Bill Bolender Movies

"They didn't kill me; I was dead already," is the statement uttered by Dexter Cornell (Dennis Quaid), an English professor at the University of Texas at Austin who has been poisoned by a slow-acting toxin and who has twenty-four hours to track down his killers before he ceases to exist. Remade from the 1949 Rudolph Mate thriller by Annabel Jankel and Rocky Morton, the co-directors jazz up the old luridness with slap-up doggishness that boosts the intensity-level higher than it deserves to go. Cornell is a burned-out novelist trying to hold on to tenure at the university while seeing his marriage collapse around him. As if that weren't enough, he is receiving amorous come-ons from smart, young student Sydney Fuller (Meg Ryan) and being badgered by another student, Nick Lang (Robert Knepper), to read his brilliant first novel. Not long after Dex demurs to Nick to read his novel, Nick is killed in a fall. Only then does Dex find out that Nick has been having an affair with his wife. Things keep going from bad to worse when, after an all-night drinking binge, Dex discovers that he has been slipped a poison that will kill him within 24 hours. Teaming up with the adoring Sydney, Dex tries to track down the person who poisoned him while dodging the cops, since he happens to be a prime murder suspect. ~ Paul Brenner, All Movie Guide

Uptown (George Newbern) and Mad Mike (Christopher McDonald) are paramedic partners assigned to the tough South Central section of the city by their irate boss Captain Prescott (John P. Ryan). The duo uncovers a fiendish conspiracy that deals in harvesting internal organs from unwilling donors. They encounter street gangs and a female with a killer sex drive. This spoofing parody contains explicate language and brief nudity. Watch for veteran actor Ray Walston as the first patient suffering a heart attack. ~ Dan Pavlides, All Movie Guide

The serialized story structure and barbed social commentary from comic book creator and co-writer Frank Miller earned critical respect in this satirical science fiction sequel directed by Irvin Kershner. Peter Weller returns as RoboCop, a futuristic cyborg fashioned from cutting-edge technology and the biological remains of slain Detroit police officer, Alex Murphy. Still patrolling the city streets, RoboCop is scheduled by his creator, Omni Consumer Products, to be replaced by a new "superior" model, RoboCop 2, that according to designer Juliette Faxx (Belinda Bauer), will contain the human remains not of a cop but a criminal. In the meantime, an instantly addictive drug called Nuke is sweeping through Detroit thanks to a kingpin named Cain (Tom Noonan). Taking Cain to task, RoboCop is captured and dismantled. When he's put back together, the cyborg is reprogrammed with a series of socially conscious commands (in a sly mocking of the then relatively new concept of "political correctness") that render him impotent as a law enforcer. Taking charge by rewiring himself with an electrical overload, RoboCop arrests Cain, who is injured in the process. Faxx secretly takes Cain's brain and inserts it into RoboCop 2, turning the robot immediately into a law-breaking murder machine and leading to a violent showdown between two generations of robotic crime-fighters. ~ Karl Williams, All Movie Guide

The November 22, 1963, assassination of U.S. President John F. Kennedy shocked the nation and the world. The brisk investigation of that murder conducted under the guidance of Supreme Court Justice Earl Warren distressed many observers, even though subsequent careful investigations have been unable to find much fault with the conclusions his commission drew, the central one of which was that the assassin, Lee Harvey Oswald, acted alone. Instead of satisfying the public, one result of the Warren Commission Report was that an unimaginable number of plausible conspiracy theories were bruited about, and these have supported a sizeable publishing mini-industry ever since. In making this movie, director Oliver Stone had his pick of supposed or real investigative flaws to draw from and has constructed what some reviewers felt was one of the most compelling (and controversial) political detective thrillers ever to emerge from American cinema. Long before filming was completed, Stone was fending off heated accusations of artistic and historical irresponsibility, and these only intensified after the film was released. In the story, New Orleans District Attorney Jim Garrison (Kevin Costner) is convinced that there are some big flaws in the investigation of Oswald (Gary Oldman), and he sets out to recreate the events leading up to the assassination. Along the way, he stumbles across evidence that a great many people had reason to want to see the president killed, and he is convinced that some of them worked in concert to frame Oswald as the killer. Among the suspects are Lyndon Baines Johnson (the next president), the CIA, J. Edgar Hoover, and the Mafia. Over the course of gathering what he believes to be evidence of a conspiracy, Garrison unveils some of the grittier aspects of New Orleans society, focusing on the shady activities of local businessman Clay Shaw (Tommy Lee Jones). Garrison's investigations culminate in his conducting a show trial that he knows he will lose and which he is sure will ruin his career in order to get his evidence into the public record where it can't be buried again. This movie won two of the many Academy Awards for which it was nominated: one for Best Photography (Robert Richardson) and the other for Editing (Joe Hutshing). ~ Clarke Fountain, All Movie Guide

Based on Clifford Irving's novel Trial, this 2-part TV movie is set amongst the Texas elite. Peter Strauss plays Warren Blackburn, a brilliant but discredited trial lawyer. His career seems due for redemption when judge Louise Parker (Jill Clayburgh), formerly Blackburn's bitterest foe, appoints him to defend a homeless man charged with murder. Simultaneously, Blackburn is hired to defend flashy nightclub entertainer Faye Boudreau (Beverly D'Angelo) in a separate murder trial. While investigating his clients' background, Blackburn uncovers several unsavory facts. Should he reveal what he knows and thereby risk everything -- including his life? Part one of Trial: The Price of Passion was first telecast May 3, 1992; part two was shown the following evening. ~ Hal Erickson, All Movie Guide

In this drama, the wife of alleged assassin Lee Harvey Oswald offers her viewpoint on the day of the deadly shooting of President John F. Kennedy. ~ Sandra Brennan, All Movie Guide

Three aging Klingon Warriors arrive on Deep Space Nine to makes certain that a blood oath made 80 years earlier by Curzon Dax be fulfilled. Though startled to learn that Curzon Dax has metamorphosed into Jadzia Dax, the Klingons insist that she honor the oath. As a result, Dax is torn between honor and duty, a not uncommon dilemma on DS9. Though heavily disguised by the makeup staff, the Klingons are played by three highly recognizable character actors: John Colicos, Michael Ansara and William Campbell. First telecast March 26, 1994, "Blood Oath" was written by Peter Allan Fields. ~ Hal Erickson, All Movie Guide

In 1946, a banker named Andy Dufresne (Tim Robbins) is convicted of a double murder, even though he stubbornly proclaims his innocence. He's sentenced to a life term at the Shawshank State Prison in Maine, where another lifer, Ellis "Red" Redding (Morgan Freeman), picks him as the new recruit most likely to crack under the pressure. The ugly realities of prison life are quickly introduced to Andy: a corrupt warden (Bob Gunton), sadistic guards led by Capt. Byron Hadley (Clancy Brown), and inmates who are little better than animals, willing to use rape or beatings to insure their dominance. But Andy does not crack: he has the hope of the truly innocent, which (together with his smarts) allow him to prevail behind bars. He uses his banking skills to win favor with the warden and the guards, doing the books for Norton's illegal business schemes and keeping an eye on the investments of most of the prison staff. In exchange, he is able to improve the prison library and bring some dignity and respect back to many of the inmates, including Red. Based on a story by Stephen King, The Shawshank Redemption was the directorial debut of screenwriter Frank Darabont. ~ Mark Deming, All Movie Guide

In the mode of Quentin Tarantino, this film, directed by Gary Fleder from a script by Scott Rosenberg, concerns itself with hip, smart gangsters. The film is set in Denver, and the title comes from a Warren Zevon song. A retired, good-hearted gangster named Jimmy the Saint (Andy Garcia) runs a company that videotapes dying people giving life advice to their children and grandchildren, to be delivered when they come of age. Jimmy's former crime boss, The Man with the Plan (Christopher Walken), summons him. The Man is wheelchair-bound and doesn't have long to live; he explains that Jimmy owes him a favor and must perform one final job. It involves frightening the boyfriend of the ex-girlfriend of Bernard (Michael Nicolosi), the son of The Man, who has been so shaken by the girl's rejection of him that he has been fondling schoolyard children. Jimmy rounds up his old gang -- including Pieces (Christopher Lloyd), a porno theater projectionist; Franchise (William Forsythe), an ex-biker with a trailer-trash family to support; Critical Bill (Treat Williams), a psychotic, trigger-happy ex-con; and Easy Wind (Bill Nunn), an exterminator. Pieces and Bill pose as cops as part of the needlessly elaborate plan, which misfires badly. The Man, enraged, gives Jimmy 48 hours to leave town, and he orders his comrades wiped out, hiring the notorious hitman Mr. Shhh (Steve Buscemi) to track them down. But Jimmy can't seem to get the others to leave town, and despite The Man's decree, Jimmy is also reluctant to leave, because he's become romantically entangled with Dagney (Gabrielle Anwar). Jack Warden's character serves as a kind of Greek chorus who comments from time to time on the unfolding action. ~ Michael Betzold, All Movie Guide

As the Sipowicz-Costas nuptuals approach, Andy Sipowicz (Dennis Franz) expresses a desire to get married quickly in a Maryland civil service, while Sylvia Costas (Sharon Lawrence) wants a big, fat Greek Orthodox Wedding. Back on the job, Sipowicz and Simone (Jimmy Smits) investigate an execution-style multiple slaying at an upstate restaurant. And in the midst of a rape investigation, Martinez (Nicholas Turturro) expresses jealousy when his partner Lesniak (Justine Miceli) is reunited with her high-school friend Paul (Tom Verica), who happens to be the doctor tending to the elderly rape victim. ~ Hal Erickson, All Movie Guide

Based on a true story, the sentimental TV movie A Thousand Men and a Baby takes place during the final months of the Korean War in 1953. Spiritually adopting an abandoned boy, the crew members of the U.S.S. "Point Cruz" set about to find a proper home for the infant. All the while, ship's doctor Hugh Keenan (Richard Thomas) struggles to keep the baby alive. According to some sources, the grown-up protagonist of the story appears in a bit role in this film. Originally telecast by CBS on December 7, 1997, A Thousand Men and a Baby has since been telecast in the UK under the slightly more lurid title Narrow Escape. ~ Hal Erickson, All Movie Guide

In The Settlement, Pat (John C. Reilly) and Jerry (William Fichtner) work on the fringes of the insurance industry in what are called "viatical settlements," which allow terminal patients the option of cashing in their life insurance policies before death for a reduced payment. In the 1980s, with AIDS cutting short what might have been long and healthy lives, business is booming for Pat and Jerry's firm, Viable Settlements, Inc. But a few years later, improved treatments are keeping the terminally ill alive much longer -- and that's bad news for Viable Settlements, which is now on the brink of bankruptcy. When Pat and Jerry meet the beautiful and mysterious Barbara (Kelly McGillis), no one's sure if she's good or bad news. The supporting cast includes David Rasche and Dan Castellaneta. The Settlement was screened at the 1999 Los Angeles Independent Film Festival. ~ Mark Deming, All Movie Guide