Beverly Tyler Movies

In this charming episodic comedy, a giddy group of adolescent girls form a movie-star fan club. Their favorite pastime is collecting the autographs of major stars. Led by their determined president, the gals stalk the streets and train stations of New York in search of big-name stars. Their expeditions are frequently successful, and during the film they garner the John Hancocks of such stars as Lana Turner, Greer Garson, William Powell, Walter Pidgeon, and Robert Taylor. ~ Sandra Brennan, All Movie Guide

The Green Years was an important rung in the career of child actor Dean Stockwell. He stars as a morose young Irish lad, raised by ultra-strict Scottish relatives of his late mother. He is drawn out of his shell by roguish great-grandfather Charles Coburn. In time, Stockwell grows up to be Tom Drake, and Coburn is still around to keep things lively. Adapted from a best-selling novel by A.J. Cronin, The Green Years is entertaining on several unexpected levels, from the thick Scots and Irish brogues of the largely American cast, to the odd pairing of husband and wife actors Hume Cronyn (age 35) and Jessica Tandy (age 37), here playing father and daughter. ~ Hal Erickson, All Movie Guide

Filmed not long after the actual events, The Beginning or the End is a sober, intelligent account of the development and deployment of the Atom Bomb. Step by step, the film details the progress of The Manhattan Project, from its inception in the early stages of the war through the dawn of the Atomic Age over the city of Hiroshima on August 6, 1945. Brian Donlevy stars as Brigadier General Leslie Groves, assigned by President Roosevelt (Godfrey Tearle) to act as military supervisor of the top-secret project at Oak Ridge, Tennessee. After a grueling trial-and-error period, the first atomic bomb is tested before an assemblage of scientists and military personnel-even though there's the disturbing possibility that the explosion may cause a chain reaction that will wipe out all mankind. Woven into the proceedings is an unnecessary but innocuous romance between idealistic young scientist Matt Cochran (Tom Drake) and his new bride Anne (Beverly Tyler), who cannot understand why she and her husband are forced to live in isolation with scores of other scientists and their families because Matt, like his associates, has been sworn to total secrecy. Though the Cochrans are fictional, many real-life participants in the Manhattan Project are depicted herein, including J. Robert Oppenheimer (played by Hume Cronyn), Enrico Fermi (Joseph Calleia), Albert Einstein (Ludwig Stossel) and Col. Paul Tibbetts (Barry Nelson), pilot of the bomb-bearing Enola Gay. Refreshingly free of propagandizing, Beginning or the End would make an excellent companion feature to Fat Man and Little Boy (1990), a highly politicized retelling of the same events. ~ Hal Erickson, All Movie Guide

With The Palomino, Columbia Pictures inaugurated its policy of giving "class" to its medium-budget pictures by filming in Technicolor. Columbia stock player Jerome Courtland stars as Steve Norris, scion of a meat-packing family. Steve decides to go into another line of work when he meets Maria Guevara (Beverly Tyler), owner of an on-the-skids horse-breeding farm. Helping Maria put her operation back on its feet, Steve runs afoul of crooked horse-breeder Ben Lane (Roy Roberts), who has stolen the girl's prize palomino stallion for stud purposes. Palomino wisely contains elements that appeal to youngsters and grownups alike: and beside, one couldn't go wrong with a horse picture back in 1950. ~ Hal Erickson, All Movie Guide

Given to violent, unpredictable behavior, composer Richard Morton (Gary Merrill) is an accident waiting to happen. Attempting to drown his problems in drink, Morton awakens with a monumental hangover -- and the nagging belief that he has murdered a woman. Did this, in fact, happen? And was the victim his wealthy, quarrelsome wife (June Vincent), his former mistress (Hildegarde Neff) or the movie star (Linda Darnell) with whom he has been carrying on a casual romance? As he attempts to contact the three women, Morton flashes back to his experiences with each one. The ending is pure Hitchcock, even though the director of the moment was future Saint helmsman Roy Baker. ~ Hal Erickson, All Movie Guide

Chicago Confidential may not have been the best of the late-1950s "expose" films, but it certainly boasted one of the most impressive casts. Based on the factual best-seller by Jack Lait and Lee Mortimer, the film stars Brian Keith as a State Attorney who vows to bring corrupt Chicago union officials to justice. It turns out that the union crooks are in cahoots with a gambling syndicate, conspiring to frame uncooperative union leader Dick Foran for murder. With the considerable assistance of his coworker-fiancee Beverly Garland, Keith strives to prove Foran's innocence and punish the genuine miscreants. Crucial to the plotline is nightclub comedian Buddy Lewis, cast as an impressionist who helps to frame the troublesome Foran; also in the cast are such crime-flick perennials as Elisha Cook Jr., Paul Langton, Douglas Kennedy, Jack Lambert, John Indrisano, Phyllis Coates, and Thomas B. Henry. ~ Hal Erickson, All Movie Guide

Director Edward L. Cahn always knew how to make lemonade from a lemon; his B pictures of the late 1950s displayed a raw energy that many of his higher-budgeted films of the 1930s lacked. Hong Kong Confidential is a backlot cheapie starring Gene Barry and second-feature stalwarts Beverly Tyler and Allison Hayes. Barry plays a secret agent, in Hong Kong to rescue an Arabian prince from his kidnappers. The villains, of course, are Soviet spies, easily recognizable by their baggy suits and flabby accents. Also in the cast of Hong Kong Confidential is Ed Kemmer, who'd once starred in that baby-boomer favorite Space Patrol. ~ Hal Erickson, All Movie Guide

Barney is lured away from Thelma Lou by honey-and-molasses Southern belle Melissa Stevens (Beverly Tyler). Little does Barney suspect that Melissa is a con artist, who specializes in tricking gullible bachelors into hefty breach-of-promise suits. Andy's suspicions are aroused by the comparative youthfulness of Melissa's outraged "father" George (Jackie Coogan), and he concocts a scheme to hoist the hucksters on their own petard. Written by Jack Elinson and Charles Stewart, "Barney On the Rebound" was originally broadcast on October 30, 1961. ~ Hal Erickson, All Movie Guide