Glen Turnbull Movies

Ronald Reagan delivers one of his best screen performances as baseball great Grover Cleveland Alexander in The Winning Team. The title refers to the mutually supportive relationship between Alexander and his loving wife Aimee (top-billed Doris Day); with this in mind, is it any surprise that the real Aimee Alexander served as the film's technical advisor. While the basic milestones of Alexander's career are adhered to, the film is a typical Hollywood blend of fact and fancy-plenty of fancy. While playing in the minors, Alexander is is hit on the heat by a batted ball, resulting in the dizziness and double vision that would ever after plague him. After toting up a record of 28 wins with the Philadelphia Phillies, Alex is traded to the Cubs, but World War 1 intervenes. On the battlefield, Alex suffers a recurrence of his double vision; and when he plays his first postwar game with the Cubs, he collapses on the field. Warned that his seizures will persist if he doesn't retire, Alex swears the doctor to secrecy. When the dizzy spells continue, Alex turns to drink. Branded an "alky", he descends to the depths of a House of David-style team, thence to the humiliation of carnival side shows. With the help and support of both Aimee and his old pal Rogers Hornsby (Frank Lovejoy), Alex stages a spectacular comeback, striking out Yankee Tony Lazzeri during the 1926 World Series and leading his team to victory. The script rearranges the chronology of Alexander's life, suggests incorrectly that the Lazzeri strikeout was the last play in the deciding Series game, and-most amusingly-depicts the unloveable Rogers Hornsby as a 100 % sweetheart. Otherwise, The Winning Team provides an excellent showcase for Ronald Reagan-though in later years he expressed some reservations about the script, noting that, by adhering to Warner Bros' insistence that the word "epilepsy" never be spoken, the picture confused audiences as to the true nature of Alexander's affliction. ~ Hal Erickson, All Movie Guide

She's Working Her Way Through College is a completely depoliticized remake of the liberal-minded comedy The Male Animal (1942). Virginia Mayo plays an exotic dancer, Angela Gardner, who decides to improve her mind; she enrolls in a college where Professor John Palmer (Ronald Reagan) teaches English. In between Angela's lively musical numbers, the film concentrates on an old rivalry between the bookish Palmer and onetime college football jock Shep Slade (Don DeFore, who'd played a bit in The Male Animal). When the college trustees oppose Angela's presence on campus, Palmer staunchly defends her right to an education. In the original Male Animal, the climactic scene involved a controversial public reading of a letter by anarchist Bartolomeo Vanzetti; in She's Working Her Way Through College, Palmer stands up at a public assembly to convince the populace that exotic dancers have the same rights as anyone else. Of course, Ronald Reagan could take a political stance if he wanted to...but not in this film. ~ Hal Erickson, All Movie Guide

James Cagney delivers a vibrant performance as a down-on-his-luck Broadway musical director in The West Point Story, featuring songs by Sammy Cahn and Jule Styne. Cagney plays out-of-work director Elwin "Bix" Bixby, who reluctantly accepts a job from producer Harry Eberhart (Roland Winters) to stage a show at West Point written by Harry's nephew Tom Fletcher (Gordon MacRae). Harry thinks Tom's show could be a Broadway success if he would only quit West Point. Bix travels to West Point, with his girlfriend, Eve (Virginia Mayo), in tow, to whip the show into shape. But Bix is frustrated by the academy's rules, which interrupt his rehearsal schedule. In frustration, Bix hits a cadet. In order to continue to work on the show, Bix must become a cadet himself, and deal with the attendant hazing that entails. When the one of the show's stars, Jan Wilson (Doris Day), is brought out to work on the production, Tom falls in love with her and goes AWOL to return with her to Hollywood. Bix, in order to save Tom's military career, has to go to Hollywood and bring Tom back to West Point. ~ Paul Brenner, All Movie Guide

Columbia's belated effort to cash in on the popularity of Abbott & Costello's Buck Privates was the raucous and generally amusing wartime comedy Tramp, Tramp, Tramp. Jackie Gleason (the same!) and Jack Durant are teamed for the first and only time as Hank and Jed, a pair of dimwitted barbers who are forced into bankruptcy because all their customers have marched off to war. Figuring that if you can't beat 'em, join 'em, Hank and Jed try to join the Army themselves, only to be rejected for a variety of reasons (When asked to read the eye-chart, Hank says he can't-not because he can't see, but because he can't read). Still wishing to serve their country, our heroes set up a "home guard" unit, and in this capacity manage to trap a gang of homicidal crooks. To his credit, Jackie Gleason does not try to imitate his idol Lou Costello, but the A&C influence is felt throughout this trivial little laughspinner. ~ Hal Erickson, All Movie Guide

Fresh from his Broadway triumph as "The Stage Manager" in Our Town, veteran actor-playwright Frank Craven heads the cast of Columbia's The Richest Man in Town. Craven is cast as wealthy banker Abb Crothers, who has carried on a lifelong feud with newpaper publisher Pete Martin (Edgar Buchanan). After a particularly vitriolic exchange of words, Martin gets even by publishing Crothers' obituary somewhat ahead of schedule. The repercussions of this capricious act eventually cause the miserly Crothers to reassess his priorities in life. A romantic subplot concerns Martin's daughter Mary (Eileen O'Hearn) and glib touring-show promoter Tom Manning (Roger Pryor). Though Frank Craven is officially the star, Richest Man in Town was intended in part as a showcase for Edgar Buchanan, who'd skyrocketed to prominence on the strength of his villainy in Columbia's Arizona. ~ Hal Erickson, All Movie Guide