Burnell Tucker Movies

Director Tobe Hooper adapts Colin Wilson's edgy novel The Space Vampires in this in this horror/sci-fi epic with a cult following. The story concerns a joint British-American space probe of Hailey's Comet. Inside the comet, the astronauts, headed by Carlsen (Steve Railsback), find a spaceship that contains the dead bodies of several aliens, along with the naked bodies of three human-like creatures in suspended animation. They bring the aliens aboard the ship for examination, but the specimens are sloppily guarded and soon the trio spread contagion among the population of the ship. Returning to earth, the beautiful space vampire (Mathilda May) escapes into London and begins to feed of the bodies of the unwary Britons, turning the city into a zombie-populated wasteland. It is now left for Carlsen to stop the vampire invaders. ~ Paul Brenner, Rovi

Milos Foreman's cinematic adaptation of E.L. Doctrow's sprawling pop-culture epic Ragtime follows a variety of characters whose lives intertwine during the earliest years of the 20th century. Brad Dourif plays the meek young brother in a wealthy family who ends up helping Coalhouse Walker Jr. (Howard E. Rollins) when the proud black man stands up to the racism that surrounds him with a criminal act that leads to a standoff with a police commissioner (James Cagney - making his return to the big screen after fifteen years away). Secondary characters include a street artist (Mandy Patinkin) who gets his foot in the door of the nascent film business, and a flighty young woman (Elizabeth McGovern) who inspires men who desire her to violence. Randy Newman composed the score, which included a song that earned him his first Oscar nomination. ~ Perry Seibert, Rovi

"All work and no play makes Jack a dull boy" -- or, rather, a homicidal boy in Stanley Kubrick's eerie 1980 adaptation of Stephen King's horror novel. With wife Wendy (Shelley Duvall) and psychic son Danny (Danny Lloyd) in tow, frustrated writer Jack Torrance (Jack Nicholson) takes a job as the winter caretaker at the opulently ominous, mountain-locked Overlook Hotel so that he can write in peace. Before the Overlook is vacated for the Torrances, the manager (Barry Nelson) informs Jack that a previous caretaker went crazy and slaughtered his family; Jack thinks it's no problem, but Danny's "shining" hints otherwise. Settling into their routine, Danny cruises through the empty corridors on his Big Wheel and plays in the topiary maze with Wendy, while Jack sets up shop in a cavernous lounge with strict orders not to be disturbed. Danny's alter ego, "Tony," however, starts warning of "redrum" as Danny is plagued by more blood-soaked visions of the past, and a blocked Jack starts visiting the hotel bar for a few visions of his own. Frightened by her husband's behavior and Danny's visit to the forbidding Room 237, Wendy soon discovers what Jack has really been doing in his study all day, and what the hotel has done to Jack. ~ Lucia Bozzola, Rovi

The second entry in George Lucas' Star Wars trilogy finds Luke Skywalker (Mark Hamill), the green-as-grass hero from the first film, now a seasoned space warrior. Luke's Star Wars cohorts Han Solo (Harrison Ford) and Princess Leia (Carrie Fisher) are likewise more experienced in the ways and means of battling the insidious Empire, as represented by the brooding Darth Vader (body of David Prowse, voice of James Earl Jones). And, of course, "The Force," personified by the ghost of Luke's mentor Ben Kenobi (Alec Guinness), is with them all. Retreating from Vader's minions, Luke ends up, at first, on the Ice Planet Hoth, and then the tropical Dagobah. Here he makes the acquaintance of the gnomish Yoda (voice of Frank Oz), whose all-encompassing wisdom comes in handy during the serial-like perils of the rest of the film. Before the film's open-ended climax, we are introduced to the apparently duplicitous Lando Calrissian (Billy Dee Williams) and are let in on a secret that profoundly affects both Luke and his arch-enemy, Vader. Many viewers consider this award-winning film the best of the Star Wars movies, and its special-effects bonanza was pure gold at the box office. ~ Hal Erickson, Rovi

Satan's son has arrived on Earth and He's not about to let human parents get in the way. When his wife Katherine's (Lee Remick) pregnancy ends in a stillbirth in a Rome hospital, U.S. diplomat Robert Thorn (Gregory Peck) substitutes another baby, whose mother died. Little Damien (Harvey Stephens) thrives, but, at his fifth birthday party, his nanny mysteriously dies; Father Brennan (Patrick G. Troughton) also expires after warning Thorn that he has adopted Lucifer's son. While sinister new nanny Mrs. Baylock (Billie Whitelaw) assiduously protects Damien, Thorn's fears escalate when photographer Jennings (David Warner) shows him pictures from Damien's party with marks suggesting how the nanny and Brennan would die. Thorn seeks out Bugenhagen (Leo McKern), an exorcist who confirms Damien's identity and tells Thorn that the only solution is to kill his adopted son. As the bodies pile up, Thorn tries to do his duty, but trust the law to get in the way of saving the world from future Armageddon. ~ Lucia Bozzola, Rovi

A great deal of director Al Viola's version of this film was pruned away for its general release. The missing portions are not only the heart of the story, but they are the heart of the novel by Graham Billings which gave rise to the film. The whole story is that Forbush (John Hurt) is going nowhere in his romance of Tara (Hayley Mills) because he is basically an uninteresting, shallow man. In desperation, he decides to go off to Antarctica and study penguins. He hopes that his heroism in doing this will prove his sincerity to Tara. Once there, he grows genuinely enchanted by his project and develops a real interest in penguins. It is this, rather than his courage, which wins him Tara's affections. The truncated version omits most of the film's reputedly spectacular and affecting Antarctic footage (shot by Arne Sucksdorff) in order to concentrate on the love story. ~ Clarke Fountain, Rovi

Charles Chaplin wrote, directed, and scored this old-fashioned romantic comedy, which proved to be his last film. Wealthy American diplomat Ogden Mears (Marlon Brando) is sailing from Hong Kong to Hawaii, where he hopes to meet and reconcile with his estranged wife Martha (Tippi Hedren). However, while the ship takes on passengers in Hong Kong, a stowaway slips into Mears' suite. Natascha (Sophia Loren) is a White Russian countess who was forced to flee the country following the revolution and ended up in Hong Kong, where she earns a meager living as a dime-a-dance girl in a sleazy ballroom. When Mears discovers that Natascha is an uninvited guest in his quarters, she begs him to help her emigrate to the United States; when he refuses, Natascha tries a new tack, threatening to tell Martha that they've been sharing a stateroom if he doesn't cooperate. Mears grudgingly allows Natascha to stay with him and keep her secret until he can figure out a clever way to get rid of her. Margaret Rutherford has a showy supporting role as an eccentric passenger, and Chaplin gives himself a silent cameo as a bumbling porter (no fewer than four of his children also appear). ~ Mark Deming, Rovi

This suspenseful crime drama features cameo appearances by some of Great Britain's more popular pop groups of the mid-1960s as it tells the tale of an ex-crook who finds success managing several of the groups. The trouble begins when a master jewel thief blackmails him into becoming a gem smuggler. Together, they set sail across the Channel to get a fortune in diamonds safely to Amsterdam. They are pursued by two determined detectives. ~ Sandra Brennan, Rovi

The Bedford Incident was an attempt by Columbia Pictures -- which had previously made Dr. Strangelove and released Fail-Safe -- to tap the well of public anxiety surrounding nuclear weapons and the Cold War one more time. Reporter Ben Munceford (Sidney Poitier) is allowed aboard a navy ship on patrol near the Arctic Circle, under the command of Captain Eric Finlander (Richard Widmark). His job is to observe the ship in action and do an article on Finlander, a hard-as-nails sailor and a dedicated anti-Communist with a patriotic zeal that's extraordinary even in a man of his rank and position. Finlander's main problem, however -- when he's not sparring with the reporter -- is tracking and hunting a Soviet sub that he knows is patroling the same waters. What alarms Munceford (and the audience) is that Finlander acts like there is an actual "hot" war going on; he drives his men mercilessly, up to and past the breaking point, trying to hunt down the submarine and force it to surface, and nothing -- not the questions of the reporter, the angry protests of the newly-arrived medical officer (Martin Balsam), or the quietly voiced concerns of retired U-Boat commander Commodore Shrepke (Eric Portman), aboard as an observer, can get him to relent. Then, when it looks like Finlander has been proved right and has gotten away with his provocation of the "enemy," a mistake by one over-tired young officer (James MacArthur) suddenly unleashes all of the destructive power with which Finlander has been flirting. ~ Bruce Eder, Rovi