Maidel Turner Movies

Frank Capra's only MGM film, State of the Union was adapted by Anthony Veiller and Myles Connolly from the Pulitzer Prize-winning play by Howard Lindsay and Russell Crouse. Spencer Tracy plays an aircraft tycoon who is coerced into seeking the Republican Presidential nomination by predatory newspaper mogul Angela Lansbury. Campaign manager Van Johnson suggests that, for appearance's sake, Tracy be reunited with his estranged wife Katharine Hepburn (replacing Claudette Colbert, who'd ankled the project after a pre-production donnybrook with director Capra). Realizing that Tracy and Lansbury are having an affair, Hepburn nonetheless agrees to grow through the devoted-wife charade because she believes that Tracy just might make a good President. Her faith is shattered when Tracy, corrupted by the Washington power brokers, publicly compromises his values in order to get votes. Only in the film's last moments does Tracy prove himself worthy of Hepburn's love and his own self-respect by admitting his dishonesty during a nationwide radio-TV broadcast. Much of the biting wit in the original Broadway production of State of the Union is sacrificed in favor of the director's patented "Capracorn," but the film is no less entertaining because of this. As usual, the supporting cast is impeccable, from featured players Adolphe Menjou (whose off-camera political arguments with Hepburn threatened to shut down production at times) and Margaret Hamilton, to bit actors like Carl "Alfalfa" Switzer and Tor (Plan 9 From Outer Space) Johnson. Because the television rights to State of the Union belonged to Capra's Liberty Films, the picture was released to TV by MCA rather than MGM's syndication division. ~ Hal Erickson, All Movie Guide

In this satire, an electrician from a tiny town impresses a New York radio sponsor with his booming baritone singing voice. He immediately contracts the worker to come to the Big Apple. Unfortunately, he suffers from bronchitis that changes him into a tenor. He still goes on the air, but everyone calls him a fake. Fortunately, the audience loved him. His manager then forbids him to appear publicly so he spends his spare time inventing a gadget that restores old radio sets. When it looks as though his clever invention will be stolen a beautiful woman gets it patented and then marries him. Songs include: The Oscar nominated "Remember Me," "Am I in Love?" "If I Were a Little Pond Lilly," "The Girl You Used to Be," and "Here Comes the Sandman." ~ Sandra Brennan, All Movie Guide

Tala Birell, one of the more talented of the Garbo wannabes of the 1930s, stars in the Universal quickie She's Dangerous. The star is cast as Stephanie, a glamorous private detective who's been hired to track down a gang of bond thieves. She charms her way into the confidence of gang leader Nick Shelton (Cesar Romero), knowing full well that the outwardly gracious Shelton won't hesitate to kill her if she's found out. Eventually, Stephanie proves too smart for her own good, and it's up to sidelines hero Dr. Logan (Walter Pidgeon) to bail her out. She's Dangerous bears a marked resemblance to 20th Century-Fox's 15 Maiden Lane, which also featured Cesar Romero as a charming-but-deadly crook. ~ Hal Erickson, All Movie Guide

Anne Shirley is the teenaged "lady" in this filmization of Elizabeth Jordan's novel My Daddy and I. Shirley plays the daughter of widowed Herbert Marshall, who suffers in silence as his daughter tries to "match" him with every eligible woman in sight. Misinterpreting a delicate situation, Shirley attempts to link up Marshall with a woman (Margot Grahame) he actively dislikes. The highlight of the film is a ramshackle staging of "Romeo and Juliet" at Anne's high school, with the unflappable young girl contending with an adenoidal Romeo (Frank Coghlan Jr.) whose tights keep slipping as he struggles through his Shakespearian dialogue. The protagonist of Make Way for Lady was one of several teen ingenues played by former child actress Dawn O'Day under her new screen name of Anne Shirley. ~ Hal Erickson, All Movie Guide

Just before his brief turn as a "singing cowboy," radio crooner Smith Ballew starred in Paramount's Palm Springs. Filmed on location at the famed California resort community, the story concerns the efforts by near-bankrupt gambler Capt Smyth (Sir Guy Standing) to marry off his daughter Joan (Frances Langford) to wealthy Englishman George Brittel (David Niven). Unfortunately for Smyth, Joan falls in love with Slim (Ballew), who hails from Wyoming and apparently hasn't got a dime. The film can't seem to make up its mind to be a straight comedy or a musical, nor does it seem that anyone concerned cared all that much about the plot. The songs are by Ralph Rainger and Leo Robin, who evidently saved their best stuff for Bing Crosby. ~ Hal Erickson, All Movie Guide

When a playboy becomes entangled in the affairs of gamblers he eventually locates an underwater treasure. ~ All Movie Guide

Carnival barker Spencer Tracy befriends elderly concessionaire Henry B. Walthall, who owns a picturesque but stodgy display depicting Dante's Inferno. Walthall is more interested in the spiritual aspects of Man's fascination with Hell, but Tracy uses hoopla and exaggeration to get the suckers into the Inferno. His interest isn't altruistic; Tracy is enamored of Walthall's niece, Claire Trevor. Through his publicity savvy, Tracy builds the Inferno into a major attraction, complete with full orchestra and scantily clad "devil girls". He also buys up the rest of the carnival, using cold-blooded tactics that result in the suicide of a fellow concessionaire. Within five years, Tracy is a millionaire tycoon of the Entertainment industry. While loved by his wife (Trevor) and son (Scotty Beckett), Tracy conducts his business ruthlessly, bribing a city official to look the other way regarding structural defects in his Inferno display. When this duplicity results in a disastrous accident at the exhibit, the bribed official kills himself. Tracy is exonerated thanks to legal chicanery, but his wife is fed up; she walks out on him, taking their son along. Injured in the accident, Inferno creator H. B. Walthall warns Tracy of the pitfalls of success, using an illustrated edition of Dante to make his point. For nearly ten minutes, the movie audience is treated to a lavish depiction of Hell, magnificently photographed by Rudolph Mate. When the plot resumes, Tracy is on hand for his latest venture, a sumptuous gambling ship. Thanks to the drunken negligence of the crew, the ship catches fire, and it is only upon learning that his son has sneaked aboard that Tracy realizes the consequences of his greed. Tracy labors heroically to rescue the passengers--and, incidentally, to atone for his past sins. ~ Hal Erickson, All Movie Guide

Paul Muni is a prominent physician who is kidnapped by gangsters and forced to tend the needs of head crook Barton MacLaine. MacLaine takes a liking to the intellectual doctor and allows him to go home after his job is done. Muni finds himself the reluctant "staff physician" for the gangster, thus is periodically spirited away from his practice to look after the criminal. He has given his word not to "rat" on the crooks, but he can't sit idly by while the gangsters loot the city. Muni foils the crooks by injecting them with a drug which induces temporary blindness. Dr. Socrates was remade in 1939 as King of the Underworld, with Humphrey Bogart as the gangster boss and actress Kay Francis in Paul Muni's role (with surprisingly few dialogue alterations to accommodate the gender switch!) ~ Hal Erickson, All Movie Guide

Bela Lugosi and Boris Karloff team up in this excellent 1935 chiller. Lugosi is crazed brain-surgeon Dr. Richard Vollin who is infatuated with the characters and devices found in the Edgar Allan Poe stories. When a local judge brings his beautiful daughter for brain surgery, the doctor falls in love with her and is spurned by the judge when he asks for her hand in marriage. To extract revenge, Vollin invites the judge, his daughter, and her new fiance over for dinner. He intends to try out some of his gruesome Poe gadgets on them. Before he can, enter Boris Karloff, a prison escapee who wants Vollin to do some much-needed plastic surgery on his face. Vollin obliges, but instead of making him handsome, he deforms Karloff and subjects him to his will. Now the evil Vollin can get down to business... ~ All Movie Guide

In this thriller, a young woman marries a dashing young man who, unbeknownst to her, is a jewel thief. After his latest job, he takes off and leaves her to take the rap. In court she is found guilty. She is riding a train en route to prison when the train crashes. Her identity is confused with that of a wealthy young man's fiancee. The two soon fall in love. They are later confronted by the real fiancee, her thieving husband, the fiancee's brother and the police. Somehow the girl is extricated from the mess with her name and reputation intact. ~ Sandra Brennan, All Movie Guide

In this odd-ball comedy, a self-sacrificing but eccentric mother attempts to guide her equally eccentric family. She has two sons and a daughter. One son is a communist and the other is a struggling prizefighter. Her daughter is trying to snag a married booking agent to help her break into radio. In addition to watching over her children, the mother must also help her husband find a full-time job. Real trouble comes when her husband's brother dies of indigestion following a big Chinese dinner and leaves her with $500,000 provided that she leave her family. She decides to take the money and run. Fortunately, she eventually decides to come back home. ~ Sandra Brennan, All Movie Guide

Inspired by the Titanic tragedy, Whom the Gods Destroy is a tour de force for character actor Walter Connolly. The star is cast as theatrical entrepreneur John Forrester, who finds himself on board an ocean liner crippled in a shipwreck. At first he behaves courageously, but as the ship goes down Forrester panics and dons women's clothes to ensure himself a seat on the lifeboat. Rescued at sea, he hides out in a tiny fishing village for several years, then returns to New York under an assumed name. Upon discovering that he is celebrated as a "dead" hero, Forrester realizes that he can never reveal his true identity lest he be exposed as a craven coward. Standing on the sidelines, he watches as his son Jack (Robert Young) rises to success on the Broadway stage, all the while secretly helping the boy get ahead in his career. Forrester's wife Margaret (Doris Kenyon) finally recognizes her husband, forgives him, and offers to take him back, but by now Forrester himself feels it is too late and retreats into the shadows, never to be seen again. ~ Hal Erickson, All Movie Guide