Louise Troy Movies

Ivan Reitman's sequel to the phenomenally successful Ghostbusters is looser and more self-assured than the original. The film opens with a title reading "Five Years Later" and finds the ghostbusters living in hard times. A restraining order has forbidden the boys to partake in paranormal warfare, and as a result they have had to seek other lines of work. Ray (Dan Aykroyd) and Winston (Ernie Hudson) spend their time performing at children's' birthday parties, and Egon (Harold Ramis) is busy conducting experiments investigating the effect of human emotions on the environment, leaving ghostbusting behind. Venkman (Bill Murray) and Dana (Sigourney Weaver) have split up. Venkman now hosts a local cable show called "The World of the Psychic." Dana, now divorced and the mother of a little baby named Oscar, works as an art restorer in a museum -- and this is where the plot kicks in. While Dana is restoring a portrait of a 16th-century tyrant by the name of Vigo the Carpathian, the portrait becomes hexed. The evil Vigo wants to return to life by taking over the body of Dana's little child. Vigo has enlisted Dana's boss, Janosz Poha (Peter MacNicol), to compel Dana to cooperate. Soon dirty sludge and slime flow through the streets of Manhattan, and the ghostbusters have to reunite to save the city from a funky paranormal evil. ~ Paul Brenner, Rovi

Hogan infiltrates a party to steal secret information from German General Von Behler (John Hoyt). In this he is aided by an unexpected friend: Von Behler's daughter Hedy (Louise Troy), who happens to be an Allied agent. Realizing that her father's plans will prolong the war, Hedy agrees to photograph the documents on Hogan's behalf -- but getting them out of the Von Behler household is another matter entirely. First shown on January 18, 1969, "Operation Hannibal" was written by Laurence Marks. ~ Hal Erickson, Rovi

John Cheever's "misery in suburbia" short stories, brief and to the point, have always proven excellent TV fodder. Director Frank Perry's The Swimmer, adapted for the screen by Perry's wife Eleanor, is a rare, and for the most part successful, attempt at offering a Cheever story in feature-length form. Dressed only in swimming trunks throughout the film, Burt Lancaster plays a wealthy, middle-aged advertising man, embarked on a long and revelatory journey through suburban Connecticut. Lancaster slowly makes his way to his split-level home by travelling from house to house, and from swimming pool to swimming pool. At each stop, Lancaster comes face to face with an incident in his past. Informing Kim Hunter that he once harbored a secret love for her, Lancaster is mildly upset by Hunter's indifference. Elderly Cornelia Otis Skinner is incensed at Lancaster's intrusion in her backyard and orders him to leave. At the next home, Lancaster tries to seduce the nubile Janet Landgard, who'd once baby-sat for his daughters, but she runs away in horror. And so it goes: as each subsequent suburbanite peels off his self-protective veneer, Lancaster grows more and more disillusioned with what he thought was his ideal lifestyle. The more intensely painful episode is the confrontation between Lancaster and ex-mistress Janice Rule (this scene was directed, without credit, by Sydney Pollack). Thoroughly defeated, the all-but-naked Lancaster laboriously makes his way through the Connecticut woods in a blinding rainstorm, desperately seeking out his own home where he fully expects his "loving" wife and daughters to greet him. Not this time. Dismissed as too self-consciously "arty" at the time of its release, The Swimmer's reputation increased over the decades following its release thanks to constant late-night TV exposure. The film represents the first movie work of 22-year-old composer Marvin Hamlisch. ~ Hal Erickson, Rovi

Bernard Fox makes his first appearance as British martinet Col. Crittendon, the new senior POW at Stalag 13. Crittendon's never-ending efforts to escape may mess up Hogan's plans to help a German baroness named Lili (Louise Troy) defect to England. The trick is to cool off Crittendon while simultaneously keeping the Gestapo in the dark about Hogan's underground activities. Written by Richard M. Powell, "The Flight of the Valkyrie" first aired on October 15, 1965. ~ Hal Erickson, Rovi

The prestigious CBS dramatic anthology The U.S. Steel Hour digressed from its usual format to present this lively musical adaptation of Oscar Wilde's classic comedy of manners, The Importance of Being Earnest. The story, about two love struck young men who both pretend to bear the name of Earnest to please their respective sweethearts, remains substantially the same. However, the emphasis is shifted away from nominal leading man John Worthing (David Atkinson) and his aristocratic fiancée, Gwendolen Fairfax (Louise Troy), so that the characters of scampish Algernon Moncrieff and impressionable ingénue Cecily Cardew become the major roles. Edward Mulhare (who was at the time occasionally spelling Rex Harrison as star of the Broadway smash My Fair Lady) is seen as Algernon, with Dorothy Collins, an American vocalist best known for her work on Your Hit Parade, top-billed as Cecily. Also in the cast is Martyn Green, who in 1957 was the foremost interpreter of the works of Gilbert & Sullivan, in the somewhat expanded role of Rev. Chasuble. The original songs, by Lee Pockriss and Ann Crosswell, include "Mr. Bunbury," "Perfection,," "My Eternal Devotion," "A Wicked Man," "Metaphorically Speaking," "Lost," and "My Very First Impression." "Who's Earnest?" was originally broadcast live from New York. ~ Hal Erickson, Rovi

Ghostbusters
Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson star as a quartet of Manhattan-based "paranormal investigators". When their government grants run out, the former three go into business as The Ghostbusters, later hiring Hudson on. Armed with electronic paraphernalia, the team is spectacularly successful, ridding The Big Apple of dozens of ghoulies, ghosties and long-legged beasties. Tight-lipped bureaucrat William Atherton regards the Ghostbusters as a bunch of charlatans, but is forced to eat his words when New York is besieged by an army of unfriendly spirits, conjured up by a long-dead Babylonian demon and "channelled" through beautiful cellist Sigourney Weaver and nerdish Rick Moranis. The climax is a glorious sendup of every Godzilla movie ever made-and we daresay it cost more than a year's worth of Japanese monster flicks combined. Who'd ever dream that the chubby, cheery Stay-Puft Marshmallow Man would turn out to be the most malevolent threat ever faced by New York City? When the script for Ghostbusters was forged by Dan Aykroyd and Harold Ramis, John Belushi was slated to play the Bill Murray role; Belushi's death in 1982 not only necessitated the hiring of Murray, but also an extensive rewrite. The most expensive comedy made up to 1984, Ghostbusters made money hand over fist, spawning not only a 1989 sequel but also two animated TV series (one of them partially based on an earlier live-action TV weekly, titled The Ghost Busters. ~ Hal Erickson, All Movie Guide

Ghostbusters 2
Ivan Reitman's sequel to the phenomenally successful Ghostbusters is looser and more self-assured than the original. The film opens with a title reading "Five Years Later" and finds the ghostbusters living in hard times. A restraining order has forbidden the boys to partake in paranormal warfare, and as a result they have had to seek other lines of work. Ray (Dan Aykroyd) and Winston (Ernie Hudson) spend their time performing at children's' birthday parties, and Egon (Harold Ramis) is busy conducting experiments investigating the effect of human emotions on the environment, leaving ghostbusting behind. Venkman (Bill Murray) and Dana (Sigourney Weaver) have split up. Venkman now hosts a local cable show called "The World of the Psychic." Dana, now divorced and the mother of a little baby named Oscar, works as an art restorer in a museum -- and this is where the plot kicks in. While Dana is restoring a portrait of a 16th-century tyrant by the name of Vigo the Carpathian, the portrait becomes hexed. The evil Vigo wants to return to life by taking over the body of Dana's little child. Vigo has enlisted Dana's boss, Janosz Poha (Peter MacNicol), to compel Dana to cooperate. Soon dirty sludge and slime flow through the streets of Manhattan, and the ghostbusters have to reunite to save the city from a funky paranormal evil. ~ Paul Brenner, All Movie Guide