James Bolam Movies

British filmmaker Mike Barker directs the political costume-drama To Kill a King. Set in 1645 at the end of the English Civil War, General Thomas Fairfax (Dougray Scott) celebrates the victory with his right-hand man Oliver Cromwell (Tim Roth). While, King Charles I (Rupert Everett) is held prisoner, he appeals to the sensibilities of Fairfax's wife, Lady Anne (Olivia Williams). The old friends disagree over what to do about the king; Fairfax is willing to compromise and Cromwell is far more strict. The Speaker of the House, Denzil Holles (James Bolam), leads a group of conspirators to make an illegal deal with the king, but they are discovered and subsequently punished. The king is put on trial and executed, making Cromwell in charge. The conclusion involves a reunion between Fairfax and a dying Cromwell. ~ Andrea LeVasseur, All Movie Guide

A young boy learns a grownup's lesson in survival in this dramatic adventure. Alex (Jordan Kiziuk) is an 11-year-old boy who is living with his father Stefan (Patrick Bergin) and Uncle Boruch (Jack Warden) in a Jewish ghetto in Poland during WWII. While Alex has been able to hold onto some shards of his childhood innocence, he's all too aware of the dangers all around him, and his father has gone so far as to teach him how to use a gun for his own protection once the inevitable tragedy occurs. When Nazi troops begin clearing the Poles from the ghetto, Stefan tells his son to hide, and leaves him with the words, "No matter what happens, I will come back for you." Alex follows his fathers instruction to the letter; he makes a hiding place for himself in the loft of an old building, which he's able to furnish and can access with a rope ladder, while keeping a pet mouse who not only keeps him company but helps him find precious caches of food. With his favorite book, The Adventures of Robinson Crusoe, as his guide, Alex tries to outrun and outmaneuver the Nazi soldiers as he patiently waits for his father to make good on his promise. The Island on Bird Street was a multiple award-winner in its screenings at the 1997 Berlin International Film Festival. ~ Mark Deming, All Movie Guide

This syrupy British drama stars Ian Hart as an English teacher assigned to a "special needs" school. Faced with a classroom full of angry, unruly children, Hart hopes to bring about order and unity by sharing his love of cross-country running. As is generally the case in films of this ilk, the teacher must wear down the resistance of the class' most difficult and obstreperous kid (Ruaidhri Coroy). Disaster looms on the horizon when the boy's father dies, prompting him to indulge in a series of dangerous running stunts that threaten the wellbeing of all concerned. Wending its way throughout Clockwork Mice is a romantic subplot involving Ian Hart and fellow teacher Catherine Russell. ~ Hal Erickson, All Movie Guide

After the success of the British mini-series The Beiderbecke Affair and its sequel The Beiderbecke Tapes, the BBC followed with The Beiderbecke Connection, the final installment of the trilogy. The lives of jazz lovers Trevor (James Bolam) and Jill (Barbara Flynn), now married and raising their first child, become more complicated after they agree to take in a friend who has recently fallen on hard times. Though at times it seems their unexpected house guest be more trouble than they bargained for, he is, at least, a fellow jazz fan.

~ Tracie Cooper, All Movie Guide

In this made for British TV movie, a young girl meets a ghost of her mother's lover on her estate. ~ Tana Hobart, All Movie Guide

The second presentation of the BBC/PBS 37-installment project The Shakespeare Plays was the Bard's As You Like It. The plot, borrowed from Thomas Lodge's romance tale "Rosalynde", takes place in the forest of Arden. Rosalind (Helen Mirren) is forced by various political intrigues to disguise herself as a man. She loves Orlando (Brian Stirner), but of course can't declare herself in her "male" state. Meanwhile, Phebe (Victoria Plucknett) pines away for Rosalind, who she assumes to be a very good-looking man. Other romantic entanglements involve Rosalind's friend Celia (Angharad Rees), the buffoonish Touchstone (James Bolan), the toothsome Audrey (Marilyn Le Conte) and Silvius the shepherd (Maynard Williams). Taped on location at Glamis Castle in Scotland, As You Like It mades its American TV debut on February 28, 1979. ~ Hal Erickson, All Movie Guide

Created by James Mitchell, the long-running British drama series When the Boat Comes In was set in the decades between the two World Wars. Disillusioned by his wartime experiences in France, ex-sergeant Jack Ford (James Bolam) arrived in the town of Gallowshields on Tyneside in search of a job -- any job. Unfortunately, what with the nationwide financial recession, virtually no one in town had any employment to offer. Aligning himself with the equally impoverished Seaton family, Jack set about to improve his fortunes -- and somewhere along the line, he wed the lovely Jessie Seaton (Susan Jameson). An entertaining capsule of the confusion and sociopolitical upheaval in Britain after WWI, When the Boat Comes In was almost painfully accurate in its period detail, right down to the contemporary-sounding theme tune, performed by Alex Glasgow. Debuting January 8, 1976, the series yielded 51 episodes before folding in 1981. ~ Hal Erickson, All Movie Guide

One man's dreams of success take him on a Byzantine journey through the various stations of the British class system in this politically charged black comedy from director Lindsay Anderson. Mick Travis (Malcolm McDowell) is an ambitious young man who is looking to get his foot on the first rung of the ladder of success by landing a job as a salesman. After the death of Imperial Coffee's leading drummer in the North, Travis' charm and enthusiasm so impresses manager Mr. Duff (Arthur Lowe) that he's given the job, and after some coaching from Gloria Rowe (Rachel Roberts), Travis sets out to find his fortune in the coffee trade. Travis' desire for success quickly sets him on a curious odyssey in which he happens upon a secret sex club for businessmen, finds himself the subject of random seductions by lonely women, is captured and tortured by military intelligence agents, submits to medical experiments at a bizarre private clinic, hitches a ride with a traveling rock band led by former Animals keyboardist Alan Price, falls in love with a beautiful young bohemian named Patricia (Helen Mirren), goes to work for her father (Ralph Richardson), who happens to be a singularly corrupt political figure, and eventually lands in prison after he's implicated in a deal to sell chemical weapons to the Third World. As Mick's strange tale progresses, we periodically visit Price and his band in the recording studio or rehearsal hall, as they work on songs which serve as both mirror and counterpoint for Travis' progress. O Lucky Man! was the second film in which Malcolm McDowell would portray Mick Travis for director Lindsay Anderson, following If..., and preceding Britannia Hospital; the film's surreal undercurrent was reinforced by the casting, in which nearly all of the principal actors play two or three roles. ~ Mark Deming, All Movie Guide

In this thriller, a naive young woman travels from Liverpool to London to search for a man willing to sire her child. She meets a perfectly charming fellow and decides that he is the one. Unfortunately, "Mister Perfect" turns out to be a psychotic killer. The film is also titled Til Dawn Do Us Part. ~ Sandra Brennan, All Movie Guide

Gerald Arthur Otley (Tom Courtenay) is a British secret agent called in to investigate the murder of a suspected influence pedlar and document smuggler. He trails double agents and double martinis at a posh cocktail party before discovering the villains have the cooperation of top government officials in Parliament. Otley is pegged to masquerade as a possible defector to oust the criminal mastermind who plans to sell some stolen documents vital to national security to any enemy agent with the most money. Murder, blackmail and auto chases dominate the action as the femme fatale Imogen (Romy Schneider) first has Otley beaten up by her thugs before combining forces to go after the real villains in this confusing and sometimes funny spy yarn. ~ Dan Pavlides, All Movie Guide

British musical star Tommy Steele had starred in Half a Sixpence in London and on Broadway, thus he was first choice for this garish film version. Based on the H.G. Wells story Kipps (previously filmed in 1941 with Michael Redgrave), Half a Sixpence tells the tale of a humble London drapery clerk (Steele) who inherits a fortune. He briefly forgets his old mates and his faithful girl friend (Julia Foster), but soon discovers that High Society isn't his cup of tea. Filmed during the "monster musical" cycle fostered by The Sound of Music, Half a Sixpence isn't really suited for the spectacular approach dictated by co-producer Charles H. Schneer. Fortunately, the guiding directorial hand is the film's other producer: George Sidney, a veteran of MGM's Arthur Freed unit, who knew how to successfully weld music with story. Thanks to Sidney and star Steele, Half a Sixpence never gets too out of hand, though we'd argue with some of the eyestrain-inducing color choices in the bigger numbers. The film might have done better at the box office had the score yielded a few hit songs. ~ Hal Erickson, All Movie Guide