Marie Trintignant Movies

Alberto's family traditions are quite unusual. Living in Paris with his pregnant wife, he is now expected to return to Rome to pay back every cent that his family spent raising him. Totally without the kind of money expected of him, as Alberto speeds by train toward his family he tries to raise the cash by various desperate means from the other passengers aboard the train so he will not have to face his father empty-handed. ~ Tana Hobart, All Movie Guide

Victor Meynard (Jean Rochefort) is an assassin for hire, and he's proud of it. It's part of his family's business. However, in this comedy, there are occasions when he simply cannot bring himself to pull the trigger and make a "hit." Instead, he adopts the boy (Guillaume Depardieu) who would have fallen to his gun, and trains him in the niceties of the assassin's game. He is assigned to kill an art forger (Marie Trintignant) who is much too cute for such a fate. When he adopts her as well, things really start to get out of hand. ~ Clarke Fountain, All Movie Guide

In this French horror film, which many critics compared to both Scream and The Blair Witch Project, a group of young actors have been hired to stage a production of Little Red Riding Hood at a mansion far away from the city. When they arrive, the players learn that they're all alone at the estate except for the wealthy owner of the house, his young son, and a servant. They are also visited by police, who warn them that a violent criminal is on the loose and may be hiding somewhere nearby. As the evening wears on, the actors are murdered one by one, and the survivors fight for their lives as they try to find out who the killer is and what he wants from them. Promenons-Nous Dans Les Bois, the first film from director Lionel Delplanque, stars Clotilde Courau, Clement Sibony, Vincent Lecoeur, Alexia Stresi, and Maud Buquet. ~ Mark Deming, All Movie Guide

A little philosophy can be a dangerous thing. Especially if it comes from the sudden blinding insights of the none too bright. Such insights, based upon totally illogical conclusions form the basis of this devilishly dark, distorted French absurdist comedy. At the beginning of the eccentric tale, a noted author deliberately drives his car into a brick wall, a suicide method employed by the protagonist of his last novel. Taxi driver Evangila and her brother North are deeply upset their favorite author's sudden death. They discuss the deeper implications of his act, and deduce that the author killed himself because he was increasingly obsessed with the notion that he was actually a character in someone else's novel. Finding their conclusion perfectly sound, the duo make the next logic leap and decide that they too are literary characters in someone else's book. That being the case, then all responsibility for their actions lies on the writer's shoulders, not theirs; therefore, they can do whatever they want with no consequence. Meanwhile the writer's bereaved widow, Karenina, decides she wants to join her husband in death. She makes several sucide attempts, but someone always 'rescues' her at the crucial moment. In desperation, she decides to simply leap from a tall bridge. As Karenina plots her demise, North and Evangela continue to wrestle with their newfound philosophy. The newest twist is that the author of their lives is in reality their god. Since he is the tangible, living being who dictates their every move, they decide to consult a priest in the hope that he can convince their Creator to meet them and answer a few burning questions. Unfortunately the priest can't help them and suggests that perhaps someone near death could provide more insight, someone about to commit suicide perhaps? Evangela and North, figuring a tall bridge is a good place to encounter a suicide immediately go to a certain bridge and end up meeting Karenina. When a spiritualist and God Himself get involved the story really goes off the deep end and that is when the fun really begins. ~ Sandra Brennan, All Movie Guide

Sullen teenage orphan Johnny Miles (Josh Albee) is wrongfully accused of stealing from his foster parents. Running away from home, Johnny forms a bond with another youthful "runaway"--this one a leopard who has escaped from a nearby wild-animal compound. Both fugitives are sheltered by a harsh but lovable kennel owner, Angela Lakey (Dorothy McGuire), who senses that neither boy nor leopard are as bad as they're cracked up to be. Assuming the responsibility of caring for the animal, Johnny risks being captured by the authorities--and while his punishment will be relatively benign, the leopard might well be destroyed. Adapted from a novel by Victor Canning, The Runaways premiered April 1, 1975, on ABC. ~ Hal Erickson, All Movie Guide

First-time director Samuel Benmchetrit's 2003 debut Janis et John (Janis and John) follows the comedic exploits of a down-on-his luck insurance salesman as he attempts to make up for some very poor financial decisions. Pablo Sterni (Sergi Lopez), the aforementioned insurance salesman, has, until recently, been an honest business man. As of late, though, Pablo had been siphoning money from one of his more successful client's accounts -- one that covers a very expensive sports car. When that client, Mr. Cannon (Jean-Louis Trintignant), turns in a loss claim for that car for a half-million francs, Pablo finds himself in a tight spot. Inspiration strikes when Pablo learns that his hippy-dippy cousin Leon (Christopher Lambert, billed as Christophe Lambert) has just inherited a million francs from his recently deceased father. Leon, a perpetually stoned record store owner, lives solely for the day his 1973 vision of John Lennon and Janis Joplin's Christ-like return to Earth is fulfilled. After visiting with his cousin, Pablo decides to assist Leon in reliving his dream -- as well as parting him with much of his inheritance -- by convincing his wallflower wife, Brigitte (Marie Trintignant, murdered mere weeks before the film's debut, thus marking her final film appearance) and an out-of-work actor (François Cluzet) to impersonate Janis and John. Janis et John was selected for inclusion in the 2003 Montreal World Film Festival. ~ Ryan Shriver, All Movie Guide

Jeanne (Christine Boisson) takes care of her parents, husband and children along with her eccentric sisters while successfully running a resort hotel and eatery. With the arrival of the new landlord Pierre (Benoit Regent), Jeanne must choose between her husband and the sexually forward visitor. ~ Dan Pavlides, All Movie Guide

Two people with a similar fetish for the exotic Asian fabric have an odd relationship in this off-beat French romance set in 1914. In the beginning, Marie enters a Paris department store and carefully heads for the fabric part. With cat-like caution she moves beside a bolt of silk, suddenly pouncing upon it, slashing the fabric with a straight razor and the pressing its cool satiny smoothness to her body until she faints with pleasure. Upon regaining consciousness, Marie finds herself booked for shoplifting and sent to a psycho ward where she meets Doctor Gabriel who asks her surprisingly intimate questions about her fetish for stealing silk in public. He seems to relish every erotic detail. Knowing that she is unable to control her passionate urges, she decides that she needs to be imprisoned. While serving her time and finally leaning to read and write, Dr. Gabriel fights the Germans in North Africa. A wound prompts his discharge and this gives him the chance to pen his case study of Marie, "The Scream of the Silk." The newly literate Marie reads the article, sees herself and sends him a heartfelt letter of thanks. Gabriel responds, confessing that he too is a 'silko-phile' with a similar obsession. Via their letters, the two slowly fall in love while Gabriel's doting housekeeper watches over him. ~ Sandra Brennan, All Movie Guide

Two losers find an especially bad way to beat the high cost of living in this off-beat comedy from France. Antoine (Francois Cluzet) aspires to write plays, but in the meantime he scrapes together a living writing articles for a martial arts magazine and creating crossword puzzles; he spends his spare time talking with his friend Sylvie (Judith Henry) about the sad state of his love life. His buddy Fred (Guillaume Depardieu), on the other hand, doesn't do much of anything; on those rare occasions when he rises from the couch, it's to plot new schemes to pick up women, which are usually doomed to failure. However, this routine is shattered when Antoine and Fred discover that their apartment is being sold and they need to come up with some money to get a new flat. With little cash on hand and few prospects, Antoine gets an idea: rob the offices of the magazine for which he's been writing. Co-star Guillaume Depardieu is the son of French superstar Gérard Depardieu. ~ Mark Deming, All Movie Guide

According to reviewers, an expert cast of character actors make this bedroom farce eminently watchable, despite glitches in the storytelling. In the story, a group of old friends and relations gather each year to celebrate Christmas together on the ski resort of Chamonix. They don't do much skiing, however, but mostly explore their own and their friends' and relations' romantic quandries. In the story, the widower family patriarch Leo (Daniel Gelin) announces his engagement to Francoise (Anouk Aimee), which provokes all sorts of reactions in his sons Max and Simon (Gerard Lanvin and Andre Dussollier) and their families, because their own marriages are really rocky. Among the complications: Simon's son is infatuated with Max's daughter, Max is trying to make time with a woman who works locally, Simon has brought along his mistress, family friend Stephane is having trouble with his girlfriend, who threatens suicide if he won't marry her, and a difficult time is had by all during this merrymaking season. ~ Clarke Fountain, All Movie Guide

Molinat (Phillippe Noiret) and Leroyer (Guy Marchand) are two cops who hate each others guts but are called on to solve the gunshot deaths of victims found on an Atlantic beach resort. The two focus on some females who have a psychological problem with men who are breathing. Molinat sends Leroyer to investigate some sultry suspects, knowing his hated colleague may never come back alive. ~ Dan Pavlides, All Movie Guide