Aida Turturro

Actor and filmmaker John Turturro wrote and directed this emotionally resonant blend of music and drama. Nick Murder (James Gandolfini) is an ironworker who has been married for years to Kitty (Susan Sarandon), who works as a seamstress and is the mother of Nick's three daughters. While Nick loves his wife, his head is turned by Tula (Kate Winslet), a sexy salesgirl at a lingerie shop, and soon they're having a passionate affair. When Kitty finds out about Nick's infidelity, she becomes enraged and kicks him out of the house, forcing him to decide what he really wants out of life and what is most important to him. Along the way, many of the characters in the film periodically turn to their favorite songs to explain and amplify their emotions, lip-synching along with the original recordings. Romance & Cigarettes also stars Steve Buscemi, Mandy Moore, Christopher Walken, Eddie Izzard, and Elaine Stritch. ~ Mark Deming, All Movie Guide

Frank (Adam Trese of Laws of Gravity) is in trouble. His dot-com start-up collapses before it goes online, essentially bankrupting him and his partner, Josh (Andrew McCarthy). Frank is forced to leave his fancy Manhattan apartment and move back in with his parents (Robert Vaughn and Hayley Mills), and he can't even bring himself to tell them he's failed. His kooky friend Sal (John Turturro) warns Frank that his priorities are wrong, and sends him to Gina (Aida Turturro), a cheerful psychic. Then Frank comes up with a new idea tailor-made for the dot-com bust, but the first potential investor he meets with, Abrams (Mark Margolis), seems more interested in Frank's diet than his idea, and the second guy (Michael Badalucco) he meets with threatens to steal the idea, causing Frank to collapse in a sweaty panic. Then Abrams calls again. While Frank's project is too small for him to handle, he knows a couple of guys. Soon Frank and Josh are working again, with a new office and a new CFO, Peter (Bruce MacVittie). Things are going swimmingly, until Frank takes a closer look at the books, and begins to suspect that his investors are using the company to launder money. 2BPerfectlyHonest marks the feature debut of writer/director Randel Cole. The movie had its world premiere at the 2004 Tribeca Film Festival. ~ Josh Ralske, All Movie Guide

A documentary film crew follows the lives of six New Yorkers as their lives unexpectedly intersect -- or at least that's what writer, director, and actor Edward Burns would like you to believe in this comedy-drama that looks at the rocky road of relationships in the Big Apple. After sharing the stories of their earliest sexual experiences with an interviewer, six people are trailed by a cameraman through the course of an average day. Tommy (Edward Burns) is a successful television producer (and unsuccessful novelist) who becomes quickly infatuated when he meets Maria (Rosario Dawson) in a video store. Maria is a teacher at an upscale private school who has just gotten out of a bad marriage with Ben (David Krumholtz), a struggling musician with a day job as a doorman. Ben, on the other hand, finds himself attracted to Ashley (Brittany Murphy) when she waits on his table at a coffee shop. Ashley, as it happens, is involved in an affair with Griffin (Stanley Tucci), a dentist who is chronically unfaithful to his wife Annie (Heather Graham). Annie, a real estate agent, also happens to be friends with Tommy, one of her customers, bringing the circle to a close. Shot in only 16 days, Sidewalks of New York marked a return to (relatively) low-budget filmmaking for Edward Burns, who directed two less-than-successful major studio projects following his breakthrough with the independent feature The Brothers McMullen. ~ Mark Deming, All Movie Guide

Being head of the Northern New Jersey branch of the DiMeo crime family is no bed of roses for Tony Soprano (James Gandolfini) in Season Three of HBO's The Sopranos. Tony's headaches begin early on with the dangerously unstable, sexually deviant and recklessly profane Ralph Cifaretto (Joe Pantoliano) returns to the organization after a lengthy absence. Though there's no love lost between the two men, Tony arranges for Ralph to take over the illicit business operations of the late Richie Aprile, who'd been bumped off in a fit of rage by Tony's treacherous sister Janice (Aida Turturro) the previous season. Also causing trouble is another new arrival on the scene: Richie's nephew Jackie Aprile Jr. (Jason Carbone), nicknamed "Little Lord F**kpants" because of his pathetic inability to live up to the standards and expectations of his celebrated criminal family. Though Tony tolerates Jackie Jr. and somewhat admires the boy's efforts to live a clean life away from Uncle Richie's influence, things quickly go south when Jackie becomes involved with Tony's daughter Meadow (Jamie-Lyn Sigler)--and also tries to emulate his no-good uncle, turning into a pariah by planning--and bungling--a robbery on his own. Blood kin or no blood kin, Ralph has to "deal" with Jackie Jr., arranging with all-purpose henchman Vito Spatafore (Joseph R. Gannascoli) to handle the dirty details. Elsewhere, Tony's protégé Christopher (Michael Imperioli) has been fully embraced by the Family, despite his ongoing war of wills with veteran capo Paulie Walnuts (Tony Sirico); Tony's analyst Dr. Melfi (Lorraine Bracco) the identity of her rapist a secret from Tony, so that she won't have anyone's murder on her conscience; and the FBI comes a-cropper planting an electronic bug in the Soprano mansion. One of the Season Three story arcs was to involve Tony's spiteful mother Livia, who was to have testified against her son in a federal trial. The death of actress Nancy Marchand (Livia Soprano) put an end to these plans, but through the magic of CGI Livia makes one final "appearance" to make her son's life even more miserable than usual. ~ Hal Erickson, All Movie Guide

New Jersey Mafia boss Tony Soprano (James Gandolfini) continues maintaining the facade of being a respectable suburban husband and father while operating a vast criminal organization from the confines of the Bada-Bing Club during Season Two of The Sopranos. Now that the treacherous Uncle Junior (Dominic Chianese) has been placed under arrest by the feds, and with his far-from-supportive mother Livia (Nancy Marchand, who died during this season) has been exiled to a nursing home, Tony thinks that his family problems are over. No such luck: Breezing in from Seattle is Tony's seriously disturbed, sexually promiscuous and thoroughly untrustworthy sister Janice (Aida Turturro), the closest thing that any mob family has had to a "black sheep". There's more trouble from the dangerously impulsive Richie Aprile (David Proval), older brother of Tony's predecessor Jackie Aprile Sr., who is resentful that a younger man has taken over the Aprile branch of the DeMeo crime organization. Richie also has a mad-on for Tony's trusted protégé Christopher (Michael Imperioli), whose own prestige within the mob continues to grow by leaps and bounds, especially after he engineers the family's elaborate "pump-and-dump" stock scam. Christopher himself has developed a close relationship with Adriana La Cerva (Drea de Matteo), and never mind that she is one of "Uncle" Tony's mistresses. Though the FBI agent within the family's ranks has been whacked, there is still someone feeding information to the feds. It breaks Tony's heart to discover that his trusted torpedo Big Pussy (Vincent Pastore) is the turncoat, but business is business, and Tony is obliged to stage-manage Big Pussy's demise during a now-famous boat trip. Nor is this the end of the intramural carnage: despite having become engaged to her former flame Richie Aprile, Tony's sister Janice settles a bitter argument with Richie in typical Soprano fashion. Result: No wedding, and no Richie. ~ Hal Erickson, All Movie Guide

What do you call a 24-year-old gay man who still believes in Santa Claus? In the film 24 Nights, you call him Jonathan Parker. Jonathan met a Salvation Army Santa when he was four years old, and the experience had so profound an effect that he's never lost his unwavering faith in Saint Nick. But what was charming at age four seems a bit odd 20 years on; these days, Jonathan is a college dropout working in a gay bookstore in New York; he lives with his sister and spends his spare time smoking marijuana and writing letters to Santa. When Jonathan meets Tony, a good-looking man who has started working at the bookstore, he's head over heels in love, convinced that Tony is the dream man sent to him by Santa. However, Jonathan now has to convince Tony -- not to mention Tony's live-in boyfriend. The directorial debut from Kieran Turner, 24 Nights was shown at the 1999 Santa Barbara Film Festival. ~ Mark Deming, All Movie Guide

Jacqueline McKenzie stars in this bleak, ambitious character portrait. Kicked out of her home by her loutish, abusive boyfriend, Penny (McKenzie) tries desperately to ingratiate herself back into his favor. In her pathetic efforts to debase herself, she makes all the wrong choices, including a half-hearted attempt to sacrifice her dog and kill her son. ~ Jonathan Crow, All Movie Guide

Daisy von Scherler Mayer (Madeleine, Party Girl) directed this comedy, scripted by David C. Johnson (D.R.O.P. Squad), following the trajectory of a mismatched couple throughout the evening of a blind date in New York (but mostly filmed in Toronto). Extrovert Darlene "Woo" Bates (Jada Pinkett Smith of Scream 2) is one woman who's not afraid to take what she wants, and she has a notorious knack for turning men into mush. When Woo's psychic friend Celestrial (Girlina) predicts that the man of her dreams is about to enter her life, Woo doesn't believe it's true. Celestrial, however, is convinced that Woo is destined to meet a tall, debonair Virgo. Woo's cousin Claudette (Paula Jai Parker of Friday) and Claudette's boyfriend Lenny (Dave Chapelle of Con Air) plan to spend the night together but find themselves entertaining Woo instead. Fearing that his night alone with Claudette will be ruined, Lenny begs his best friend Tim Jackson (Tommy Davidson of Booty Call) to take Woo out -- even though shy, straight-laced law clerk Tim is the polar opposite of the sassy and brassy Woo. At first, Woo expresses disinterest in the matchmaking mismatch. But when she's told that Tim is a Virgo, she decides it's fate, jumps at the chance, and immediately heads for Tim's apartment. Meanwhile, Tim, who can't believe his luck, goes next door to his neighbor Darryl (LL Cool J of B.A.P.S.) for tips on romancing women. Darryl, who knows all the smooth moves, supplies Tim with incense, edible body oils, and a tape of sexy songs. When Woo arrives, Tim is completely smitten. Woo, however, discovers that Tim is anything but the sexy, spontaneous stud of her dreams. Finding Tim's pseudo-cool act totally transparent, she humiliates and teases him. They are just about to exit Tim's apartment when Tim gets a visit from three of his pals -- Frankie (Duane Martin of Getting Personal), Hop (Darrel M. Heath of B.A.P.S.), and Romaine (Michael Ralph of Do the Right Thing). The chauvinistic attitude of these guys irritates Woo, so she retaliates and freaks out the trio with wild, seemingly psycho behavior. Finally, the date gets underway. Woo and Tim arrive at a stuffy Italian restaurant, but Woo's behavior gets them thrown out. They go to a dance club, where Tim becomes the victim, punched out by Woo's ex-boyfriend. Woo likes a good laugh, and when Tim discovers the theft of his flashy new car, she finds this hilarious. "Maybe we could be having a good time, if you could control your psychotic mood swings," says Tim. And so it goes, straight on till morning. Billy Dee Williams portrays himself in a brief fantasy sequence. Daisy von Scherler Mayer is a native New Yorker who made film history when her movie Party Girl became the first feature film to premiere on the Internet (on June 3, 1995). ~ Bhob Stewart, All Movie Guide

South Korean-born Wonsuk Chin, a NYC resident for eight years, made his directorial debut with this hip comedy, shown at the 1998 Sundance Film Festival. With numerous cinematic references and allusions (Bergman, Godard, Woo, Hartley), the tale begins with a black-and-white silent sequence depicting Death chasing a young man through Old Baghdad. The setting shifts to present-day New York, where a Japanese man, Kenji (Takeshi Kaneshiro of Chungking Express) is seen abed in a sparsely furnished apartment. Kinji goes to a local cafe where he chats with several others: Italian friend Fabrizio (Michael Imperioli) who proclaims, "Lubitsch is the god!"; a literary wit, Balzac Man (Jeffrey Wright); and an enigmatic German woman, Pola (Geno Lechner), who hints at a possible sexual liaison with Kinji. Death (Mira Sorvino) drifts about, assuming various forms -- disco gal, Japanese geisha, Chinese woman, devil with a red dress on, and a French-accented figure dressed as a man. The sad and lonely Death informs Kenji that she has no choice in determining her victims, and he also learns from her that he has only 12 hours left to live. She suggests that he make the most of his remaining minutes, so he sets forth on a series of brief adventures. At the cafe, he chides famous artist John Sage (Ben Gazzara) for being involved with a decades-younger girlfriend, the beautiful Korean Anouk (Hye Soo Kim). Sage invites Kenji to dinner at their home, and Death invites herself. Kenji makes the proposal that since he's due to die, he could be allowed sex with Anouk as a final act. This request isn't well received by anyone present, leaving Kenji to his own devices as the darkness closes in. Mira Sorvino wears a virtual fashion show of colorful costumes in this movie, which also provided her with the opportunity to speak Chinese onscreen for the first time. Sorvino majored in Asian studies at Harvard and lived for eight months (1988-89) in Beijing, where she studied Chinese, taught English, and viewed a variety of Chinese films. Too Tired to Die and The Replacement Killers both brought her several steps closer to her announced goal of making a film in Mandarin and working with a Chinese director. ~ Bhob Stewart, All Movie Guide

Vincent (Danny Aiello), aging, war-weary hit man for the Mob, becomes the target of Tommy (William Forsythe), the hot-headed son of the new family boss. While Vincent considers his options (retirement, of course, is not one of them) and reflects on his violent life, Tommy tries to find the wherewithal to slay the man he considers a lifelong father figure. Still, a contract's a contract. Can religion, loyalty, or money save Vincent from his apparent fate?
~ Buzz McClain, All Movie Guide

Don Close made his feature directorial debut with this drama about a trio of working-class Italian-Americans in Queens. The tale begins with childhood misadventures and then leaps ahead to show their adult lives two decades later -- with one unemployed (Andy Fiscella), another (Close) driving an ice cream truck, and the third (James Biberi) involved in criminal activities with a local don (Frank Vincent) that lead to violence. Shown at the 1997 Mill Valley Film Festival. This film is not to be confused with the other Made Men, a 1999 studio actioner starring James Belushi and Michael Beach and produced by the team of Joel Silver and Richard Donner. ~ Bhob Stewart, All Movie Guide

A young woman, Megan (Carla Gugino), is discovered naked and lying unconscious on a beach. Immediately, it is presumed that Megan was raped and a local detective (Aida Turturro) begins investigating the presumed crime. As the investigation digs deeper, it is discovered that Megan was raped by two women, which presents the local authorities with a legal dilemma: is it possible to convict women of raping other women? ~ All Movie Guide