondence with a young boy offering hope for the future despite the fact that the boy has yet to find his own place in the world. Believing that her husband has been unfaithful, Mary Bloom (Elisabeth Shue) embarks on an affair with a young handyman (Justin Chambers) that results in her pregnancy. Racked with guilt when her husband dies in a car accident shortly thereafter, Mary begins to hate her son, Leo (Davis Sweat), leaving the youngster hungering for affection. Assigned correspondence with a convict for a class project, the withdrawn Leo begins to form a close bond with Stephen (Joseph Fiennes), who increasingly relies on his communication with Leo as a form of cathartic repentance. When Stephen is released from jail, he gets a job at a diner where concerned co-workers Vic (Sam Shepard) and Caroline (Deborah Unger) attempt to help him establish himself on the outside. Simultaneously brutalized by local drunk Horace (Dennis Hopper), Stephen decides to leave the diner and search for the boy whose letters carried him through his darkest days. ~ Jason Buchanan, All Movie Guide

Directed and written by Rodrigo Garcia, Ten Tiny Love Stories features ten women who, in a series of monologues, talk about the men who have made the largest impact on their respective lives. Though each woman is unique in her experiences with love, sex, death, loss, and many other aspects of the human condition, they all have one thing in common: their memories are the only remaining connection they have to the man who affected them to an extent he will probably never realize. Ten Tiny Love Stories is Garcia's second feature film, and features Kathy Baker, Radha Mitchell, Lisa Gay Hamilton, Debi Mazar, and Elizabeth Peña. ~ Tracie Cooper, All Movie Guide

Three women living in Toronto find themselves confronting emotional crises regarding the men in their lives in this drama. Olivia (Sophia Loren) is a woman who spends her days looking after her husband, John (Pete Postlethwaite), who is confined to a wheelchair. Olivia has long aspired to a career as an artist, but John, not emotionally generous, refuses to hear of her wasting her time on such things. However, Olivia does find encouragement from an unlikely source -- Max (Gérard Depardieu), an eccentric French gardener. Natalia (Mira Sorvino) is a news photographer who, while on assignment in Angola, took a memorable portrait of a crying child orphaned by war. Her father, Alexander (Klaus-Maria Brandauer), also a well-known photojournalist, is understandably proud of Natalia when her photo is used on the cover of a major news magazine, but she is haunted by the knowledge that while she made the child famous, she couldn't save its life. And Catherine (Deborah Kara Unger) is a woman whose father, Alan (Malcolm McDowell), beat her mother to death when she was young. Catherine has never been able to resolve her hatred of her father, and when Alan is released from prison, she's willing to abandon her husband, her children, and her career as a musician to track him down and kill him, unable to accept the notion that he's a changed man. Between Strangers was directed by Edoardo Ponti, whose mother happens to be Sophia Loren; it marks the first time the two have worked together. ~ Mark Deming, All Movie Guide

Writer/directors Jeff Renfroe and Marteinn Thorsson make their feature debut with the paranoid thriller One Point O (1.0). Jeremy Sisto plays a computer programmer named Simon J. who gets used as a test subject. His corporate employers are secretly conducting a experiment on him in order to test out a new advertising scheme. Simon receives empty boxes at his apartment, grows suspicious of everyone else, and develops a strange desire for milk. Also starring Deborah Unger, Lance Henriksen, and Udo Kier. One Point O premiered at the Sundance Film Festival as part of the dramatic competition. ~ Andrea LeVasseur, All Movie Guide