Margaret Tyzack Movies

British writer/actor Stephen Fry makes his feature-film debut with the witty, sophisticated comedy Bright Young Things, adapted from Evelyn Waugh's 1930 novel Vile Bodies. Set in London during the '30s, this stylish period film follows an ensemble cast of well-dressed and highly literate partygoers. Aspiring writer Adam Fenwick-Symes (stage actor Stephen Campbell Moore) loses the manuscript of his first novel when traveling through customs. He then sets out to raise enough money to marry his sweetheart, Nina Blount (Emily Mortimer), the daughter of a colonel (Peter O'Toole). All in the name of love, Adam seeks funding through a constant stream of parties, meetings, and conversations with eccentric acquaintances. Cameo appearances are made by the likes of Dan Aykroyd, Simon Callow, and Stockard Channing. Bright Young Things was shown at the 2003 Toronto Film Festival. ~ Andrea LeVasseur, All Movie Guide

This adaptation of the novel by Virginia Woolf stars Vanessa Redgrave as Clarissa Dalloway, a woman in her mid-'50s living in London five years after the end of WWI. As Mrs. Dalloway prepares an elaborate dinner party at the home she shares with her husband, a prominent politician, she finds herself looking back on her life 30 years before, when as a young woman (played by (Natascha McElhone), she was in love with two different men -- the solid and safe Richard Dalloway (John Standing) and the exciting, free-spirited Peter Walsh (Michael Kitchen). Clarissa also recalls her close friendship with Sally (Lena Headey) as she wonders if she made the right choice in marrying Richard -- especially when Peter makes an unexpected appearance at her party. Mrs. Dalloway also finds herself moved in a way she never anticipated by the plight of Septimus Smith (Rupert Graves), a young man severely injured during the war whom she has never met. Mrs. Dalloway was directed by Marleen Gorris, whose previous credit was the international success Antonia's Line. ~ Mark Deming, All Movie Guide

Axel Corti directed this historical drama starring Timothy Dalton as King Vittorio Amadeo, a 17th-century Italian monarch who becomes obsessed with the wife of one of his courtiers (Valeria Golino). ~ Jason Ankeny, All Movie Guide

Part of the British mystery series based on the books by Agatha Christie, Miss Marple: Nemesis was first aired in 1987. This time around, Miss Jane Marple (Joan Hickson) has to figure out what the crime is before she can solve it. She receives a letter from her late friend Michael Rafiel (Bruce Payne) instructing her to investigate a crime following his death. Her only clue is a ticket for a bus tour of historic homes, which inevitably leads to a murder. ~ Andrea LeVasseur, All Movie Guide

This version of the classic tale of estranged twin brothers, one good and one evil, whose lives and swords cross as adults, was made for British television. ~ Sandra Brennan, All Movie Guide

Most of you know what this is about. For the benefit of the two of you who've never read a tabloid, Prince Charles of England married Lady Diana Spencer in a pomp-and-circumstance wedding telecast all over the world in 1981. David Robb plays Bonnie Prince Charlie, while Caroline Bliss portrays Lady Di. This TV movie came out almost simultaneously with The Royal Romance of Charles and Diana, a far superior (and equally unsuspenseful) production starring Christopher Baines and Catherine Oxenberg. Caroline Bliss faded into obscurity, but Catherine Oxenberg was back for the 1992 TV-movie "sequel" (dictated by Destiny, as it were), titled Charles and Diana: Unhappily Ever After. ~ Hal Erickson, All Movie Guide

The Quatermass Conclusion is comprised of highlights from the 1979 British TV serial of the same name. Like the earlier Quatermass projects of the 1950s and 1960s, the guiding force behind Conclusion was prolific screenwriter Nigel Kneale, though the series (and the film) hardly represent his best work. This time John Mills is Prof. Bernard Quatermass, once more trying to convince the authorities that malevolent extraterrestrials do indeed exist. Quatermass' quandary is the sudden disappearance of several London youths. He deduces that the missing persons are the victims of a "death ray," wielded by hostile space aliens. Though movie special effects had made great strides by 1979, Quatermass Conclusion looks cheaper and less convincing than the classic Quatermass films (The Creeping Unknown, Enemy From Space, Five Million Miles To Earth) which preceded it in the 1950s and 1960s. ~ Hal Erickson, All Movie Guide

This modestly budgeted feminist feature was written by actress Joan Hotchkis, who also stars. She plays a wealthy young wife who is sick to death of her well-ordered existence. She begins experimenting with any number of aberrations, ranging from bizarre mind games to what used to be called "self abuse." Both her husband and her lover are convinced that Hotchkiss is quite mad, and at the end she proves them both right. Adapted from Ms. Hotchkiss's stage play of the same name, Legacy was an early feature-length effort by director Karen Arthur. ~ Hal Erickson, All Movie Guide

An embittered spinster rains vengeance upon her wealthy family after a beautiful niece steals her handsome protégé in this classic BBC drama based on the novel by Honoré de Balzac and starring revered British actress Helen Mirren in her very first mini-series. Cousin Bette is approaching middle-age, and earns her keep as an embroiderer whose beautiful work belies the pent-up resentment she feels towards her wealthy family. When her handsome protégé runs off with her gorgeous young niece, an infuriated Bette determines to make the lives of her pompous family members a living hell. ~ Jason Buchanan, All Movie Guide

Also titled A Touch of Love, this British drama concerns a woman who decides to keep and raise a baby born out of wedlock. Sandy Dennis stars as Rosamund Stacey, a graduate student who has an affair with a television broadcaster, George (Ian McKellen). When she learns that she is pregnant, her friends advise her to have an abortion, but after some confusion she decides to have the child. She doesn't tell George about it, and they drift apart. Her child is born, but the little girl has a heart condition and must undergo delicate surgery. Her life is saved, and Rosamund returns to school to complete her doctoral degree. Her daughter is a year old when Rosamund meets George again and invites him to her home. The story was written by Margaret Drabble from her own novel The Millstone. ~ Michael Betzold, All Movie Guide

A mind-bending sci-fi symphony, Stanley Kubrick's landmark 1968 epic pushed the limits of narrative and special effects toward a meditation on technology and humanity. Based on Arthur C. Clarke's story The Sentinel, Kubrick and Clarke's screenplay is structured in four movements. At the "Dawn of Man," a group of hominids encounters a mysterious black monolith alien to their surroundings. To the strains of Strauss's 1896 Also sprach Zarathustra, a hominid invents the first weapon, using a bone to kill prey. As the hominid tosses the bone in the air, Kubrick cuts to a 21st century spacecraft hovering over the Earth, skipping ahead millions of years in technological development. U.S. scientist Dr. Heywood Floyd (William Sylvester) travels to the moon to check out the discovery of a strange object on the moon's surface: a black monolith. As the sun's rays strike the stone, however, it emits a piercing, deafening sound that fills the investigators' headphones and stops them in their path.

Cutting ahead 18 months, impassive astronauts David Bowman (Keir Dullea) and Frank Poole (Gary Lockwood) head toward Jupiter on the spaceship Discovery, their only company three hibernating astronauts and the vocal, man-made HAL 9000 computer running the entire ship. When the all-too-human HAL malfunctions, however, he tries to murder the astronauts to cover his error, forcing Bowman to defend himself the only way he can. Free of HAL, and finally informed of the voyage's purpose by a recording from Floyd, Bowman journeys to "Jupiter and Beyond the Infinite," through the psychedelic slit-scan star-gate to an 18th century room, and the completion of the monolith's evolutionary mission.

With assistance from special-effects expert Douglas Trumbull, Kubrick spent over two years meticulously creating the most "realistic" depictions of outer space ever seen, greatly advancing cinematic technology for a story expressing grave doubts about technology itself. Despite some initial critical reservations that it was too long and too dull, 2001 became one of the most popular films of 1968, underlining the generation gap between young moviegoers who wanted to see something new and challenging and oldsters who "didn't get it." Provocatively billed as "the ultimate trip," 2001 quickly caught on with a counterculture youth audience open to a contemplative (i.e. chemically enhanced) viewing experience of a film suggesting that the way to enlightenment was to free one's mind of the U.S. military-industrial-technological complex. ~ Lucia Bozzola, All Movie Guide

Bernard Lee plays an irresponsible British warrant officer who loses his post in Warsaw. Lee is reassigned to a navy underwater weapons establishment in Portland. Humiliated, he falls for the entreaties of enemy spy William Sylvester, who recruits him to steal secret papers. Lee convinces a female coworker (Margaret Tyzack) that Sylvester is a NATO agent; thus, the woman is unwittingly sucked into the spy ring. The British turncoat outsmarts himself when he begins spending more money than he makes, arousing the suspicions of the government. Ring of Spies was based on the real-life Portland espionage scandal which dominated British headlines throughout the very early 1960s. ~ Hal Erickson, All Movie Guide