Deborah Kara Unger Movies

A grieving father makes a pilgrimage to the Pyrenees in honor of his late son, and experiences a major epiphany during his journey down the Way of Saint James. When his adult son (Emilio Estevez) is killed during an excursion down a Christian pilgrimage route, California doctor Tom (Martin Sheen) vows to complete the treacherous journey. As Tom sets down the 800 km path with only his son's guidebook and backpack, he forges powerful bonds with three fellow travelers (Yorick Van Wageningen, Deborah Kara Unger, James Nesbitt, who alter his perspective of the world and remind him what it means to lead a meaningful life. ~ Jason Buchanan, Rovi

Jon Avnet directs Al Pacino in the thriller 88 Minutes. Pacino plays university professor Jack Gramm, who occasionally assists the FBI in matters of forensic psychiatry. His recent testimony against a freshly convicted criminal seems to be the reason he has gotten a scary phone call informing him he will die in 88 minutes. As with the like-minded thriller D.O.A. (both the original and the remake), the protagonist must use his skills in order to track down who has hatched this evil plot and hopefully prevent his own demise. Alicia Witt and Leelee Sobieski co-star as the professor's star students. ~ Perry Seibert, Rovi

Director Roger Spottiswoode adapts Roméo Dallaire's harrowing autobiography concerning his experiences as the leader of a 1994 U.N. peacekeeping mission to Rwanda that failed to prevent the slaughter of 800,000 Rwandans. Dispatched to Rwanda in 1993 to oversee a fragile cease-fire, charismatic Lieutenant General Romeo Dellaire (Roy Dupuis) finds his mission complicated by lack of funding, too much bureaucracy, and a ramshackle crew assembled from military units from dozens of countries. Everyone seems to have a different agenda, and as the peace agreement between the Tutsi-led rebels and the French-supported Hutu-led government begins to deteriorate, appeasing speeches are undercut by shadowy massacres. When an unknown group shoots down the president's plane, Kigali goes up in flames as part of a clandestine yet long-planned campaign against the Tutsi minority. Hindered by an inadequate mandate, Lieutenant General Dellaire watches helplessly as the Hutu militia gains power and civil war gives way to genocide. ~ Jason Buchanan, Rovi

When a reformed grifter currently running a prosperous alibi service for adulterous husbands inadvertently becomes an accessory to murder, he is forced to execute one last, well-timed con as a means of clearing his name in this lightning fast caper comedy starring Steve Coogan, Rebecca Romijin, Selma Blair, and Sam Elliot. Ray (Coogan) is a smooth operator with a special knack for helping his fellow man dodge the proverbial bullet. When a married man simply can't resist the urge to have a bit of fun on the side, Ray is the man they call to ensure that word of their infidelity never gets back to their unsuspecting wives. When the spoiled son of a high-profile client accidentally kills his clandestine lover on the eve of his wedding, Ray is shocked to discover that he has been implicated in the crime. With a small-town cop targeting him on one side and a mysterious assassin known as "The Mormon" locking him into his sights from the other, desperate Ray must now enlist the aid of his beautiful new recruit Lola (Romijin) in carrying out one last con designed to both clear his name, and save his life. The debut feature from co-directors Matt Checkowski and Kurt Mattilda, Lies and Alibis also features performances by James Brolin, Henry Rollins, James Marsden, Debi Mazar, Jerry O'Connell, and John Leguizamo. ~ Jason Buchanan, Rovi

Seven years after seeing his original vision butchered under studio interference as well as his star's, director Brian Helgeland finally was given the chance to piece together his director's cut under the name Payback: Straight Up. Along with reinstating the original third act, this version represents a return to the gritty world of '70s filmmaking that was the groundwork of the production up until Paramount got cold feet and ordered extensive reshoots. The story centers on Porter (Mel Gibson), a thief that is pulled into a heist by his old friend, Val (Brian De Palma regular Gregg Henry), who plans a double cross with Porter's wife, Lynn (Deborah Kara Unger) after showing her a photo of her husband in the arms of another girl (Maria Bello). As they're stealing $130,000 in laundered drug money from Chinese Triads, Lynn shoots Porter in the back and speeds away with Val and money in tow. What they didn't know is that Porter would come back looking for his cut, which has been used to pay off Val's mob debts so he could return to "The Syndicate." Helgeland, the screenwriter for L.A. Confidential and Mystic River, made his directing debut with this adaptation of the novel The Hunter by Donald E. Westlake writing under the pseudonym, Richard Stark. The same novel served as the basis for John Boorman's Point Blank starring Lee Marvin. This version excises Kris Kristofferson's performance entirely and features a new score by Scott Stambler. ~ Jeremy Wheeler, Rovi

Bobby Long (John Travolta) is a washed up former literature professor with a voracious drinking habit. He lives in a rundown house in New Orleans with Lawson Pines (Gabriel Macht of The Recruit), his former star pupil, also an alcoholic. Lawson is allegedly writing a novel about Bobby. Their depressive little corner of the world is disrupted when Lorraine, the beloved eccentric singer who owns their house, dies. Her teenage daughter, Pursy (Scarlett Johansson), who hasn't seen her mother in years, arrives in town too late for the funeral, and crashes at the house. Afraid of being thrown out on the street, Bobby convinces Lawson to tell Pursy that the house has been left to all three of them. Pursy, having little else to do, decides to move in, and starts cleaning up the place, making it her own. Lawson is involved with Georgianna (Deborah Kara Unger), who works at the local bar, but he quickly develops a crush on the comely Pursy. The cantankerous Bobby seems determined to drive the girl away. As Pursy settles into the diverse little community, all of Lorraine's old friends tell her how much she looks like her mother, and she begins to uncover some startling truths about her family history. A Love Song for Bobby Long is based on the novel Off Magazine Street, by Ronald Everett Capps. It was adapted for the screen and directed by Shainee Gabel, who co-directed the documentary Anthem. ~ Josh Ralske, Rovi

Writer/directors Jeff Renfroe and Marteinn Thorsson make their feature debut with the paranoid thriller One Point O (1.0). Jeremy Sisto plays a computer programmer named Simon J. who gets used as a test subject. His corporate employers are secretly conducting a experiment on him in order to test out a new advertising scheme. Simon receives empty boxes at his apartment, grows suspicious of everyone else, and develops a strange desire for milk. Also starring Deborah Unger, Lance Henriksen, and Udo Kier. One Point O premiered at the Sundance Film Festival as part of the dramatic competition. ~ Andrea LeVasseur, Rovi

A lawman fed up with the corruption in Apartheid-era South Africa takes to robbing banks in this gritty crime drama from writer/director Bronwen Hughes. The title Stander refers to Andre Stander (Thomas Jane), an ambitious second-generation policeman whose strategies and experience make him the perfect candidate for commander. But when the privileged Stander is chosen to direct the police force against a brutal, majority-led uprising in Soweto, he becomes so disgusted with his actions that he decides to undermine his own authority as an officer. His means for doing so is to moonlight as a bank robber, partly out of disgust for the force and partly as an adrenalin-fueled act of deception. After pulling more than two dozen heists, Stander is caught -- but it isn't long before he breaks out of jail, and fortified by two hardened-criminal pals, Lee (Dexter Fletcher) and Allan (David Patrick O'Hara), he resumes his anti-authoritarian crime sprees. Stander premiered at the 2003 Toronto Film Festival. ~ Michael Hastings, Rovi

A literary drama offering the parallel tales of two wounded souls, director Mehdi Norowzian's tale of redemption and the struggle to find one's place in life finds an ex-convict's correspondence with a young boy offering hope for the future despite the fact that the boy has yet to find his own place in the world. Believing that her husband has been unfaithful, Mary Bloom (Elisabeth Shue) embarks on an affair with a young handyman (Justin Chambers) that results in her pregnancy. Racked with guilt when her husband dies in a car accident shortly thereafter, Mary begins to hate her son, Leo (Davis Sweat), leaving the youngster hungering for affection. Assigned correspondence with a convict for a class project, the withdrawn Leo begins to form a close bond with Stephen (Joseph Fiennes), who increasingly relies on his communication with Leo as a form of cathartic repentance. When Stephen is released from jail, he gets a job at a diner where concerned co-workers Vic (Sam Shepard) and Caroline (Deborah Unger) attempt to help him establish himself on the outside. Simultaneously brutalized by local drunk Horace (Dennis Hopper), Stephen decides to leave the diner and search for the boy whose letters carried him through his darkest days. ~ Jason Buchanan, Rovi

Directed and written by Rodrigo Garcia, Ten Tiny Love Stories features ten women who, in a series of monologues, talk about the men who have made the largest impact on their respective lives. Though each woman is unique in her experiences with love, sex, death, loss, and many other aspects of the human condition, they all have one thing in common: their memories are the only remaining connection they have to the man who affected them to an extent he will probably never realize. Ten Tiny Love Stories is Garcia's second feature film, and features Kathy Baker, Radha Mitchell, Lisa Gay Hamilton, Debi Mazar, and Elizabeth Peña. ~ Tracie Cooper, Rovi

Three women living in Toronto find themselves confronting emotional crises regarding the men in their lives in this drama. Olivia (Sophia Loren) is a woman who spends her days looking after her husband, John (Pete Postlethwaite), who is confined to a wheelchair. Olivia has long aspired to a career as an artist, but John, not emotionally generous, refuses to hear of her wasting her time on such things. However, Olivia does find encouragement from an unlikely source -- Max (Gérard Depardieu), an eccentric French gardener. Natalia (Mira Sorvino) is a news photographer who, while on assignment in Angola, took a memorable portrait of a crying child orphaned by war. Her father, Alexander (Klaus-Maria Brandauer), also a well-known photojournalist, is understandably proud of Natalia when her photo is used on the cover of a major news magazine, but she is haunted by the knowledge that while she made the child famous, she couldn't save its life. And Catherine (Deborah Kara Unger) is a woman whose father, Alan (Malcolm McDowell), beat her mother to death when she was young. Catherine has never been able to resolve her hatred of her father, and when Alan is released from prison, she's willing to abandon her husband, her children, and her career as a musician to track him down and kill him, unable to accept the notion that he's a changed man. Between Strangers was directed by Edoardo Ponti, whose mother happens to be Sophia Loren; it marks the first time the two have worked together. ~ Mark Deming, Rovi

In 1966, Rubin "Hurricane" Carter was a top-ranked middleweight boxer whom many fight fans expected to become world champion. When three people were shot to death in a bar in Paterson, New Jersey, Carter and his friend John Artis, driving home from another club in Paterson, were stopped and questioned by police. Although the police asserted that Carter and Artis "were never suspects," a man named Alfred Bello, himself a suspect in the killings, claimed that Carter and Artis were present at the time of the murders. On the basis of Bello's testimony, Carter and Artis were convicted of murder, and Carter was given three consecutive life sentences. Throughout the trial, Carter proclaimed his innocence, saying that his African-American race and work as a civil rights activist were the real reasons for his conviction. In 1974, Bello and Arthur Bradley, who also claimed that Carter was present at the scene of the crimes, recanted their testimony, but Carter and Artis were reconvicted. In the early 1980s, Brooklyn teenager Lesra Martin worked with a trio of Canadian activists to push the State of New Jersey to reinvestigate Carter's case; in 1985, a Federal District Court ruled that the prosecution in Carter's second trial committed "grave constitutional violations" and that his conviction was based on racism rather than facts. Carter was finally freed, and he summed up his story by saying, "Hate got me into this place, love got me out." The Hurricane is based on Carter's incredible true story and stars Denzel Washington as Carter, Vicellous Shannon as Lesra Martin, and John Hannah, Liev Schreiber and Deborah Unger as the Canadian activists. Veteran filmmaker Norman Jewison directed. ~ Mark Deming, Rovi