Patrick Troughton Movies
British stage actor Patrick Troughton made the transition to films in 1948's Escape. His movie credits included the Laurence Olivier Shakespearean productions Hamlet (1948) and Richard III (1955), Disney's Treasure Island (1950), Hammer Films' Curse of Frankenstein (1957), and the Ray Harryhausen special effects banquets Jason and the Argonauts (1963) and Sinbad and the Eye of the Tiger. From 1966 through 1968, Troughton played the eccentric time traveler Doctor Who in the BBC TV series of the same name, succeeding the first Who William Hartnell. Patrick Troughton's association with this series assured him a standing ovation whenever he appeared at science fiction conventions in the 1970s and 1980s; it was while appearing at a Who convention in Georgia that the 67-year-old Troughton died of a heart attack. ~ Hal Erickson, All Movie Guide
- 1954
Alan Ladd once more journeyed to England to make a film for Columbia's British counterpart (Warwick Studios), and the result was the lively swashbuckler The Black Knight. Ladd plays John, a young swordmaker who aspires to join the Knights of the Round Table. Unfortunately, he is falsely accused of cowardice and banished from his community. Thanks to the secret tutelage of one of Arthur's knights, John is able to train himself in the art of combat, and soon reemerges as the vengeance-seeking Black Knight. In this guise, he is able to bring a group of traitors to justice, rout a band of invading Saracens, and rescue his lady love Linet (Patricia Medina) from certain doom. Anthony Bushell, who was soon to completely forsake acting in favor of producing and directing, costars as King Arthur, while the villains of the piece are essayed by Peter Cushing and future Dr. Who Patrick Troughton. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, Peter Cushing, (more)
- 1951
White Corridors was based on Yeoman Hospital, a novel by Helen Ashton. Told episodically, the story concentrates on the day-to-day activities in a busy hospital, where research pathologist Neil Marriner (James Donald) conducts experiments in the hopes of curing diseases impervious to penicillin. Marriner is aided in this endeavor by lady surgeon Dr. Sophie Dean (Googie Withers), who happens to be in love with him. After a tragedy occurs for which Marriner holds himself responsible, the film builds steadily to an exciting climax involving a untested -- and potentially dangerous -- serum. The top-rank British supporting cast includes Barry Jones, Moira Lister, Petula Clark, Basil Radford, Dagmar (later Dana) Wynter, Bernard Lee, and, in a minor role, future "Dr. Who" Patrick Troughton. ~ Hal Erickson, All Movie Guide
- Starring:
- Googie Withers, Gerard Heinz, (more)
- 1950
Filmed on location in a British industrial town, Chance of a Lifetime is a trenchantly amusing satire of labor-management relations. When a group of angry workers protest their wage and working conditions at a plough factory, they are permitted to take over the operation themselves. It isn't long before they realize that you can't run a business on idealism and goodwill. Wisely, no one in the film is depicted as a clear-cut hero or villain; "hateful" company boss Dickinson (Basil Radford) is just as human and likeable as the incensed workers. For reasons that now seem frivolous, Chance of a Lifetime was rejected by three major British distribution firms before it was picked up--at the behest of the government--by British Lion. ~ Hal Erickson, All Movie Guide
- Starring:
- Basil Radford, Niall MacGinnis, (more)
- 1950
Set in a quiet British village, Franchise Affair details the ramifications of a malicious lie. Schoolgirl Ketty Kane (Ann Stephens) hopes to cover up her own misbehavior by claiming that two local women, Marion Sharpe (Dulcie Gray) and Marion's mother (Marjorie Fielding), have kidnapped and abused her. Though the authorities swallow Ketty's story, village lawyer Robert Blair (Michael Dennison) had his doubts. Risking ostracism from the community, Blair quietly sets about to prove the innocence of the two women. ~ Hal Erickson, All Movie Guide
- Starring:
- Dulcie Gray, Anthony Nicholls, (more)
- 1950
The title is a reference to the mental state of leading lady Phyllis Calvert. Ms. Calvert plays an amnesiac, a victim of the wartime air raids, whose past is literally closed off to her. She doesn't know why, but everyone at every turn seems to want something from her--and some of these strangers have a homicidal glint in their eyes. Among the supporting players is Richard Burton, making his fourth screen appearance. Retitled as Her Panelled Door for U.S. theatrical release. ~ Hal Erickson, All Movie Guide
- Starring:
- Phyllis Calvert, Edward Underdown, (more)
The Walt Disney production of the Robert Louis Stevenson classic novel Treasure Island is one of the company's best live-action films of the '50s, and one of the best family-oriented adventures ever filmed. Bobby Driscoll plays Jim Hawkins, a young cabin boy who battles the pirate Long John Silver (Robert Newton) for a treasure. Disney changes the ending of the book, yet the film is so entertaining--particularly Newton's scene-stealing performance--that the difference is forgivable. In the '70s, Treasure Island was re-issued with "objectionable" violence cut out of the print; the original version was restored in the 1992 home video re-release. ~ Stephen Thomas Erlewine, All Movie Guide
- Starring:
- Bobby Driscoll, Robert Newton, (more)
- 1949
Originally filmed in 1934 (see entry 84314), R.C. Sheriff's venerable stage comedy Badger's Green was given another screen treatment in 1949. The plot is the same as before: a group of villagers revolt when their precious cricket field is threatened with demolition by a fat-cat business firm. Most of the character names remain the same as well, with one curious exception: the heroine, played by Barbara Murray, is named Jane Morton rather than Molly Butler. Though shorter than the 1934 version, the 1949 Badger's Green enjoys far better production values. Still, the comedy content is rather dated, especially the jokes concerning class consciousness. ~ Hal Erickson, All Movie Guide
Although criticized by Shakespeare devotees upon its release because of director, producer, and star Laurence Olivier's decision to excise large portions of the text, his cinematic version of Hamlet is widely considered the best out of several dozens (and counting). Hamlet (Olivier) is a medieval Danish prince who's still melancholy over the sudden death of his father and the quick, subsequent remarriage of his mother, Queen Gertrude (Eileen Herlie) to his uncle, Claudius (Basil Sydney). Informed by the ghost of his father that Claudius murdered him, Hamlet schemes to take revenge. Unsure how best to proceed, his delays and the horrible secret burdening him eventually lead to the violent snuffing out of several lives in both his family and that of courtier Polonius (Felix Aylmer), whose daughter Ophelia (Jean Simmons) is in love with Hamlet. Greatly influenced by the inventive camera work in Citizen Kane (1941) and by modern, psychological reinterpretations of Shakespeare's play, Olivier's masterpiece was the winner of four Academy Awards, for Best Picture, Best Actor (Olivier), Best Black and White Art Direction/Set Direction and Best Black and White Costume Design. ~ Karl Williams, All Movie Guide
- Starring:
- Laurence Olivier, Eileen Herlie, (more)
- 1948
In this drama, set after the war, a WW II flying ace and hero comes to the aid of a hooker who is being harassed by a policeman. He pushes the abusive cop away during the tussle; the cop falls, hits his head, and dies. The former flier is promptly tried and given a three-year prison sentence. He escapes one night during a heavy fog. He is taken in by a caring woman who tries convincing him to surrender. The fugitive at first refuses, but then after seeking sanctuary in a church relents because he does not want the parson to have to lie on his behalf. His surrender is made easier by the knowledge that the woman will wait for him. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jacqueline Clarke, Peter Croft, (more)
