Edward Underdown Movies

In the conclusion of the four-part Meglos, the Doctor (Tom Baker) has managed to escape a time loop, not to mention his mercenary captors. Will he be in time to prevent Meglos (Christopher Owen), the power-hungry solo survivor of the Zolfa-Thuran civilization, from destroying the planet Tigella? Aiding and abetting the Doctor is Lexa, leader of the Deon race, played by Jacqueline Hill, some 17 years after her portrayal of the Doctor's traveling companion Barbara Wright. Written by John Flanagan and Andrew McCullough, "Meglos, Episode 4" first aired on October 18, 1980. ~ Hal Erickson, Rovi

In the second episode of the four-part Meglos, the title character (Christopher Owen) is determined to restore his past glories as the ruler of the now-extinct Zolfa-Thuran civilization. To do this, Meglos kidnaps the Doctor (Tom Baker) and assumes his identity, the better to tap the precious power sources of the planet Tigella. Jacqueline Hill, who'd played the Doctor's traveling companion Barbara Wright in the earliest episodes, guest stars as Lexa, leader of the cultish Deon race. Written by John Flanagan and Andrew McCullough, "Meglos, Episode 2" first aired on October 4, 1980. ~ Hal Erickson, Rovi

In this historical drama based on actual events, Sweden's Queen Christina (Liv Ullmann) decides in 1654 to give up her throne in order to embrace Catholicism. However, as she studies the faith, she falls in love with Cardinal Azzolino (Peter Finch), a cleric being considered for the papacy. Greta Garbo previously played the same abdicating monarch in the film Queen Christina. Michael Dunn, who plays the dwarf in The Abdication, died during production, and several of his scenes had to be shot with another actor doubling for him. ~ Mark Deming, Rovi

In this grim drama, a college student remains passive as his friend commits suicide causing his friends to blame him for the death. Eventually he too, kills himself. ~ Sandra Brennan, Rovi

This zany British comedy finds a homeless hobo (Ringo Starr) being adopted by the world's richest man, Sir Guy Grand (Peter Sellers). Setting sail on the luxury liner The Magic Christian, Sir Grand tests the limit of human avarice. With money to motivate the greedy, Laurence Harvey combines his Hamlet soliloquy with a striptease. A vile cesspool of excrement is seeded with cash and the money-hungry dive right in. Wilfred Hyde White is the drunken captain, Yul Brynner is uncredited in his performance as a chanteuse transvestite, and John Cleese is the director of Sotheby's auction house. Roman Polanski, Richard Attenborough and Raquel Welch also appear in this offbeat comedy. Paul McCartney wrote and produced "Come and Get It," the first international hit from the power-pop group Badfinger. John "Speedy" Keene wrote "Something In The Air" and performed the track with his group Thunderclap Newman. Sellers, Cleese, Graham Chapman and Terry Southern co-authored the screenplay taken from Southern's novel. ~ Dan Pavlides, Rovi

The plot of this episode is set in motion by the intense rivalry between FOG ("Friends of Ghosts") and SMOG ("Scientific Measurement of Ghosts"). When representatives of the two organizations head to a country church to investigate the sudden reappearance of a man long thought dead, Steed and Emma are called in to help. It isn't long, of course, before murder rears its ugly head. Scripted by Brian Clemens from a story by Anthony Marriott, "The Living Dead" originally aired in England on February 25, 1967, and was first seen in America six days later. ~ Hal Erickson, Rovi

After declaring a holy war to rid the Sudan of Anglo-Egyptian rule in the 1880s, the fanatical Sudanese leader Muhammad Ahmad (Laurence Olivier) massacres a British-led force of 8,000 and marches on the strategic city of Khartoum at the confluence of the Blue Nile and the White Nile. The British government of Prime Minister William Ewart Gladstone (Ralph Richardson) then sends one of its greatest generals, Charles George Gordon (Charlton Heston), to Khartoum to make peace and save the city. Gordon had previously served with distinction in the Crimea, China, India and South Africa. Most important, he had also served as governor of the Sudan in the late 1870s at the request of the khedive of Egypt, instituting administrative reforms, reducing the slave trade and bolstering the economy. However, before Gordon reaches Khartoum with his aide, many of his former Sudanese friends defect to the Mahdi. Nevertheless, Gordon receives a rousing reception when he arrives in the city in February 1884. Heartened, he meets in the desert with the Mahdi to try to forge a peace agreement, but the Arab leader tells Gordon he is bent on taking Khartoum. What's more, he means to conquer other cities -- Cairo, Mecca, Baghdad and Constantinople -- to establish a vast empire under his leadership. Convinced that more war is inevitable, Gordon and the loyal Egyptian troops under his command prepare for battle. Meanwhile, in London, the Gladstone government is reluctant to dispatch troops to support the outnumbered Khartoum forces because colonial meddling has become bad politics. To forestall disaster, Gordon diverts the Nile to create a moat around Khartoum and leads a foray in which he steals cattle from the Mahdi's herd to supply the besieged city with food. But when the Nile recedes, the stage is set for the final battle that will decide the fate of Khartoum. ~ Mike Cummings, Rovi

Not to be confused with David Hewitt's abominable Dr. Terror's Gallery of Horrors (AKA The Blood Suckers), this clever horror omnibus is one of the better early anthologies from Amicus Productions, thanks to Freddie Francis' stylish direction and a tongue-in-cheek approach from writer Milton Subotsky (who would later apply the same sardonic treatment to the EC Comics-based productions Tales from the Crypt and The Vault of Horror). The framing story is set in a train car, where five passengers have their fortunes told by the all-seeing Dr. Schreck (Peter Cushing), who refers to his ominous tarot deck as his "House of Horrors." Their respective stories involve all manner of occult happenings: a jazz musician's involvement with a voodoo curse; an estate haunted by a werewolf; a doctor (Donald Sutherland) who suspects that his wife has become a vampire; a cottage besieged by a monster kudzu vine; and the most entertaining segment, in which arrogant art critic Christopher Lee is avidly pursued by a snubbed artist's severed hand. In the end, it doesn't take a jaded horror buff to deduce Schreck's true identity or the ultimate destination of the train passengers, but it's a fun ride nonetheless. Not all of the stories work (the vampire story's "twist" ending is rather silly, the voodoo tale painfully dated), and the effects are generally sub-par, but Francis keeps the pace snappy throughout, giving the entire film a throwaway, Halloween spook-house feel. Hammer horror fans will certainly find this a keeper on the strength of Cushing and Lee's performances. ~ Cavett Binion, Rovi

Thunderball finds James Bond matching wits with the sinister espionage organization S.P.E.C.T.R.E, (which stands for Special Executive for Counterintelligence, Terrorism, Revenge and Extortion). This time, S.P.E.C.T.R.E. hijacks a NATO nuclear bomber, hiding the bombs under the ocean depths and threatening to detonate the weapons unless a ransom of 100,000,000 pounds is paid. The mastermind behind this scheme is international business executive Emilio Largo (Adolfo Celi), who maintains a pool full of sharks for the purpose of eliminating enemies and those henchmen who fail to come up to standard. Dispatched to the Bahamas, lucky Mr. Bond enjoys the attentions of three nubile ladies: Largo's mistress Domino Derval (Claudine Auger), British spy Paula Caplan (Martine Beswick, previously seen as a gypsy girl in the 1962 Bond epic From Russia With Love) and enemy agent Fiona Volpe (Luciana Paluzzi). ~ Hal Erickson, Rovi

In this British melodrama based on a French novel by Catherine Arley, Sean Connery plays Anthony Richmond, a money-hungry young man enraged that his rich, dying uncle doesn't plan to include him in his will. Instead, Charles Richmond (Ralph Richardson) plans to give his fortune to charity. Anthony recruits a young nurse, Maria (Gina Lollobrigida), for a nefarious scheme. Her job is to care for the old man and get him to marry her and change the will so she gets his fortune. Then she will give Anthony a three-million-dollar share. Maria does her job well, but she comes to actually love Charles. ~ Michael Betzold, Rovi

This crime drama is set in 1910, and tells the tale of a doctor accused of murdering his wife. He swore that he didn't do it. The evidence speaks otherwise. The doctor staunchly claimed the overdose of tranquilizers found in her tea got there by accident and that he and his beautiful mistress had absolutely nothing to do with it. Never mind that after his wife's "accidental" death, he and his lover just happened to choose that moment for a Canadian vacation. Despite their absence, the London police continue investigating until they find the poor wife's body buried in the doctor's cellar. Even after his subsequent capture, extradition and guilty sentence, Dr. Crippen swears his innocence. It's unbelievable, but the story is true. ~ Sandra Brennan, Rovi

Despite its come-on title, The Day the Earth Caught Fire is an intelligent, disturbing piece of speculative fiction. Through the eyes of British reporter Peter Stenning (Edward Judd), we learn that both the U.S. and the U.S.S.R. have simultaneously set off nuclear explosions to test their efficiency. The twin blasts have caused the Earth to go off its axis. The result is a disastrous upheaval in the balance of nature; floods and fires being the principal plagues. With the end of the world staring everyone in the face, chaos reigns. The only hope lies in another massive nuclear explosion, which will hopefully rebalance the Earth. The film ends ambiguously, with viewers allowed to decide for themselves whether or not the world has been saved. In the original prints of The Day the Earth Caught Fire, the opening and closing reels were tinted yellow, representing the scorching heat beating down on the frightened populace. ~ Hal Erickson, Rovi