Raymond Turner Movies

This Three Stooges short is a remake of the Thelma Todd/Zasu Pitts comedy, Show Business. The Stooges are staying at Mrs. Hammond Eggerley's Theatrical Apartments, where they're behind on the rent and haven't eaten in days. Curly, in fact, is roasting his shoe and wants to cook their monkey, who is their main attraction. They begin to practice their act, which annoys the actor across the hall -- "Paul Payne," as he haughtily introduces himself, "heartthrob of millions!" The monkey is less than impressed and steals his toupee. The Stooges' agent finally calls with work and the boys sneak out under Mrs. Eggerley's nose when Curly pretends to be a G-man. They run down the street, carrying their trunk and knocking down everyone in their path. Payne, too, is on the train and it's inevitable that the Stooges will continue to annoy him. They take over his drawing room and steal his food (it's crab, but Larry thinks it's a spider, while Curly and Moe are certain it 's a turtle), and when they're kicked out, they aren't able to climb up to their bunks. After driving the whole car, especially the tour manager, completely nuts, they are literally thrown off the train and catapult onto a trio of bucking steers. ~ Janiss Garza, All Movie Guide

In their first serial effort, newcomers Republic Pictures went with the tried and true: beloved animal trainer Clyde Beatty, who had earlier headlined the Mascot serial The Lost Jungle (1934). It is really Beatty, playing himself, who meets and saves Baru (Manuel King), "The Son of the Jungle," and his sister, Valerie, Goddess of Joba (Elaine Shepard). The latter is held captive by an evil High Priest (Lucien Prival), who has aligned himself with a couple of nasty white traders and a force of winged bat-men. In the 15th and final chapter, "The Prophecy of Gorn," the jungle city of Joba -- High Priest, evil traders, ferocious bat-men and all -- is swallowed up by a gigantic stock footage earthquake. Nat Levine, who had merged his serial empire, Mascot Pictures, into the new Republic, produced with his usual keen sense of economy, and the serial was co-directed by the veteran B. Reeves Eason and former film editor Joseph Kane. Darkest Africa was also released in an edited feature version, Batmen of Africa, and re-issued in 1949 under the new rather cumbersome title King of the Jungleland. The proud owner of a gorilla suit that would see jungle-film duty well into the television era, Ray "Crash" Corrigan appeared both in and out of his suit in this serial, billed, rather modestly, as "Ray Benard." Corrigan was to star in Republic's second serial, Undersea Kingdom (1936). Manuel King, Beatty's young and rather pudgy sidekick, was actually somewhat of a rival who billed himself, probably with some accuracy, as "The World's Youngest Wild Animal Trainer." ~ Hans J. Wollstein, All Movie Guide

Having proven their box-office value in such films as A Letter of Introduction, Goldwyn Follies and You Can't Cheat an Honest Man, ventriloquist Edgar Bergen and his wise-lipped dummy Charlie McCarthy were awarded with a starring vehicle of their own. While entertaining at the home of magazine publisher Court Aldrich (Samuel S. Hinds), Bergen and his "friends" Charlie McCarthy and Mortimer Snerd get mixed up in their host's murder. It seems that Aldrich was working hand in glove with gangster Tony Garcia (Harold Huber), who has kept himself busy knocking off the publisher's enemies. Could Garcia be the murderer this time as well, or was it someone else at the party? Inspector Dailey (Edgar Kennedy) wants to find out-but he doesn't want the unsolicited assistance of Charlie McCarthy, who insists upon playing Sherlock Holmes, replete with deerstalker and magnifying glass. Though essentially a "stunt" film, Charlie McCarthy, Detective pleases the crowd with an abundance of hilarious dialogue and a reasonably good mystery subplot. ~ Hal Erickson, All Movie Guide

A diverse group of ship passengers end up marooned on an isolated South Pacific island. Unfortunately, the contents of the hold, a number of potentially dangerous wild animals, also survived the wreck. Among the survivors is a criminal who proves to be just as big a threat as the lions and tigers. ~ Sandra Brennan, All Movie Guide

Spunky Joan Blondell is practically the whole show in the diverting comedy Good Girls Go to Paris. Blondell is cast as ambitious college-campus waitress Jenny Swanson, who yearns to see the sights in Gay Paree. She gets her chance by latching onto British exchange professor Ronald Brooke (Melvyn Douglas), who is en route to the City of Light. Once she sets foot on French soil, Jenny proves the veracity of the film's title by straightening out the wayward family of dyspeptic millionaire Olaf Brand (Walter Connolly)-though for a while it looks as though she's a "bad girl", merely out to take the Brands for every penny they've got. In later years, Joan Blondell ruefully recalled that the film's original title was Good Girls Go to Paris Too, but the Hays Office nixed that harmlessly suggestive monicker. ~ Hal Erickson, All Movie Guide

Filmed on location at Kernville, CA, this B-Western from Poverty Row company Monogram starred Jack Randall as Jack Dinton, the son of a murdered marshal. Jack is given his father's guns to wear by Ranger Chief Holmes (Lloyd Ingraham) and sallies forth to catch a gang of stage robbers. Discovering the bandit's lair, Jack gains entrance by pretending to be an outlaw himself. Once on the inside, he makes the acquaintance of Professor Angel (Barlowe Borland), an ex-convict assigned by the gang to melt down the stolen gold for easier transportation. The professor is convinced to join forces with law and order and accompanied by Jack's African-American sidekick, Pinky (Raymond Turner), they set a trap for the leader of the gang, Chance Moore (Charles King). Randall's leading lady in this and four other Monogram oaters, Louise Stanley, became his partner in real life as well. Although the Randall series had been conceived as an entry in the singing cowboy sweepstakes, the star's operatic voice did not find favor with the audience and Gun Packer was released sans the usual warbling. ~ Hans J. Wollstein, All Movie Guide

Italian immigrant George Raft uses his wits and his fists to rise to prominence in a local political machine. He falls in love with Rosalind Russell, the wife of a prominent banker, but discreetly hides his feelings even as he and Russell are thrust together by social circumstances. The banker turns out to be an embezzler, but Raft comes to the rescue by replacing the stolen funds. Accused of conspiring with the banker because he'd failed to make the original embezzlement public, Raft is grilled by a grand jury. Once cleared, Raft is finally able to wed the divorced banker's wife, who it turns out had always had a crush on him. It Had to Happen is most entertaining in its early scenes wherein we see George Raft strongarming his way to success. ~ Hal Erickson, All Movie Guide

"How would you like to star opposite the tallest, darkest leading man in Hollywood?" Enticed by these words, brunette leading lady Fay Wray dyed her hair blonde and accepted the role of Ann Darrow in King Kong -- and stayed with the project even after learning that her "leading man" was a 50-foot ape. The film introduces us to flamboyant, foolhardy documentary filmmaker Carl Denham (Robert Armstrong), who sails off to parts unknown to film his latest epic with leading lady Darrow in tow. Disembarking at Skull Island, they stumble on a ceremony in which the native dancers circle around a terrified-looking young girl, chanting, "Kong! Kong!" The chief (Noble Johnson) and witch doctor (Steve Clemente) spot Denham and company and order them to leave. But upon seeing Ann, the chief offers to buy the "golden woman" to serve as the "bride of Kong." Denham refuses, and he and the others beat a hasty retreat to their ship. Late that night, a party of native warriors sneak on board the ship and kidnap Ann. They strap her to a huge sacrificial altar just outside the gate, then summon Kong, who winds up saving Ann instead of devouring her. Kong is eventually taken back to New York, where he breaks loose on the night of his Broadway premiere, thinking that his beloved Ann is being hurt by the reporters' flash bulbs. Now at large in New York, Kong searches high and low for Ann (in another long-censored scene, he plucks a woman from her high-rise apartment, then drops her to her death when he realizes she isn't the girl he's looking for). After proving his devotion by wrecking an elevated train, Kong winds up at the top of the Empire State Building, facing off against a fleet of World War I fighter planes. ~ Hal Erickson, All Movie Guide

A remake of a 1930 Universal film, Little Accident was the third starring vehicle for androgynous juvenile star Baby Sandy. Hugh Herbert stars as Herbert Pearson, self-styled infant specialist on a big-city newspaper. When father Tabby Morgan (Ernest Truex) abandons his bundle of joy (Baby Sandy) on Pearson's desk, the latter is forced to play "papa"-and to play it with expertise-at the risk of losing his job. The slapstick consequences give way to thrills and spills when Baby Sandy finds himself (herself?) headed for a whirring laundry machine. Like its same-named predecessor, Little Accident was based on a play by Floyd Dell and Thomas Mitchell (yes, that Thomas Mitchell). ~ Hal Erickson, All Movie Guide

Little Orvie (Johnny Sheffield) is a small boy whose stern father (Ernest Truex) and by-the-book mother (Dorothy Tree) refuse to buy a dog. Orvie befriends a stray mutt, which of course follows him home and just won't leave. Failing to keep the dog's presence a secret, Orvie is ordered to give up the canine. Orvie's dad finally weakens his resolve and reveals himself to be a sentimentalist. Based on a story by Booth Tarkington, Little Orvie provided an unusually "normal" assignment for young Johnny Sheffield, best remembered for his appearances as Boy in the Tarzan pictures and his later starring stint in Monogram's "Bomba the Jungle Boy" series. ~ Hal Erickson, All Movie Guide

Action melodrama factory FBO produced this very average silent western about an Easterner travelling West in search of, of all things, a famous recipe! The fop takes a position as a ranch hand and gets in the way of a cattle-rustling scheme. Maurice "Lefty" Flynn, a burly former socialite, basically played himself in this potboiler directed by Harry Garson, a mediocre filmmaker better known as the husband of silent-screen star Clara Kimball Young. ~ Hans J. Wollstein, All Movie Guide

When he's shipped off to prison on a tax-evasion charge, millionaire Van Dyke (Walter Connolly) breathes a sigh of relief: at least he'll be free of his dizzy, spendthrift wife (Billie Burke) and spoiled-rotten daughter Carol (Joan Bennett). Once behind bars, Van Dyke strikes up a friendship with amiable reformed bootlegger Ricardi (George Raft). Since Ricardi is to be sprung first, Van Dyke suggests that the ex-crook take on the task of "taming" the incorrigible Carol. Unwilling to be stifled by a former jailbird (even a good-looking one), Carol decides to get even by persuading one of Ricardi's former cohorts, a shady character named Tex (Lloyd Nolan) to stage a fake kidnapping. Trouble is, Tex kidnaps the girl for real, obliging Ricardi to race to her rescue -- but only after deliberately breaking every traffic law known to man, so that he'll be pursued by a veritable battalion of motorcycle cops (this hilarious finale was later re-used in the 1941 Buster Keaton two-reeler So You Won't Squawk). A heady blend of screwball comedy and crime melodrama, She Couldn't Take It is one of the fastest and funniest films of 1935. ~ Hal Erickson, All Movie Guide

He may have been Maurice B. Flynn on the studio payroll, but to his fans this popular action star was best known as "Lefty" Flynn. In Smilin' at Trouble, Lefty plays Jerry Foster a construction engineer working on a big-time dam project. Our hero gets wind of a plan cooked up by his foreman to sabotage the dam for fun and profit. The finale is a fairly convincing dam-burst sequence, in which Jerry rescues boss' daughter Alice Arnold (Helen Lynch) while the treacherous foreman meets a soggy demise. In Great Britain, the film was more formally shipped out as Smiling at Trouble. ~ Hal Erickson, All Movie Guide