Michael Trubshawe Movies

Steed is held on suspicion when several secrets are smuggled out of a tightly secured communications facility. While Steed is under "house arrest" at the luxurious digs of his superior Mother (Patrick Newell, making his series debut), Tara tries to trap the real traitor. She is "assisted" by an incredibly incompetent operative named Watney (Dinsdale Landen). Written by Leigh Vance, "All Done with Mirrors" first aired in England on November 13, 1968, and in America on December 2 of that year. ~ Hal Erickson, All Movie Guide

Two steadfast members of Frank Sinatra's self-styled "clan," Peter Lawford and Sammy Davis Jr., are the stars of Salt and Pepper. The boys run a swinging nightclub in London's Soho district (which explains their awful "mod" wardrobe) and also reluctantly double as secret agents. Their current assignment is to put the kibosh on a half-baked military officer (John LeMesurier), who plans to hijack a nuclear sub and hold England captive. The film is securely locked into the 1960s, with weird camera angles and out-of-focus optical effects, plenty of compliant young miniskirted damsels, and Bondlike action highlights. Salt and Pepper was followed two years later by a sequel, imaginatively titled One More Time. ~ Hal Erickson, All Movie Guide

When the Soviet Prime Minister accepts a beautiful English bulldog as a gift from the British government, he has no idea that the dog has a highly sensitive bug in its stomach. This lively British espionage farce follows what happens after the dog becomes sick. It's a sticky situation, for if a Russian vet examines the creature, he will surely find the device. ~ Sandra Brennan, All Movie Guide

Another classic "Emma Peel" installment, this episode was first telecast in England on December 4, 1965. A series of mysterious deaths in the upper circles of International Finance have caused a great deal of panic among investors. Hoping to locate the source of all the trouble, Steed and Emma go undercover, with Steed posing as a prominent financier. Meanwhile, Emma faces death at the hands of a strange little man with an obsession for clocks. Written by Roger Marshall, "Dial a Deadly Number" was seen in the U.S. on July 24, 1966. ~ Hal Erickson, All Movie Guide

During the first worldwide flush of Beatlemania in 1964, United Artists wanted to ship out a movie with The Beatles before their vogue was over. Working within a tight $500,000 budget, director Richard Lester turned out A Hard Day's Night in a fast 6 1/2 weeks; the picture was in the theatres three months after shooting commenced. Using a variety of techniques cribbed from Hollywood slapstick comedies, the French "new wave" movement, and his own experiences as a TV-commercial director, Lester, with screenwriter Alun Owen, fashioned an exhilarating study of a "typical" 36 hours in the lives of the Fab Four. Onto a plot about getting to the Big Show on time are hung a series of instant-reaction gags, character vignettes, and musical setpieces. Much of the humor arises from Paul McCartney's efforts to keep his grandfather (Wilfred Brambell), a "clean old man," from getting into mischief. Also good for several laughs is the hookey-playing Ringo Starr, whose mistimed declaration of independence lands him in jail. We are also treated to a war of nerves between the unflappable John Lennon and an uptight TV director (Victor Spinelli), who worries that, should the Beatles not show up at broadcast time, he'll be demoted to "News In Welsh." George Harrison stars in a sequence in which he is mistaken for an auditionee by the producer (Kenneth Haigh) of a superficially trendy, teen-oriented TV weekly. Then there's Norman Rossington and John Junkin as The Beatles' managers, who carry on a battle royale simply because one man is taller than the other. The supporting cast includes comedienne Anna Quayle, cartoonist Bob Godfrey, TV host Robin Ray, dancer Lionel Blair, Harrison's future wife Patti Boyd, and director Lester himself. The songs include "I Should Have Known Better," "And I Love Her," "Tell Me Why," "If I Fell," "Can't Buy Me Love," and the title song. ~ Hal Erickson, All Movie Guide

In the first in a series of detective comedies from director Blake Edwards starring Peter Sellers as bumbling French Inspector Jacques Clouseau, the mishap-prone snoop is actually a supporting player. David Niven stars as Sir Charles Litton, a suave jewel thief known as "The Phantom." Vacationing in a deluxe Alpine resort, Litton's real purpose is to purloin the Pink Panther, a gem of enormous worth owned by a princess (Claudia Cardinale). On his trail for years, Inspector Clouseau keeps losing his quarry, perhaps because his wife Simone (Capucine) is Litton's lover and alerts him every time her husband draws near. Also after the Panther is Litton's American nephew, George (Robert Wagner). At a posh costume ball at the princess' villa, the bauble is stolen and Clouseau, still trying to determine the bandit's identity, is framed for the crime himself. The Pink Panther made Sellers and his Clouseau act so popular that the character moved to center stage in a series of farcical sequels. ~ Karl Williams, All Movie Guide

A British officer must save the Barbary apes on Gibralter at all costs in this WW II farce. He does this, because it is believed that if the apes leave the rock, Britain will fall. The trouble begins when the only male ape dies. To save the rest, the officer and his side-kick sneak in to Zurich and steal an ape from a German circus. This results in a promotion for the officer, and now he and his partner are assigned to protect the ravens in the Tower of London. ~ Sandra Brennan, All Movie Guide

Produced by Mike Todd Jr., Scent of Mystery was a misguided attempt to introduce a new gimmick to motion pictures. The plot involved the apparent murder of a mystery woman (Beverly Bentley, at one time the wife of writer Norman Mailer) and the disappearance of several valuables. Denholm Elliott, Peter Lorre and Paul Lukas were among the good and bad guys chasing all over Spain and England. Whatever cinematic value Scent of Mystery had was dissolved by the film's gimmick, dubbed "Smell-O-Vision." The idea was to rig up a device in each theatre, from which would emanate a scent that corresponded with whatever image was on screen: the smell of roses for a garden, the odor of fish for an ocean scene, and so forth. Mike Todd Jr. should have guessed what the critical response would be, but released the film all the same. Scent of Mystery, though beautifully photographed, was perhaps the only genuine stinker ever produced by the motion picture industry. ~ Hal Erickson, All Movie Guide

The still-controversial L'Affair Dreyfuss of the late 19th century is the focal point of I Accuse! Jose Ferrer (who also directed) stars as French Army captain Alfred Dreyfus, who is chosen as the fall guy for a major military scandal for no other discernable reason than his Jewishness. Wrongly accused of treason, Dreyfus is stripped of his rank and shipped off to Devil's Island. Friends and family members, bolstered by the support of novelist Emile Zola (Emlyn Williams), force a retrial, to no avail. When their mistake and subsequent coverup is revealed, the Army tries to save face by offering Dreyfuss a pardon, even though they will not rescind their accusation of treason. Left with no alternatives, Dreyfuss accepts, returning to France in disgrace. Only the confession of the genuine traitor enables Dreyfuss to clear his name and have his rank restored. Many of the facts of the case that had been glossed over for legal reasons in 1937's Life of Emile Zola are herein presented on film for the first time. The screenplay for I Accuse! was adapted from the Nicholas Haasz' book by Gore Vidal, who manages to make several allusions to America's own McCarthy-era "witch hunts". ~ Hal Erickson, All Movie Guide

To make the Rising of the Moon, American filmmaker John Ford returned to his Irish roots. An obscure and highly personal film for Ford, it is comprised of three episodes--each offering insight into Irish culture and values. All are introduced by Tyrone Power. In "The Majesty of the Law," a police officer is assigned to arrest an Irish curmudgeon who hit the neighbor who sold him a lousy batch of homemade whiskey. But this is no ordinary arrest as the old man is a traditionalist who loathes the new directions his beloved Eire is going. Out of respect, the cop eschews his car and walks to his cottage. The two have a conversation and the old man mourns the loss of the old ways and expresses his frustration over the encroachment of modern amenities that are destroying the Irish heritage. The sympathetic cop offers to free him if the old man will pay a small fine, but though the codger has more than enough to pay it, he refuses on principal. Even when the man who filed the charges offers to pay the fine, the coot refuses to give in and stoically heads off to serve his time. As he walks with the officer to the jail, the whole town comes out to honor the old man. Set at a train station "A Minute's Wait" offers a humorous look at Irish conceptions of time as train's brief scheduled stop to pick up some lobsters for an important dinner stretches out into a long, leisurely pause. The final vignette, "1921" features members of Dublin's Abbey Theatre and tells the story of how they engineer an elaborate rescue of an Irish patriot from prison. ~ Sandra Brennan, All Movie Guide

Margaret Leighton stars as a novelist who draws inspiration for her characters from the people around her. While working on a romance novel, she bases the sexy central male character upon her chauffeur (Carlo Justini). He can't understand that Margaret's interest in him is purely professional, and assumes that the woman is crazy about him. Everybody in Leighton's "real" life portrays his or her literary counterpart in a film-within-a-film, few more amusingly than the lady's wheelchair-bound husband (Ralph Richardson). Something of a comic precursor to The French Lieutenant's Woman (81), Passionate Stranger was also released as A Novel Affair. ~ Hal Erickson, All Movie Guide

Van Johnson portrays a blind American writer living in London. Blessed with an acute hearing sense, Johnson overhears a kidnapping plot but neither his friends nor the authorities believe him, chalking up his story as the product of a writer's imagination. Disgruntled, Johnson vows to scuttle the kidnapping himself -- with the assistant of his fiancée Vera Miles. Despite his handicap, Johnson puts the pieces together using sounds as evidence and guidance. Ultimately Johnson finds his life in danger when he corners the criminal in a dark alley. 23 Paces to Baker Street was one of several ''50s 20th Century-Fox films shot on location in London to take advantage of Fox's "frozen funds" -- money earned by the studio in England which by law could only be spent in that country. ~ Hal Erickson, All Movie Guide

Horseracing provides the framework of this British drama. The story begins as a former champion jockey Sam Lilley is barred from racing. Although he himself can no longer race, the jockey decides to live his dreams through Georgie Crain, who becomes his youthful protege. Sam teaches George all he knows, and also insists that he keep his morals high. But when Georgie's mother encounters financial disaster, the lad and his mentor decide they have no choice but to throw a race for a gang of criminals. Unfortunately, this leads to even more ethical problems. ~ Sandra Brennan, All Movie Guide