Tommy Tune Movies
- 2003
Broadway's Lost Treasures is a two-hour collection of musical highlights, culled from 19 years (1967-1986) of Tony Awards telecasts by Christopher A. Cohen, son of the original telecasts' producers, Alexander H. Cohen and Hildy Parks. The program is divided into four self-explanatory segments -- "Broadway Divas," "Leading Men," "Dancin'," and "Record Breakers" -- and presented by hosts Angela Lansbury, Jerry Orbach, and Chita Rivera. Musical numbers include the "Broadway Divas": Vivian Blaine ("Adelaide's Lament" from Guys and Dolls), Patti LuPone("A New Argentina" from Evita), Angela Lansbury ("The Worst Pies in London" from Sweeney Todd), Carol Channing ("Before the Parade Passes By" from Hello Dolly), and Julie Andrews ("Send in the Clowns" from A Little Night Music). Next up are the "Leading Men": Zero Mostel ("If I Were a Rich Man" from Fiddler on the Roof), Yul Brynner ("Shall We Dance?" from The King and I), John Raitt ("Hey There" from The Pajama Game), Robert Preston ("Trouble" from The Music Man), and Paul Lynde("Kids" from Bye Bye Birdie). Now for the "Dancin'": Joel Grey ("Wilkommen" from Cabaret), Tommy Tune and Twiggy ("Chasin' the Clouds Away" from My One and Only), Chita Rivera and Gwen Verdon perform "All That Jazz" and "Nowadays" from Chicago, and Jerry Orbach from 42nd Street ("Lullaby of Broadway"). Then there are the "Record Breakers": Andrea McArdle and cast ("Tomorrow" from Annie), the cast of Annie ("You're Never Fully Dressed Without a Smile"), and Betty Buckley and the cast of Cats) ("Jellicle Songs" and "Memory"). This also includes the bonus performances not seen on the PBS pledge-special broadcasts: Ann Miller and Mickey Rooney ("McHugh Medley" from Sugar Babies), Patti LuPone ("Buenos Aires" from Evita), Barbara Harris ("Movie Star Gorgeous" from The Apple Tree), Bonnie Franklin ("Applause" from Applause), and Dorothy Loudon and cast ("Easy Street" and "Tomorrow" (reprise) from Annie). ~ Laura Mahnken, All Movie Guide
- Starring:
- Angela Lansbury, Jerry Orbach, (more)
Directed by Rick McKay, who traveled across five continents during the documentary's production, Broadway: The Golden Age is both a celebration of current Broadway stars and a tribute to Broadway legends past. Through a plethora of interviews and vast amounts of archival footage, McKay presents a variety of factoids, anecdotes, and memories from over 100 Broadway actors, writers, and directors. The careers of Laurette Taylor, Kim Hunter, Jessica Tandy, and Marlon Brando are all animatedly retold, as is some of the Broadway "lore of olde," such as Angela Lansbury's struggle to land a role in Mame and the shocked reaction to West Side Story on its opening night. In addition to footage and discussion regarding highly successful Broadway stars, a variety of actors recount their experiences and struggles in finding even a small amount of critical recognition. The cast includes Shirley MacLaine, Bea Arthur, Edie Adams, Alec Baldwin, and Kaye Ballard, and many others. ~ Tracie Cooper, All Movie Guide
- Starring:
- Edie Adams, Bea Arthur, (more)
Twenty-seven-year-old Barbra Streisand seemed an inappropriate choice for middle-aged, match-making widow Dolly Levi, but her energy carries her right through the role and dominates the lackluster movie around her. The plot, drawn from Thornton Wilder's The Matchmaker (itself based on a 19th-century British farce), is set in motion when Yonkers feed store clerk Cornelius Hackl (Michael Crawford) celebrates his promotion by taking his pal Barnaby Tucker (Danny Lockin) to New York City for a "corking good time." But Cornelius and Barnaby can't avoid crossing paths with their boss Horace Vandergelder (Walter Matthau), who'd give them Holy Ned if he saw them in a fancy restaurant with two fancy girls instead of tending the store. Mr. Vandergelder himself is the object of Dolly's affections, though she pretends to have only a professional interest in the widowed merchant, going through the motions of finding him a new wife when in fact she'd like to be the lucky bride herself. The film's musical set pieces include a show-stopping rendition of the title number, with Louis Armstrong more or less playing himself. The biggest number is "Before the Parade Passes By," in which thousands of costumed marchers and atmosphere extras cavort before a huge replica of a New York City thoroughfare in the 1890s (actually the main entrance of the 20th Century-Fox studio, with period facades adorning the office buildings). An artifact of an era in which Broadway musicals were a significant part of popular culture, Hello Dolly seemed bizarrely irrelevant in the social turmoil of the late 1960s, and it became one of the late-1960s big-budget failures that led Hollywood studios toward a different kind of filmmaking in the 1970s. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbra Streisand, Walter Matthau, (more)
- 1971
- G
The Boy Friend began life as Sandy Wilson's small-scale pastiche of British musical comedies of the 1920s. When the play was brought to America in 1954, its star was the
teenage Julie Andrews. Because The Boy Friend requires a minimum of sets, props, and costumes, it has become a favorite of amateur theater groups throughout the world. But director Ken Russell, notorious for his onscreen excesses, abandoned the film's simplicity. He fashioned a humongous parody of the Busby Berkeley film musicals of the 1930s, staged on a scale that made Berkeley seem stylistically modest. Fashion model Twiggy plays Polly Browne, an aspiring musical comedy star, working as stage manager of a production of The Boy Friend. She is transformed into a star when she replaces leading lady Rita Monroe (Glenda Jackson, unbilled), who twists her ankle seconds before the curtain goes up. Before the evening is over, Polly is scampering over outsized sets, and ducking around seemingly thousands of chorus girls and boys. Christopher Gable, who plays Polly's on-stage leading man, also choreographed the lavish musical numbers. ~ Hal Erickson, All Movie Guide
teenage Julie Andrews. Because The Boy Friend requires a minimum of sets, props, and costumes, it has become a favorite of amateur theater groups throughout the world. But director Ken Russell, notorious for his onscreen excesses, abandoned the film's simplicity. He fashioned a humongous parody of the Busby Berkeley film musicals of the 1930s, staged on a scale that made Berkeley seem stylistically modest. Fashion model Twiggy plays Polly Browne, an aspiring musical comedy star, working as stage manager of a production of The Boy Friend. She is transformed into a star when she replaces leading lady Rita Monroe (Glenda Jackson, unbilled), who twists her ankle seconds before the curtain goes up. Before the evening is over, Polly is scampering over outsized sets, and ducking around seemingly thousands of chorus girls and boys. Christopher Gable, who plays Polly's on-stage leading man, also choreographed the lavish musical numbers. ~ Hal Erickson, All Movie Guide
- Starring:
- Twiggy, Christopher Gable, (more)
- 1994
Tommy Tune and others talk about the unique childhood acting and dancing career of Shirley Temple in this video. Her signature song, "On the Good Ship Lollipop," was first sung for audiences in her film Bright Eyes in 1934. Shirley's ability to capture the hearts of the public became most evident when she received a special Academy award that same year. Her other classic films include Little Miss Marker, The Little Colonel, and The Littlest Rebel. Known by such childhood nicknames as "Dimples" or "Little Curly Top," Shirley was one of the cheeriest stars to brighten the days of the Great Depression. Much later in life, during the late '80s and early '90s, she served as an ambassador to Czechoslovakia under her full married name of Shirley Temple Black. ~ Elizabeth Smith, All Movie Guide
