Ultra Violet Movies
It is the future and London has become a war-zone. Three young people are about to have an adventure in this British "B" movie. The three are Lola, a blond rocker, her lover Guy, and Tamara, his sister. Bored with life in the suburbs, they decide to go to the Red Zone for some excitement. They soon encounter Jean-Marie the drug loving son of Arlette who is head of the company that invented Eternacream. Arlette is involved with fascists. The fascists are involved with street gangs. ~ Sandra Brennan, All Movie Guide
Fascinating documentary of artist and filmmaker Andy Warhol, combining rare footage with interviews with his friends and colleagues, including Dennis Hopper, David Hockney, Taylor Mead, and Sylvia Miles. ~ Nicole Gagne, All Movie Guide
A New York wife learns about the satisfactions of single life in this landmark 1970s "woman's film." Unlike her dysfunctional friends, vibrant Erica (Jill Clayburgh) seems to have it all: a nice Upper East Side home, a well-adjusted teenage daughter (Lisa Lucas), a job at a Soho art gallery, and a loving husband, Martin (Michael Murphy). Erica falls apart, however, when Martin leaves her for a younger woman. Finally, at her female therapist's urging, Erica ventures out into the world of singlehood, finding solace in female bonding and even casual sex. As she adjusts to her new life, Erica realizes that she likes her freedom and independence. But when she falls in love with sensitive bearded artist Saul (Alan Bates), Erica must decide whether to turn down a lucrative job to spend the summer with her man in Vermont or forge ahead with her new existence. One of a group of new "women's pictures" made in the wake of post-1960s feminism, including Alice Doesn't Live Here Anymore (1974) and The Turning Point (1977), An Unmarried Woman updated the genre's concern with relationships and love by turning the heroine's unwedded status into a positive growth experience. The great female stars of the past like Joan Crawford and Bette Davis may be gone, as Erica and her friends mourn, but so is the all-consuming suffering of classical weepies, as writer/director Paul Mazursky ends the film on a note of reserved affirmation. While some critics (including feminists) complained that Saul was too much of a romantic fantasy, An Unmarried Woman was praised for Clayburgh's performance, and earned Oscar nominations for Best Picture, Best Actress, and Best Screenplay. A hit with 1978 audiences, An Unmarried Woman provoked viewer debate over Erica's final choice and its meaning for women. Either way, An Unmarried Woman astutely pointed to how far the new 1970s woman had come -- and how far she still needed to go. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Jill Clayburgh, Alan Bates, (more)
A young medical student named Mark (Marland Proctor) inherits a decrepit ranch/tourist attraction from his late uncle, and must turn a profit with the enterprise within six months in order to possess it fully. He invites his fiancee, Brenda (Claudia Ream) and a gaggle of their freaky hippie friends to start living on the property and brainstorm some ways to make "Callahan's Old West" a success. However, the ranch's caretaker, Solomon (B. G. Fisher) warns the kids that an eerie spectral presence haunts the area, a headless horseman who rides through the night seeking revenge for a deadly shootout that occurred at the ranch in 1928. Sure enough, the mysterious horseman begins appearing, splashing blood from a disembodied head over the frightened hippies and driving some to accidental deaths. When gold is discovered in the land the ranch occupies, suspicions arise that perhaps the headless rider isn't a ghostly presence at all. ~ Fred Beldin, All Movie Guide
- Starring:
- Marland Proctor, Claudia Ream, (more)
This hippie parable, co-written and directed by James Ivory and produced by his long-time partner Ismail Merchant, tries to make a heavy-handed parallel between civilization and corruption. A tribe of nameless natives (played by Sam Waterston, Susan Blakely, Salome Jens and Martin Kove, among others) finds a croquet ball and, rolling it along the ground mystified by what it might be, stumbles upon an estate. They enter and occupy the mansion and don the clothes and trappings of civilized luxury. A dividing line begins to develop between strong and weak tribe members, with the weak becoming subordinate to the others. A lavish party is thrown that resembles nothing so much as a summer weekend gathering of sophisticates. After a game of croquet, however, the natives begin to tire of their masquerade and devolve back into their original, more primitive state, and disappear into the forest. Cinematographer Walter Lassally makes the film's point more blunt and obvious by filming the prologue in black and white and then switching to color once the tribe discovers the estate. One of Ivory's co-writers was Michael O'Donoghue, infamous bad boy of the original Saturday Night Live writing staff. ~ Karl Williams, All Movie Guide
- Starring:
- Lewis J. Stadlen, Anne Francine, (more)
In this film that seeks to make a comedy about obscene telephone callers, several callers and their victims are shown. Most of the film is about one of the callers who is so beguiling that before long, many of his victims are hoping that he will call them back. Indeed, one of his victims is so entranced that she exerts considerable effort trying to find him, not for prosecution, but to see how his real-life virility compares with his virtuoso telephoning. One interesting sidelight is that the film contains three members of Andy Warhol's art-gang (including Ultra Violet). ~ Clarke Fountain, All Movie Guide
The target audience for this supernatural thriller is never quite clear: the film's poster attempts a psychedelic look, as the ad copy touts "the black mass...the spells...the incantations...the curses...the ceremonial sex," and other ad copy says "He curses the Establishment." In the film, Andrew Prine plays a Los Angeles sewer-dwelling warlock who discovers that his magical talents are more powerful than he had imagined, leading him to power among a group of cult followers. The role of the Satanic cult leader is played by Ultra Violet, a celebrity in artist Andy Warhol's community. ~ Clarke Fountain, All Movie Guide
- Starring:
- Andrew Prine, George Paulsin, (more)
A drug addict seduces his lover into sharing his chemical joys and together they begin a wrenching downward spiral into destruction in this unflinching, well-wrought drama. Before getting hooked on speed, the woman had a successful career. But, despite the efforts of those who would help her, the couple cannot seem to kick their habit. ~ Sandra Brennan, All Movie Guide
Czech filmmaker Milos Forman's first American production stars Linnea Heacock as Jeannie Tyne, a runaway teenager. While she wanders aimlessly around New York, her suburban parents, Lynn (Lynn Carlin) and Larry (Buck Henry), desperately search for their "missing" daughter. Larry and his best friend, Tony (Tony Harvey), inaugurate a search, but their expedition is sidetracked by a drinking binge at a local bar. Meanwhile, Lynn and Tony's wife, Margot (Georgia Engel), begin discussing their sex lives. Jeannie does finally return home, to constant questioning by her parents about which drugs she has taken; later, after Lynn and Larry join a support group for the parents of runaway children, they turn around and get stoned on marijuana themselves during one of the group meetings, then lapse into a randy game of strip poker -- little realizing that their daughter is close at hand and within earshot. As a critically revered lampoon of late-'60s sensibilities, Taking Off is full of "unknown" Manhattan-based performers who became famous during the '70s and '80s, including Paul Benedict, Vincent Schiavelli, Allen Garfield, Audra Lindley, and, in fleeting roles as auditioning singers, Carly Simon, who performs "Long Time Physical Effects," and Kathy Bates (billed as Bobo Bates), who performs "Even the Horses Had Wings." ~ Hal Erickson, All Movie Guide
- Starring:
- Lynn Carlin, Buck Henry, (more)
Have you ever longed for the day when James Brown, Martha Raye, and Col. Harland Sanders would appear in a movie together? Well, that's barely the tip of the improbable casting iceberg in this bizarre cold-war spoof. The leaders of the American intelligence organization the S.S.A. ("Super Secret Agency") are becoming increasingly alarmed by the disappearance of a number of B-list celebrities, who are being spirited off to Communist Albania. Eager to bring the fading stars back to the Land of the Free, the S.S.A. come up with a simple plan: They'll find four typical guys in their mid-twenties, have them form a rock group, make them into international stars, and wait until they get invited to play a gig in Albania, which will allow them to find out what's become of Rudy Vallee, Butterfly McQueen, and Huntz Hall, among others. Unemployed philosopher Michael A. Miller, Native-American honor student Ray Chippeway, phys-ed major Dennis Larden, and male model Lonny Stevens are drafted by the S.S.A., and after some intensive training by experts (Trini Lopez shows them a few guitar chords, and Richard Pryor gives them a crash course in soul), they become an overnight sensation as The Phynx (yes, it's pronounced "Finks"). Their album sells 17 million copies on the strength of songs like "What Is Your Sign?," and their groupies have to be cleared away by forklift. But fun and games have to go to the back burner when Albanian ruler Markevitch (George Tobias) and his wife, Ruby (Joan Blondell), invite the Phynx to perform at the behest of their son. Pat O'Brien, Xavier Cugat, Patty Andrews, and Dick Clark are just a few of the other notables who make cameo appearances in The Phynx, which had a very brief theatrical release before being sold to television in the early '70s. Legendary songwriters Jerry Leiber and Mike Stoller penned the songs performed by The Phynx (and Stoller composed the background score), though for some reason they're not covered nearly as often as "Jailhouse Rock," "Hound Dog," or "Yakkety Yak." ~ Mark Deming, All Movie Guide
- Starring:
- Michael Miller, Ray Chippeway, (more)
When a famous female movie star dies, the secret is revealed the woman was really a man. Dinah East (Jeremy Stockwell) had kept the secret from his agent, attorney and his own son. Alan Sloan (Andy Davis) is the family lawyer who would often escort Dinah, and Tony Locke (Ray Foster) was her homosexual friend who dated her to hide his same sex preference to the world. Reid Smith is the surviving son who must deal with the publicity and headlines. The story opens with the news of Dinah's death before flashbacks are used to illustrate past events. A brief nude scene and the subject matter are the only things that would put this film in the exploitation category. Ultra Violet appears briefly as a lesbian fashion designer. ~ Dan Pavlides, All Movie Guide
- Starring:
- Ultra Violet, Andy Davis, (more)
The third (and last) of author Norman Mailer's experiments in cinéma vérité filmmaking created between 1968 and 1970, Maidstone stars Mailer as Norman T. Kingsley, a celebrated filmmaker who is often described as "the American Buñuel." Kingsley and a large retinue of friends, actors, and colleagues have descended on his estate in Upstate New York to work on his latest project, a sexually provocative drama. At the same time, Kingsley is planning to launch a campaign for president, and he's visited by a large number of guests eager to discuss his political perspectives, including journalists, academics, and a handful of African-American radicals. Also on hand is Kingsley's ever-present posse of hangers-on nicknamed "the cash box," led by his half-brother Raoul (Rip Torn). As a British television reporter records the proceedings for an upcoming profile, a shadowy group of American intelligence agents questions if the nation might be better off without the possibility of a Kingsley candidacy. In the film's final reels, Mailer and his cast and crew drop their collective improvisation and discuss their work so far before the camera, but Torn takes it upon himself to give the film the ending he feels it needs by attacking Mailer with a hammer. Fascinating if only for its remarkable portrait of Mailer's legendary ego in full flight, Maidstone would be the writer's last stab at filmmaking until he was hired to direct a film adaptation of his novel Tough Guys Don't Dance in 1987. ~ Mark Deming, All Movie Guide
- Starring:
- Norman Mailer
Based on a James Leo Herlihy novel, British director John Schlesinger's first American film dramatized the small hopes, dashed dreams, and unlikely friendship of two late '60s lost souls. Dreaming of an easy life as a fantasy cowboy stud, cheerful Texas rube Joe Buck (Jon Voight) heads to New York City to be a gigolo, but he quickly discovers that hustling isn't what he thought it would be after he winds up paying his first trick (Sylvia Miles). He gets swindled by gimpy tubercular grifter Rico "Ratso" Rizzo (Dustin Hoffman) but, when Joe falls in the direst of straits, Ratso takes Joe into his condemned apartment so that they can help each other survive. Things start to look up when Joe finally lands his first legit female customer (Brenda Vaccaro) at a Warhol-esque party; Ratso's health, however, fails. Joe turns a final trick to get the money for one selfless goal: taking Ratso out of New York to his dream life in Miami. One of the first major studio films given the newly minted X rating for its then-frank portrayal of New York decadence, Midnight Cowboy was critically praised for Schlesinger's insight into American lives, with the intercut mosaic of Joe's memories and Ratso's dreams lending their characters and actions greater psychological complexity. While they may have been drawn by the seamy content (tame by current standards), the young late '60s audience responded to Joe's and Ratso's confusion amidst turbulent times and to the connection they make with each other despite their alienation from the surrounding culture. Midnight Cowboy became one of the major financial and artistic hits of 1969, winning Oscars for Best Picture (the first for an X-rated film), Best Director, and former blacklistee Waldo Salt's screenplay. Though the one-two punch of Midnight Cowboy and The Graduate (1967) proved Hoffman's range and Voight's Joe Buck made him a star, both lost Best Actor to classical cowboy John Wayne for True Grit. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Dustin Hoffman, Jon Voight, (more)
Taylor Mead and Ultra Violet star in this independent production that features nudity and gymnastic sexual liaisons in a variety of places, including trees. Most likely this trashy underground film is of no interest to those other than naked-flesh fanatics. ~ Dan Pavlides, All Movie Guide
- Starring:
- Taylor Mead
Andy Warhol shows technical improvement in this experimental film with music by the Velvet Underground. He effectively blends multi-printed scenes in an effective display of psychedelic colors. Warhol continues his voyeuristic tendencies as the camera films two people making love. A rape scene is included, and Ondine recalls a homosexual experience. A model applies makeup as her boyfriend tries to get her to answer his pointless questions. Fans of Warhol and his films will find this enjoyable, while others will be offended and possibly bored. ~ Dan Pavlides, All Movie Guide
- Starring:
- International Velvet




















