Tom Tyler Movies

A "big" western by Allied Artists standards, Cow Country is directed with his usual panache by horse-opera expert Lesley Selander. Adapted from a novel by Curtis Bishop, the film stars Edmond O'Brien as Ben Anthony, an adventurer-for-hire who casts his lot with Texas cattleman Walt Garnet (Robert H. Barrat). The villains want to drive Anthony and his fellow ranchers off their land, but Ben's six-guns prevent this, at least temporarily. Meanwhile, Linda Garnet (Helen Westcott), Walt's daughter and the fiancee of the film's chief bad guy Harry Odell (Bob Lowery), aligns herself with Ben when Odell proves to be spectacularly unfaithful with saloon chirp Melba Sykes (Peggie Castle). Barton MacLane rounds out the cast in one of his standard loud, abrasive roles. ~ Hal Erickson, Rovi

At the time of its release the RKO "B"-western Road Agent raised eyebrows, not because of its violent content, but because of its astonishing lack of violence. Saddle pals Tim (Holt) and Chito (Richard Martin) find out the hard way that usurious Milo Brand (Mauritz Hugo) is charging exorbitant rates to the local ranchers for access to a private road. As a means to thwart the profiteer, Tim and Chito pose as bandits, the better to rob from the rich (Brand) and give to the poor (Everybody Else). The feminine interest is handled by Noreen Nash and Dorothy Patrick, while the very mild villainy is handled by Bob Wilke and Tom Tyler. Road Agent was slightly more successful financially than Tim Holt's first 1952 western Trail Guide, but not enough to elicit cheers at the RKO stockholder's meeting. ~ Hal Erickson, Rovi

Sudden Death is the TV title of the 55-minute western Fast on the Draw. Colorado Ranger Jimmy Ellison has a phobia about handling guns, but it's his job to keep the peace. So Ellison poses as a famous gunslinger, hoping to intimidate a crooked land baron into capitulation. There comes a time in the course of the film that the Ranger must prove that he isn't all talk. Fast on the Draw was one of six Lippert "Four Star" westerns filmed back to back in the space of one month; all six films starred Ellison, Russell Hayden, Raymond Hatton and Betty (later Julie) Adams. ~ Hal Erickson, Rovi

Though RKO Radio Pictures was, in 1951, still faithful to the concept of "B" westerns starring Tim Holt, the studio was more than capable of turning out an "A" oater from time to time. Best of the Badmen stars Robert Ryan as a former Union officer who persuades a fictional vigilante group which closely resembles Quantrill's Raiders to lay down their arms and seek out new and honest lives. Ryan is undercut by shifty Pinkerton man Robert Preston, who wants to collect the rewards on the heads of the ex-vigilantes; to that end, he frames Ryan for murder. With the help of Preston's embittered wife Claire Trevor, Ryan escapes and turns outlaw with the men whom he'd earlier convinced to turn honest. Best of the Badmen was produced in Technicolor, enhancing its already potent box-office appeal. ~ Hal Erickson, Rovi

Filmed in eye-pleasing Trucolor, Republic's Trail of Robin Hood is one of the most entertaining and likable of Roy Rogers' starring films. Roy comes to the rescue of veteran cowboy star Jack Holt (playing himself) when the latter's Christmas-tree business is jeopardized by greedy rivals. With the aid of several other western stars, Roy thwarts main bad guy Clifton Young and allows misguided lumber baron Emory Parnell to see the error of his ways (it helps that Parnell's pretty daughter Penny Edwards is on Rogers' side). The film's best scene is the climactic rally of Republic's top cowboy heroes. After Rex Allen, Allan "Rocky" Lane, Monte Hale, Tom Tyler, Ray "Crash" Corrigan, Kermit Maynard, Tom Keene and William Farnum have ridden up and taken their bows, in gallops veteran western "heavy" George Cheseboro, who also wants to help Jack Holt but is shunned by the others. Cheseboro wins them over by explaining "After 20 years of being beaten up by Holt, he's reformed me." ~ Hal Erickson, Rovi

Westerner Tim Holt and his sidekick Richard Martin are hired to act as border guards on the Rio Grande. This being a modern western (more or less), Holt is obliged to keep insurrectionists from smuggling machine guns into Mexico. The villainy this time around is in the grubby but formidable hands of Douglas Fowley and Tom Tyler; Cleo Moore, voluptuous leading lady of many a Hugo Haas "B" melodrama, is also around to rouse Holt's interest south of the border. A very modest western, Rio Grande Patrol has had its virtues blown all out of proportion by devotees of "cult" director Lesley Selander. ~ Hal Erickson, Rovi

Fast on the Draw was one of six Lippert Studios "Four Star" westerns, all of which were filmed simultaneously in the space of a single month. Jimmy Ellison plays Shamrock, a Colorado Ranger who suffers from a fear of firearms. Despite this handicap, Shamrock is assigned to pose as a gunman, the better to get the goods on a crooked land baron. As in the early "Four Star" outings, Ellison's co-stars are Russ Hayden, Raymond Hatton, Fuzzy Knight and Betty (later Julie) Adams. Cast as the outlaw leader is Tom Tyler, whose performance is hampered somewhat by encroaching arthritis. ~ Hal Erickson, Rovi

The Great Missouri Raid stars Wendell Corey and MacDonald Carey as famed Kansas outlaws Frank and Jesse James. Once more, the James Boys are depicted sympathetically as victims of circumstance forced into a life of crime. Joining Frank and Jesse on their bandit raids are the Younger Brothers, portrayed by Bruce Bennett and Bill Williams. The heavy of the piece is Union major Trowbridge (Ward Bond), who seeks vengeance after Frank and Jesse kill Trowbridge's brother in self defense. Whit Bissell is appropriately furtive and beady-eyed as Bob Ford, the "dirty little coward" who'd eventually shoot Jesse in the back. Interestingly enough, Wendell Corey would play Jesse James along more villainous lines in the 1959 Bob Hope farce Alias Jesse James. ~ Hal Erickson, Rovi

Texas Rangers Tim Holt and Richard Martin are dispatched to halt a gang of masked outlaws terrorizing the frontier. Infiltrating the gang, Holt and Martin learn that the raiders are operating altruistically, robbing from the rich to give to the poor. The real villain, it seems, is the local banker (Frank Wilcox), who is mortgaging the local ranchers out of existence. Holt convinces masked-raider leader Marjorie Lord that it's best to let the law take his course, then rides out to bring the banker to task for his misdeeds. Masked Raiders moves along with the smooth expertise audiences of 1949 had come to expect from RKO's Tim Holt western series. ~ Hal Erickson, Rovi

RKO's resident cowboy stars Tim Holt and Richard "Chito" Martin were back in 1949's Riders of the Range. Hired on as ranch hands, Kansas (Holt) and Chito come to the aid of ranch owner Dusty (Jacqueline White), whose brother (Robert Clarke) has been led astray by a crooked gambler (Reed Hadley). As had happened in so many previous RKO oaters, Our Heroes are accused of murder, but manage to break jail in time to collar the real culprit. No, the "mystery" villain isn't the gambler, since he was the murder victim (without giving away the ending, here's a clue: keep an eye on that former cowboy hero who in this film heads the supporting cast). Riders of the Range was the first Tim Holt vehicle to lose money for RKO, an indication of the audience erosion caused by that upstart TV medium. ~ Hal Erickson, Rovi

Samson and Delilah is Cecil B. DeMille's characteristically expansive retelling of the events found in the Old Testament passages of Judges 13-16. Victor Mature plays Samson, the superstrong young Danite. Samson aspires to marry Philistine noblewoman Semadar (Angela Lansbury), but she is killed when her people attack Samson as a blood enemy. Seeking revenge, Semadar's younger sister Delilah (Hedy Lamarr) woos Samson in hopes of discovering the secret of his strength, thus enabling her to destroy him. When she learns that his source of his virility is his long hair, Delilah plies Samson with drink, then does gives him the Old Testament equivalent of a buzzcut while he snores away. She delivers the helpless Samson to the Philistines, ordering that he be put to work as a slave. Blinded and humiliated by his enemies, Samson is a sorry shell of his former self. Ultimately, Samson's hair grows back, thus setting the stage for the rousing climax wherein Samson literally brings down the house upon the wayward Philistines. Hedy Lamarr is pretty hopeless as Delilah, but Victor Mature is surprisingly good as Samson, even when mouthing such idiotic lines as "That's all right. It's only a young lion". Even better is George Sanders as The Saran of Gaza, who wisely opts to underplay his florid villainy. The spectacular climax to Samson and Delilah allows us to forget such dubious highlights as Samson's struggle with a distressing phony lion and the tedious cat-and-mouse romantic scenes. ~ Hal Erickson, Rovi

The second of John Ford's "Cavalry Trilogy," this film stars John Wayne as Cavalry Captain Nathan Brittles. In his last days before his compulsory retirement, Brittles must face the possibility of a full-scale attack from the Arapahos, fomented by the recent defeat of General Custer and by double-dealing Indian agents. ~ Iotis Erlewine, Rovi

John Wayne -- showing off a darker side to his screen persona than we'd previously seen -- portrays Thomas Dunson, a frontiersman who, with his longtime partner Nadine Groot (Walter Brennan), abandons a westbound wagon train in 1851 to make his future as a rancher in Texas. Doing so forces him to abandon Fen (Colleen Gray), his fiancee -- and when she is killed in an Indian raid a short time later, it taints any good that Dunson might find in the future he carves out for himself, destroying any joy he might derive from life. The sole survivor of the raid is Matthew Garth (Mickey Kuhn), a young orphan who is unusually handy with a gun for one his age -- and already knows how to channel his grief and horror at what he's seen, as much as Dunson does. Dunson informally adopts Matt as his son, and over the next 14 years he builds up one of the largest ranches in the entire state of Texas. And all of it is worth nothing, a result of the economic ruin wrought on the state in the aftermath of the Civil War. Matthew (Montgomery Clift), now back from the war and doing some of his own adventuring, finds a darker, more taciturn Dunson than he's ever known -- as Groot tells it, he's afraid because he just doesn't know how to fight the threats he now faces. With Matthew now returned, Dunson decides to move his herd, nearly 10,000 head of cattle, to Missouri, where there is a market for beef, over 1000 miles away through territory controlled by border gangs hundreds of men strong that have stopped every cattle drive up to now, and Indians who have picked off what the gangs missed. Dunson drives his men as hard as he does himself, relentlessly, till even some of his best hands break under the strain -- and he's not above killing anyone who challenges his authority on the drive. He's able to hold them in line as long as Matthew backs him up, and he does until Dunson, exhausted and worn down by lack of sleep, finally goes too far. Matthew steps in, backed by laconic, smirking gunman Cherry Valance (John Ireland) and most of the rest of the men and takes the herd from Dunson. Leaving his father and mentor behind, he heads the herd toward Kansas, where -- so the men are told -- there's a new railroad. Along the way, he meets Tess Millay (Joanne Dru), a card-dealer who falls in love with the young man. But he has to finish the drive and leaves her behind, much as Dunson left Fen. And they all know that Dunson is coming after Matthew to kill him. ~ Bruce Eder, Rovi