Ann Turkel Movies

Adrenaline loving director Tony Scott teams with iconic action producer Jerry Bruckheimer for this high flung sci-fi action thriller concerning a New Orleans based maverick ATF agent named Doug Carlin (Denzel Washington) who is brought in on a top secret government program to catch the terrorist (Jim Caviezel) responsible for a ferry bombing that kills hundreds. Able to do what most law enforcement officers only dream of, Carlin is now able to look back in time at the perpetrator's movements, and at the life of the innocent woman whose death would set the events into motion. Carlin's instincts tell him that something is amiss, however, and while the government agent who tapped him for the job (Val Kilmer) and the team of ultra-cool scientists who run the project (Adam Goldberg, Erika Alexander) tell him one story about the quantum physics behind this marvel of technology, the hotshot agent suspects that there is a greater power at their fingertips--one that might not just solve the crime at hand, but prevent it. ~ Jason Buchanan, All Movie Guide

Based on the book Hot Toddy, by Andy Edmunds, this made-for-TV movie revolves around the mysterious death of '30s film star Thelma Todd (Loni Anderson). ~ Iotis Erlewine, Rovi

A surprisingly slick flick from Emperor of Exploitation Fred Olen Ray, the story (which Ray co-wrote with T.L. Lankford, borrowing heavily from the director's earlier Biohazard) begins when a satellite carrying top-secret bio-engineered mutants plummets to Earth and disgorges its slavering contents in a scrap-yard outside Los Angeles. Hot on the beast's slimy trail are a pair of L.A. cops (Russ Meyer-veteran Charles Napier and the miscast Ann Turkel), who butt heads with their chief (Bo Svenson), the military, and the scientists who bred the monster -- until the inevitable confrontation, which features a no-holds-barred grudge match between the toothy slime-demon and a chainsaw-wielding Napier. Campy, fun performances by the talented leads (especially Julie Newmar as a psychic who assists the investigation) elevate this material far beyond the limitations of its hoary premise and Alien-esque monster. ~ Cavett Binion, Rovi

In this violent drama, an artistic hitman must kill his best friend and finds he cannot bring himself to do it. He is then ordered to kill a rival mobster. Unfortunately, he kills the wrong fellow thus beginning a deadly conflict. ~ Sandra Brennan, Rovi

Massarati (Daniel Pilon) is a fabulously wealthy adventurer-for-hire who uses a wide array of electronic gadgets to carry out his various missions. "The Brain," aka Christopher (Peter Billingsley), is Massarati's 12-year-old nephew, and the creator of most of Unk's gadgetry. Together with such confederates as sexy spy leader Julie Ramsdell (Markie Post) and ever-resourceful butler, Anatole (Christopher Hewitt), Massarati and Christopher endeavor to steal back a fabulous art collection from a larcenous neo-Nazi named Victor Leopold (Christopher Lee). The pilot for an unsold tongue-in-cheek espionage series from the Aaron Spelling plant, Massarati and the Brain debuted August 26, 1982, on ABC. ~ Hal Erickson, Rovi

This gory, scary low-budget shocker from the Roger Corman stable concerns the battle over a salmon cannery in a Pacific Northwest town. Genetically treated salmon escape the plant and are eaten by coelacanths, who mutate into humanoid monsters with giant craniums and sharp claws. The creatures begin attacking teen couples, killing the boys and mating with the girls (in some pretty graphic monster-rape scenes). Eventually, a bunch of them create total pandemonium at the annual salmon festival. Barbara Peeters directs with flair, Rob Bottin's effects are nauseatingly effective, and the cast is good, especially Vic Morrow as a racist fisherman and Doug McClure as the stalwart hero. An uncompromising shockfest with enough gratuitous blood and nudity to keep fans happy, the film features an Alien-inspired shock ending which still makes viewers jump today. ~ Robert Firsching, Rovi

Set in the ravaged post-WWIII world, this grim sci-fi fantasy centers on the vengeful quest of a bereaved husband whose wife was raped and murdered by a gang of leather-clad bikers. After getting his revenge, the fellow roars off on the other's bike and along the way encounters another survivor who has food and weapons. They set off together and then find a beautiful young woman who joins them. Though there is strength in numbers, their troubles are far from over for the bikers aren't through with them yet. ~ Sandra Brennan, Rovi

Richard Harris dodges bullets from stem to stern in this middling thriller, based on a novel by Alistair MacLean. The plot concerns high-sea hijinks aboard the Caribbean Star, a combination cargo ship and floating casino. In the midst of the high rollers and spinning roulette wheels appears Luis Carreras (John Vernon), an amoral mercenary who hijacks the ship. Taking his marching orders from a mysterious mastermind, he installs an atomic device mid-ship, holding both the passengers and the bomb hostage, hoping to exchange them for the gold bullion of an U.S. Treasury ship. All seems to be going according to Luis's plan until First Officer John Carter (Richard Harris), the attractive Susan Beresford (Ann Turkel), and Dr. Marston (Gordon Jackson) arrive to put a crimp in Luis's escapade. ~ Paul Brenner, Rovi

This bizarre entry into the disaster film genre concerns a group of hapless passengers aboard a transcontinental luxury train who are infected with a viral plague by a group of terrorists. Burt Lancaster plays military man Mackenzie, who wants to send the train across a rickety bridge so all the passengers will die, with Mackenzie reasoning the tragedy will give the terrorist movement a bad name. Among the passengers on the train trying to build up antibodies are Jennifer Rispoli Chamberlain (Sophia Loren); Nicole (Ava Gardner), who is embroiled in an affair with a younger man named Robby Navarro (Martin Sheen); and Dr. Jonathan Chamberlain (Richard Harris), a physician who wants to save the passengers but ends up duking it out with the terrorists. ~ Paul Brenner, Rovi

John Frankenheimer's bizarre, satirical gangster film is not for all tastes but has acquired a minor cult following. Elderly mobster Edmond O'Brien hires a hitman (Richard Harris) to eliminate his rival (Bradford Dillman) in a dystopic setting of not-quite reality. There are albino alligators, skillful chase scenes, and Chuck Connors as a one-handed psycho who can fit various deadly weapons on his stumpy arm. None of it makes much sense, and mainstream viewers may end up scratching their heads in bewilderment, but fans of more esoteric films should find it a lot of fun. It would likely have ended up as a big hit on the drive-in circuit if it hadn't been directed by Frankenheimer, from whom most people expect better. ~ Robert Firsching, Rovi