Frank Tweddell Movies
This is the autobiographical drama of a young Dutch Jewish girl hiding from the invading Nazis during World War II. Anne and her family share a claustrophobic attic with another family. Tension is often unbearable, as the people hiding know that their discovery by the enemy could lead to almost certain death at the hands of their captors. They also must contend with the Dutch Gestapo or "Green Police," who will turn them over to the Nazis if discovered. Dutch nationals risk their lives by hiding the family for two years. The group, despite the horror and crowded conditions, still find time for celebrations of Hanukkah and rejoice quietly in the small attic that has become their world. The story is told from the narrative perspective of Anne, a young girl hoping to live to womanhood. The film was nominated for several academy awards and won two for best supporting actress (Shelley Winters) and for cinematography (William Mellor). ~ Dan Pavlides, All Movie Guide
- Starring:
- Millie Perkins, Joseph Schildkraut, (more)
Carousel was adapted from the 1945 Rodgers and Hammerstein Broadway musical of the same name--which, in turn, was based on Liliom, a play by Ferenc Molnar. Gordon MacRae stars as carnival barker Billy Bigelow, who much against his will falls in love with Maine factory girl Julie Jordan (Shirley Jones). Billy proves an improvident and unreliable husband, but Julie stands by him. Upon discovering that Julie is pregnant, the unemployed Billy sees an opportunity for some quick money by joining his unsavory pal Jigger (Cameron Mitchell). The scheme goes awry, and Billy dies. Standing before the Pearly Gates, Billy is given a chance to redeem himself by the kindly Starkeeper (Gene Lockhart). He is allowed to return to Earth to try to brighten the life of his unhappy 15-year-old daughter Louise (Susan Luckey). Billy offers Louise a star that he has stolen from the sky; when Louise backs off in fear, Billy slaps her. He feels like a failure until he and his Heavenly Friend (William LeManessa) attend Louise's school graduation ceremony. There the invisible Billy watches as the principal (Gene Lockhart again) inspires Louise (and, by extension, Julie) by assuring her that so long as she has hope in her heart, she'll never walk alone. Frank Sinatra, the film's original Billy Bigelow, dropped out of the production due to laryngitis. ~ Hal Erickson, All Movie Guide
- Starring:
- Gordon MacRae, Shirley Jones, (more)
- 1951
In this inspiring drama, William Thompson (William Lundigan) is a minister from the deep South who has recently married Mary Elizabeth (Susan Hayward), a woman from the city. William is assigned a new parish and moves with Mary Elizabeth to a small town in Georgia's Blue Ridge Mountains, where he tends to the spiritual and emotional needs of his small flock. William's faith and inner strength helps guide the town through a major epidemic, while he must also deal with the troubles of Jenny (Barbara Bates), a woman who loves roughneck Jack (Rory Calhoun) against the will of her father; and Mr. Salter (Alexander Knox), a bitter atheist who resists William's attempts to teach him and his children the message of God's love. I'd Climb the Highest Mountain was adapted from the popular novel by Cora Harris. ~ Mark Deming, All Movie Guide
- Starring:
- Susan Hayward, William Lundigan, (more)
- 1950
One of the finest and most troubling films to come out of Universal-International, The Sleeping City tried to emulate some of the cinéma vérité elements of The Naked City (which had been produced at Universal's facilities). The producers got the permission of the city of New York to shoot at Bellevue Hospital, and, in exchange, opened the movie with a disclaimer spoken by star Richard Conte, stepping out of character to point out that nothing like the story in this movie ever happened at Bellevue and offering tribute to the actual hospital and its staff. That's the last reassuring moment that one will find in this eerie crime drama -- in the first six minutes, a young doctor taking a break from work is shot in the head, and the police can't find a clue even as to a possible motive. Inspector Al Gordon (John Alexander) decides that he has to put some men on duty at the hospital, and one of them is Fred Rowan (Richard Conte), a detective with experience as an army medic, masquerading as an intern. What Rowan finds is a high-pressure world in which interns are hopelessly squeezed for time, sleep, energy, and -- most of all -- money, and walk a fine line on the edge of personal and professional disaster. His roommate, Steve Anderson (Alex Nicol), seems especially desperate. The only relief from the bleakness and tension, on a personal level, comes from the attentions of Ann Shelton (Coleen Gray), the ward nurse in traumatics, where Fred is assigned, and the good-natured needling of Pop Ware (Richard Taber), an elevator operator who likes to take an avuncular interest in the interns around him. But before he can get too far in his investigation, potential witnesses start dying around Rowan , and one of his friends at the hospital is threatened. Soon the whole scheme and the motives for the murders suddenly become clear, along with Rowan's earlier failure to spot the clue he needed. He also suddenly recognizes the involvement of the people closest to him at the hospital, but before the squad can move, he also finds his own life at risk. ~ Bruce Eder, All Movie Guide
- Starring:
- Richard Conte, Coleen Gray, (more)
- 1950
A man walking his dog in New York's Central Park finds a young woman dead in a car, killed with a shotgun. Veteran Lt. Corrigan (Walter Kinsella) is assigned the case along with Detective Tobin (John Miles), a "college boy" in Corrigan's eyes, newly promoted out of the crime lab. The police can't even figure out who the woman was; her fingerprints aren't on file anywhere, she fits no missing persons description, and the only identifying mark of any significance is a small anchor-and-globe tattoo -- and it is obliterated by an alcoholic derelict who was apparently hired to enter the morgue to do the job and is killed for his trouble (but not before the coroner got a photograph of it). Corrigan and Tobin find the artist who did the tattoo, but that only raises more questions -- especially after he's bludgeoned to death. As Corrigan says, looking over the dead woman's mail, "She wasn't a girl, she was a roll call" -- the victim was a waitress and a professional grifter, specializing in marrying merchant sailors, marines, and anyone else in high-risk jobs during the war, and collecting their allotment checks and their insurance when they died. It seems like someone wanted her dead, but every man she was married to is either dead or accounted for at sea. Working closely with a botanist (Patricia White), Tobin spends his time tracking down one clue, a single blade of a species of grass found in some rare patches in the Bronx; that clue, coupled with unusual properties in the grains of sand found near the murder scene, lead the detective to within a few feet of the killer, who is equally dogged about covering his trail and killing anyone who gets in his way. ~ Bruce Eder, All Movie Guide
- Starring:
- John Miles, Patricia White, (more)
- 1949
Eliot Ness may have gotten lots of publicity (especially long after the fact) for breaking the Capone mob, but as Joseph H. Lewis' The Undercover Man reminds us, it was the accountants and the numbers-crunchers that brought down Capone and his mob. Frank Warren (Glenn Ford) started out as an accountant, but now serves as an investigator for the Treasury Department. His job has frequently required him to go undercover, masquerading as a criminal to get the goods on the top-level tax-law violators that his unit targets. But now his assignment is to gather evidence on the operations of the nation's number-one crime boss and get proof of the income that he and his lieutenants are not declaring, and this proves not only frustrating but dangerous. Potential stoolies are murdered and witnesses intimidated, and when one otherwise "respectable" lawyer (Barry Kelley) starts mentioning Warren's wife (Nina Foch) in casual conversation, he takes the hint. He's ready to quit until the mother (Esther Minciotti) of a witness-turned-victim tells him about what life was like in Italy under the Black Hand, and why she came to America to raise her sons. Warren and his men (James Whitmore, David Wolfe) make one last attempt to get the proof they need, tracing signatures and handwriting to get evidence implicating a small man in the operation, using it to turn him and going for bigger fish. Finally, even the shyster lawyer who has been dogging Warren every step of the way ends up in the sights of the feds, and the mob turns its attention to getting rid of this new "liability" and taking care of Warren as well. ~ Bruce Eder, All Movie Guide
- Starring:
- Glenn Ford, Nina Foch, (more)
- 1946
Dorothy McGuire and Robert Young reprise their roles from the film Claudia, which followed the titular young couple as they dealt with the trials of parenthood. Claudia, a bit wiser than she was in the first film but still charmingly naive and a bit nervous, is struggling with the responsibilities of motherhood when a fortune teller predicts that something horrible will happen to her husband. Since David is soon to travel to the West Coast on business, Claudia tries to persuade him not to go, even though it could mean losing his job. Claudia is next convinced that the baby has contracted a fatal illness, though it turns out to be nothing more than the measles. And jealousy creeps into the relationship when Elizabeth (Mary Astor) starts consulting David on a building project, while Claudia is attracting the uninvited attentions of Phil (John Sutton), who happens to be married. Like its predecessor, Claudia and David was based on a series of short stories by Rose Franken, which also inspired a successful stage play and radio series. ~ Mark Deming, All Movie Guide
- Starring:
- Dorothy McGuire, Robert Young, (more)
- 1943
Dorothy McGuire charmingly recreates her stage role in this film adaptation of Rose Franken's Broadway hit Claudia. The title character (McGuire) is the naïve, somewhat childish young bride of David Naughton (Robert Young). Slowly adapting to married life, the unworldy Claudia receives several "wake-up calls" regarding the maintenance of a household, dealing with her husband's (and her own) sexual urges, impending childbirth, and, on a more somber note, the inevitable death of a loved one. A subplot involving the criminal past of the family butler is downplayed on screen, and the film is the better for it. Tops among the supporting cast of Claudia is Ina Claire as the heroine's witty, sprightly and, alas, doomed mother. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy McGuire, Robert Young, (more)
