Michael Trubshawe Movies

This wartime drama recounts the training process of the British Tank Corps. The story concentrates on two recruits: Englishman Philip (Edward Underdown) and American David (Ralph Clanton). After a grueling training period and a long, frustratingly uneventful encampment on British soil, Philip and David are shipped to the Front. Both men have a rendezvous with destiny during the German offensive at Ardennes. R.S.M. Brittain etches a chilling portrayal of a merciless drill sergeant, while the splendidly mustached Michael Trubshawe is equally effective as a by-the-book major. Since there must be a romantic subplot, it is fortunate indeed that the heroes' ladies are played by two charming and talented actresses, Helen Cherry and Stella Andrews. ~ Hal Erickson, All Movie Guide

The producers of Quartet and Trio concluded their cycle with this omnibus film, which features three stories based, as in the previous film, on tales by W. Somerset Maugham. "The Ant and the Grasshopper" concerns Tom Ramsey (Nigel Patrick), a fiscally unstable young man who is constantly borrowing money from his brother George (Roland Culver). Eventually, George falls on hard times and is forced to sell the family estate, just as Tom marries a wealthy woman and is in a position to purchase it. In "Winter Cruise," Miss Reid (Kay Walsh) is an aging spinster taking a voyage aboard a cargo ship. She has little to do but engage the others on board in conversation, which the passengers find so annoying that they arrange a ship-board romance for her with Pierre (Jacques Francois), a porter, in the hopes that it will keep her quiet. And "Gigolo and Gigolette" features Glynis Johns as Stella Cotman, whose husband Syd (Terence Morgan) earns his living as a performer in a high-wire act. Stella is terribly worried that Syd's risky profession will lead to his death, so she takes their life's savings to a casino in hopes of winning enough that he can retire. However, her plan hardly goes as she hoped. ~ Mark Deming, All Movie Guide

Meet Me Tonight was the American title for the British-filmed Tonight at 8:30, adapted from the Noel Coward stage production of the same name. Several rotating playlets were presented in the original Tonight at 8:30, most of them starring Coward and Gertrude Lawrence. The film version utilizes three of these short plays. "The Red Peppers" stars Kay Walsh and George Pepper as a brash music-hall team (their big number is "Has Anybody Seen our Ship") on the verge of splitting up. "Fumed Oak" stars Stanley Holloway as a man finagled into marriage by a domineering woman (Betty Ann Davies). And "Ways and Means" stars Valerie Hobson and Nigel Patrick as a pair of impoverished "professional guests" who have worn out the welcome of every wealthy host in Europe. Meet Me Tonight was given its American TV premiere on the ABC network in November of 1956, at which time its original title was restored. ~ Hal Erickson, All Movie Guide

The Promoter was based on the Arnold Bennett novel The Card, which served as its British release title. Impoverished young clerk Alec Guinness works his way up the financial ladder until he has become a successful and highly respected loan officer. Actually, Guinness is not as above-board as the world perceives him. Beginning with cheating on a high school exam, he has wheeled and dealed his way to the top, and ethics be damned. Balancing Guinness' cold-blooded business savvy is his comparative ineptitude with women, particularly the bewitching Glynis Johns. Only Alec Guinness could succeed at making his "Sammy Glick" character appealing from first scene to last. The Promoter was scripted by Eric Ambler, who managed to unearth moments of sly cynicism that original author Bennett had barely touched upon. ~ Hal Erickson, All Movie Guide

The first Ealing Studios comedy shot in color, Titfield Thunderbolt takes place in a tiny British village serviced by a branch railway line. When the government plans to close the line down, the locals are in a panic--except for a group intending to set up an expensive bus service. The local vicar (George Relph) concocts a scheme with the town's wealthiest man (Stanley Holloway) for the villagers to run the rail line themselves; in this way they hope to prove to the railway inspectors that their branch is still worth keeping. When the bus interests attempt to sabotage this undertaking, the villagers respond by stealing a stray locomotive--and when this proves cumbersome, they reactivate a 19th century train engine from the local museum. The Titfield Thunderbolt is uniquely British in humor and approach, but not so "inside" as to alienate American filmgoers. ~ Hal Erickson, All Movie Guide

In this comedy, the routines of two British army barracks are disrupted when they are invaded by a Hollywood film unit while their CO is away. Trouble ensues when he returns unannounced. Now the filmmakers must convince him to allow them to keep filming. To do so, they employ the charms of a full-bodied blonde starlet. Filming finally resumes, but then a larger military impresario decides to drop by for a snap inspection; the film crew is unable to offer an acceptable explanation for their presence in the camp. ~ Sandra Brennan, All Movie Guide

The Boulting Brothers enjoyed one of their biggest box-office successes of the 1950s with the wry service comedy Private's Progress. Though billed fourth, Ian Carmichael plays the central character, feckless British soldier Stanley Windrush. Interrupting his college education to serve his country, Windrush flunks out of officer's candidate school and is demoted to private. Much of the humor arises from the bookish hero's confrontation with the ruder and cruder side of army life, as represented by rough-hewn fellow private Cox (Richard Attenborough). As Major Hitchcock, Terry-Thomas offers a brilliant parody of the "Mad Dogs and Englishmen" school of military service, while Dennis Price is equally amusing as a nonplussed commanding officer named Tracepurcel (!) Also worth watching is future "Dr. Who" star William Hartnell as a loudmouthed sergeant. Halfway through the film, the plot rears its ugly head as the protagonists become involved with the covert reclamation of art treasures confiscated by the Nazis during WW2. ~ Hal Erickson, All Movie Guide

To make the Rising of the Moon, American filmmaker John Ford returned to his Irish roots. An obscure and highly personal film for Ford, it is comprised of three episodes--each offering insight into Irish culture and values. All are introduced by Tyrone Power. In "The Majesty of the Law," a police officer is assigned to arrest an Irish curmudgeon who hit the neighbor who sold him a lousy batch of homemade whiskey. But this is no ordinary arrest as the old man is a traditionalist who loathes the new directions his beloved Eire is going. Out of respect, the cop eschews his car and walks to his cottage. The two have a conversation and the old man mourns the loss of the old ways and expresses his frustration over the encroachment of modern amenities that are destroying the Irish heritage. The sympathetic cop offers to free him if the old man will pay a small fine, but though the codger has more than enough to pay it, he refuses on principal. Even when the man who filed the charges offers to pay the fine, the coot refuses to give in and stoically heads off to serve his time. As he walks with the officer to the jail, the whole town comes out to honor the old man. Set at a train station "A Minute's Wait" offers a humorous look at Irish conceptions of time as train's brief scheduled stop to pick up some lobsters for an important dinner stretches out into a long, leisurely pause. The final vignette, "1921" features members of Dublin's Abbey Theatre and tells the story of how they engineer an elaborate rescue of an Irish patriot from prison. ~ Sandra Brennan, All Movie Guide

Margaret Leighton stars as a novelist who draws inspiration for her characters from the people around her. While working on a romance novel, she bases the sexy central male character upon her chauffeur (Carlo Justini). He can't understand that Margaret's interest in him is purely professional, and assumes that the woman is crazy about him. Everybody in Leighton's "real" life portrays his or her literary counterpart in a film-within-a-film, few more amusingly than the lady's wheelchair-bound husband (Ralph Richardson). Something of a comic precursor to The French Lieutenant's Woman (81), Passionate Stranger was also released as A Novel Affair. ~ Hal Erickson, All Movie Guide

The still-controversial L'Affair Dreyfuss of the late 19th century is the focal point of I Accuse! Jose Ferrer (who also directed) stars as French Army captain Alfred Dreyfus, who is chosen as the fall guy for a major military scandal for no other discernable reason than his Jewishness. Wrongly accused of treason, Dreyfus is stripped of his rank and shipped off to Devil's Island. Friends and family members, bolstered by the support of novelist Emile Zola (Emlyn Williams), force a retrial, to no avail. When their mistake and subsequent coverup is revealed, the Army tries to save face by offering Dreyfuss a pardon, even though they will not rescind their accusation of treason. Left with no alternatives, Dreyfuss accepts, returning to France in disgrace. Only the confession of the genuine traitor enables Dreyfuss to clear his name and have his rank restored. Many of the facts of the case that had been glossed over for legal reasons in 1937's Life of Emile Zola are herein presented on film for the first time. The screenplay for I Accuse! was adapted from the Nicholas Haasz' book by Gore Vidal, who manages to make several allusions to America's own McCarthy-era "witch hunts". ~ Hal Erickson, All Movie Guide

Produced by Mike Todd Jr., Scent of Mystery was a misguided attempt to introduce a new gimmick to motion pictures. The plot involved the apparent murder of a mystery woman (Beverly Bentley, at one time the wife of writer Norman Mailer) and the disappearance of several valuables. Denholm Elliott, Peter Lorre and Paul Lukas were among the good and bad guys chasing all over Spain and England. Whatever cinematic value Scent of Mystery had was dissolved by the film's gimmick, dubbed "Smell-O-Vision." The idea was to rig up a device in each theatre, from which would emanate a scent that corresponded with whatever image was on screen: the smell of roses for a garden, the odor of fish for an ocean scene, and so forth. Mike Todd Jr. should have guessed what the critical response would be, but released the film all the same. Scent of Mystery, though beautifully photographed, was perhaps the only genuine stinker ever produced by the motion picture industry. ~ Hal Erickson, All Movie Guide

A British officer must save the Barbary apes on Gibralter at all costs in this WW II farce. He does this, because it is believed that if the apes leave the rock, Britain will fall. The trouble begins when the only male ape dies. To save the rest, the officer and his side-kick sneak in to Zurich and steal an ape from a German circus. This results in a promotion for the officer, and now he and his partner are assigned to protect the ravens in the Tower of London. ~ Sandra Brennan, All Movie Guide