Angie Bolling Movies

A former Wall Street broker takes on a new career in this made-for-television movie. Jack Scalia stars as Connie Harper, a Wall Street star who gets sent to jail for fraud. While in prison, he becomes known for helping others when all else fails. Upon his release, a friend in the jail asks him to protect his sister who is in danger, and Connie embarks on a new career as a bodyguard. ~ Bernadette McCallion, Rovi

The miserable life and long-overdue death of thrill killer Charles Starkweather is the basis of the two-part TV movie Murder in the Heartland. Over a bloody few months in 1958, Starkweather (Tim Roth), a 19-year-old high school dropout, embarked on a killing spree, snuffing out 11 victims. Along for the ride was Charlie's 14-year-old girlfriend Caril Ann Fugate (Fairuza Balk). The debate still goes on as to whether Caril Ann was a willing accomplice or a reluctant prisoner; as played by Ms. Balk, she comes off as dumb as mud. A shorter, fictionalized account of the Starkweather killings was offered in the critically acclaimed 1973 theatrical feature Badlands, starring Martin Sheen and Sissy Spacek. Murder in the Heartland originally aired May 3 and 4, 1993. ~ Hal Erickson, Rovi

In this second sequel to Robocop, the mechanical humanoid opposes the evil designs of his creators, who have gone corrupt and are trying to take over all real estate in Detroit, kicking the poorer citizens out of their homes and turning them out into the streets. ~ Rovi

The serialized story structure and barbed social commentary from comic book creator and co-writer Frank Miller earned critical respect in this satirical science fiction sequel directed by Irvin Kershner. Peter Weller returns as RoboCop, a futuristic cyborg fashioned from cutting-edge technology and the biological remains of slain Detroit police officer, Alex Murphy. Still patrolling the city streets, RoboCop is scheduled by his creator, Omni Consumer Products, to be replaced by a new "superior" model, RoboCop 2, that according to designer Juliette Faxx (Belinda Bauer), will contain the human remains not of a cop but a criminal. In the meantime, an instantly addictive drug called Nuke is sweeping through Detroit thanks to a kingpin named Cain (Tom Noonan). Taking Cain to task, RoboCop is captured and dismantled. When he's put back together, the cyborg is reprogrammed with a series of socially conscious commands (in a sly mocking of the then relatively new concept of "political correctness") that render him impotent as a law enforcer. Taking charge by rewiring himself with an electrical overload, RoboCop arrests Cain, who is injured in the process. Faxx secretly takes Cain's brain and inserts it into RoboCop 2, turning the robot immediately into a law-breaking murder machine and leading to a violent showdown between two generations of robotic crime-fighters. ~ Karl Williams, Rovi

The terrible crash of Delta Airlines Flight 191 provides the basis of this made-for-TV drama-in-real life. The disaster occurred at Dallas in 1985 and during that fateful night many of the ordinary passengers, crew, and rescue workers became true heroes as they worked together to save lives. ~ Sandra Brennan, Rovi

In a rambling, somewhat uneven drama, 14-year-old Jack Simmons (Peter Billingsley) takes it on himself to help his friend, coach Mike (Patrick Collins), save his hot dog and soft drink concession. Mr. Hodgkins (Stuart Pankin) is a greedy, self-serving banker who is determined to raze Mike's hot dog stand and build a new bank on its site. Jack's primary resource in his fight against Mr. Hodgkins is a motorbike that does everything except speak French. With this motorized wonder (which starts itself), Jack tackles a gang of tough bikers and the infamous Mr. Hodgkins, taking him for a ride he will never forget. ~ Eleanor Mannikka, Rovi

Tommy Lee Jones plays the title character in The River Rat. Released from prison after 13 years, Jones heads south to meet his hoydenish daughter Martha Plimpton for the first time. The father-daughter relationship flounders until Jones takes the girl on a long, bonding raft trip on the river. Both Jones and Plimpton become fugitives from justice when they run afoul of crooked parole-officer Brian Dennehy. Before the film's allotted 93 minutes have passed, Plimpton has proven time and again to be truly her father's daughter. It's a toss-up as to which is more enjoyable in River Rat, the film itself or the wall-to-wall musical score by Mike Post. Screenwriter Thomas Rickman was underwritten for his directorial debut by Robert Redford's Sundance Institute. ~ Hal Erickson, Rovi